Michael O'Keefe Cowboy hero Wild Bill Elliott in his last movie for Republic Pictures. A stalwart of the genre, Elliott plays Shadrach Jones, a Texas State Policeman who gives up his badge to hunt down the man that shot his brother in the back, while robbing him of money set aside to purchase an Arizona ranch. Shad believes that the man he is looking for will be working on a cattle drive for Cap Mackellar(Walter Brennan). Jones takes on the job as trail boss with intent of finding the guilty man. Revenge or retribution? Justice or payback? Actually a B Western with a top notch cast making THE SHOWDOWN a must see. The cast also includes: Marie Windsor, Harry Morgan, William Ching, Jim Davis, Leif Erickson and Rhys Williams.

doug-balch You might want to take a peek at this Western.Here's what I liked:Very unusual appearance by Harry Morgan as a tough henchman. Morgan spent most of his career playing buffoons.Pretty well executed film noir technique, which is odd to see in the Western format. The film has an effective hard edge to it, especially considering how low budget it is.I always like watching Walter Brennan play against type.Here's what I didn't like:There's nothing really Western about that movie except costumes. This is an urban detective who-dun-it simply transposed to a Western setting.Cheap production, completely back lot, William Eliot is not a very good lead.Ridiculous stereotyping of Mexican character.

bkoganbing The Showdown is one unusual western product from Herbert J. Yates's Republic Pictures. It's a vengeance quest tale the kind of thing Randolph Scott would be doing in his westerns. Wild Bill Elliott, hero to many a kid for being Red Ryder plays a mean and vicious former state Texas policeman on the trail of someone who shot his brother in the back. The film also bears a lot of resemblance in the production values to the Dick Powell western, Stagecoach West.The film opens with Elliott digging up his brother's body at the graveyard, an unusual enough opening for a western. 19th century forensics shows Elliott that his brother was killed, shot in the back with a derringer. It's the only clue he's got to the identity of the perpetrator.Cattleowner Walter Brennan hires Elliott to drive his herd through to Montana. Elliott was a member of the Texas Police when Texas was under carpetbagger rule. The mostly ex-rebels who are Brennan's hands have a hate on for Elliott on general principles. He hires on because he's got reason to suspect his culprit will be on the cattle drive.Take a look down the cast list and you'll see that we've got a treasure trove full of suspects, remembering the roles a lot of these people play in films. A few get killed along the way and are eliminated as suspects, some are eliminated by other means. I have to say that I guessed wrong myself as to the identity.The Showdown teases you every minute of the film as to the identity of the murderer. Elliott schemes and searches his suspects for the owner of La Pistolita. In this great cast I have to say that one who stands out is Harry Morgan. He plays very much against type as a hot tempered young gunslinger, far from Colonel Sherman Potter of MASH as you can get.When the identity of the killer is revealed the climax is in how it happens, how the individual meets his end and Elliott's reaction to same. The Showdown is a great example of blended genre, a western noir. It's a real crackerjack sleeper of a film and I think people who generally don't like westerns will gravitate to this film.

BigVic-4 This movie makes my top-ten list of greatest westerns. Great acting from the usually laughable Wild Bill Elliot, great direction and awesome character development along with a good mystery. The subtle dialog from Elliot brings a new light to his acting ability.