kay_rock Just found this on Amazon Prime. I'd never heard of it before.For those sensitive to child abuse (and who isn't) there's a big chance for triggering, here.But for the rest of the story, and the many mysteries that slowly unravel and unfold, it's just marvelous. Wonderfully cast, filmed, and acted. The pace isn't rapid but it's not tediously slow, either. It is definitely one to be binge-watched in a big 3 hour session, but it's only slightly longer than a full-length film so that shouldn't be too difficult.Did I mention the wonderful cast?It's not a high-brow think piece, but it is what it is, and for that it's definitely fun. I really enjoyed it. If you sit back and just decide to enjoy an old-style ghost story with romance and danger and sad, sorrowful events (and just a little bit of redemption and joy), you should have a good time.

Carole Wahlers I have not read the book, but did see in reviews that the little daughter is named Callie. The family name is Caleigh. Is there a reason for that repeated name?I liked the series, but I also thought it was a bit improbable--maybe that's what the genre calls for. I did appreciate that the parents were supportive of each other after losing a child. Also, why did they show the little boy being carried off and, at the conclusion, learn that he drowned. There was no real resolution that he was abducted and who did this. While I am complaining, the rescue scene with the father running all over the place did create tension, but it was quite over the top, I thought.

Phoebe K I was enticed from the moment I saw the eerie opening credits. I can't fault this series, every minute I was gripped with a new twist, amazing performances and a remarkable story line. Although some twists were cliché; you can easily forgive and forget, thanks to something new and exciting happening within the next minute. I read in a bio that the series was classed as a "drama", and a drama indeed it was. If you were expecting a gory horror I'd turn away now. As this series should be engaged with the expectations of a great story line drama... Even if the series still managed to spook me in parts and have me on the edge of my seat nearly all the way through.The story line was truly captivating. The juxtaposition was easy to follow and fun to see a new time period. The only reason for me not rating the series a '10' is simply because I wanted to know a little more about the boy, for which the bio of the series stated was one of the main focus points.A must watch for everyone!

jc-osms I like a good ghost story and this BBC dramatisation of a James Herbert novel (which I've not read) made for entertaining if far-fetched viewing. Spread over three hour-long episodes, I imagine gave the serial time to stay closer to the novel and to be fair I didn't notice a lot of unnecessary padding.Set in two different time-frames, one set in the present day with a young family trying to get over the apparent loss of their beloved young son, the other telling the more interesting story of a sadistic brother and child-abusing sister who run an oxymoronic "safe home" for young evacuee children during the Second World War, whose methods are challenged by a game young teacher who comes into their employ. The two stories converge when the modern family unaccountably pick the spookiest house in the country to recuperate from their loss, with the mother and her two other young children apparently seeing and hearing the presence of the young children murdered 70 years ago and the former believing that the ghosts might be able to contact her missing son.As I've indicated, it's probably best to pop a few massive coincidence pills in before watching and while some confusion inevitably enters the narrative, it coheres well enough to engage me through three Sundays in a row. The actors put the hokum across pretty well as a group with special mention going to Olivia Cooke as Nancy Linnet, the defiant young teacher who braves the dastardly brother and sister at risk of her own career and indeed life. Douglas Henshall also makes for a creepy "Whacko" villain, who fetishistically notes down every beating he gives out and demands one more victim in return for the one that got away.The special effects were okay, more about suggestion which is usually the best way in programmes like this with no cliché unturned (subjective camera shots, pouring rain, dark sets, voluminous background music at key moments) and of course there's an impossible rescue of the daughter by her father, but if you're watching this as a study in realism then think again.I've watched more realistic and scarier ghost stories than this but this twin-spook story engaged me reasonably even if at no stage was I tempted to hide behind my sofa or even peek through my fingers at any point during it.