paul2001sw-1 Alan Ackybourn has written some brilliantly black and farcical plays, but in Macolm Mowbray's hands, his 'Revenger's Comedies' come across merely as a jolly romp of little social relevance. The script sparkles in places, and Martin Clunes is very funny in his role, but as a whole, the piece never comes to life: perhaps it needs the intensity of theatrical staging, where the escalating sequence of events can be unfolded in greater mutual proximity than in a film. But there's also a sense I had in watching this that the script had been cut down; I don't know if this is true, but if so, it could explain why the script had an emasculated feeling, as if the dialogues between the characters had been reduced to outline form only. In general, I'm a big fan of this writer; but if you want to explore his work, you might be better starting somewhere else.

robin-414 I like this movie, and when I was in the habit of watching films, or sections of them, over and again, this was a favourite of mine to dip into. It has some very good moments, for the reason of being both funny and very well acted. I'd heard the play in a lengthier form on the radio some years before, so I was familiar with the story, and I was pleased to see Steve Coogan in an early film role (he is horribly wonderful as Bruce Tick). However, something about the film has always bothered me, and it actually only occurred to me very recently just what it is. It is that all of the young male leads are in the wrong roles. I just can't believe that Sam Neil would even consider the option of suicide (not a giveaway - this is the beginning of the film). Martin Clunes would have been better as Henry Bell - but it was the central role, and Sam Neil was the bigger name. Helena Bonham-Carter has lots of fun playing the psychotic woman. Utterly convincing, and it's easy to see why poor old Henry gets mixed up with her. The Revengers Comedies (Sweet Revenge is a better title for this movie)is not a classic, but it's better than a lot of recent British comedy films, and is a faint echo of a craft in which we once excelled, a long time ago.

NJMoon Like Harvey Fierstein's TORCH SONG TRILOGY, this two-part play almost demanded a name change before lensing, but all except the US market chose to do so (SWEET REVENGE, to us Yanks). Alan Ayckbourn's cutting comic caper concerns two desperate losers who opt for revenge instead of a midnight dive into the Thames. Fine Britress Helena Bonham Carter is the controlling "she" while sedate Ozian Sam Neil is the duller "he". Stick insect Kristin Scott Thomas replaces the much-missed Joanna Lumley from the stage version while a mopey Rupert Graves is serviceable as the wayward brother. This is only one of three Ayckbourn plays (out of 69) to make it to the big screen (A CHORUS OF DISAPPROVAL and SMOKING/NO SMOKING, the other two) and it's compression proves it's failing. The quaint Liz Smith is antic as the doddering maid. In the end, though, the fabric has been sliced and mended till the narrative is less than satisfying.

ktmphd If you want to know what people mean when they say the British are superb in creating droll comedies and you do not know what they are talking about, watch this movie! You also get the benefit of seeing a movie that gives new meanings to words like ironic, satiric, quaint, bucolic, whimsical and hilarious.The three leads are superb, but watch for the secondary leads, such as the boss who gets the axe by his wife due to his being set up, or the husband who gets shot by accident and everyone is ecstatic or, best of all, the head housekeeper who is taking two or three years to break in her replacement.Get it, rent it, do whatever you need to do to see it and laugh. Then sit around as I am with impatience waiting for the sequel.