MARIO GAUCI Rather than following in father's footsteps, this (obviously lookalike) progeny takes it upon himself to clear the old family name – but is misunderstood at every turn. Ponderous offshoot of a well-worn formula (pardon the pun), acted for more than its worth; nowhere near as wacky as Edgar G. Ulmer's DAUGHTER OF DR. JEKYLL (1957), but just as watchable under the circumstances. Indeed, the fanciful kinsmen of famous literary monsters were a staple from the 1930s onwards and, while some of the end results were not only commendable but remarkable, it generally meant that the rot had set in that particular source and that exploitation film-makers were milking a catchpenny moniker for all it was worth. To spice things up a bit here, Louis Hayward (as the titular character) is brought up by Jekyll's attorney Utterson (Lester Matthews) as his own son and is only told of his heritage – by Jekyll's duplicitous(!) colleague Dr. Lanyon (Alexander Knox) – when he is – here it comes again – booted out of college for his unorthodox experiments! Familiar character actors Paul Cavanaugh and Rhys Williams – as, respectively, the investigating Inspector and the proverbial butler – also put in an appearance but have fairly little of note to do. Curiously enough, although Hayward does get to don the "Mr. Hyde" make-up in the film's prologue, the actual monster in the film proper is somebody else – though contriving to expire in the exact same new way devised by the film-makers earlier on: falling to his death from a window ledge!!

MartinHafer This film starts with a prologue that contradicts the previous Dr. Jekyll movies as well as Robert Louis Stevenson's novel. It this incarnation of Dr. Jekyll and Mr. Hyde, the Doctor was married (he was engaged in the other films) and had a baby boy. After the Doc is killed by an enraged crowd, one of Jekyll's friends takes the tyke home to raise it as its own.The film now jumps forward many years. Jekyll's son is also experimenting on weird stuff and is possibly going to be dismissed from the local university. He also is almost of age--and about to inherit his father's estate (which, incidentally, sure appeared to be burned down as the film began).For much of the film, the press hounds the now adult son of Jekyll. In order to sell papers, they set up young Jekyll several times--making him look like a maniac. After a while, so much hysteria is created that his safety is a serious concern. Also of concern, however, is that Junior is a bit daft...as he begins trying to replicate Dad's work!! So, on one hand you feel sorry for him because the papers are often breaking the law in order to get a story. The things they do are amazingly sleazy and sick. But on the other, young Jekyll does appear to be a nutter! In the meantime, violent assaults begin to occur and Jekyll is blamed for them--especially because they seem to occur just when he COULD have done it. However, the viewer can see that it is NOT Jekyll doing this but a mysterious stranger. Who this is and why is something you'll just need to see for yourself. However, if you are looking for a monster film, you may be disappointed as the film really is more of a mystery movie. While no doubt this happened to some in the audience, I was happy to see it because at least it didn't make the film a predictable by-the-numbers film.Overall, it's better than the current IMDb score of 4.1, as this would indicate that this is a very poor movie--and it certainly is not. Decent acting and an unusual script make this worth a look. My only reservation about the film is that they really did not need have Jekyll Junior do any sort of experiments, as this did seem to cloud the issue a bit. Otherwise, a very good film.Now that I think about it, the plot of this film is a lot like PSYCHO II, as most of the film consists of a person trying to convince Norman that he is NOT cured (though I was NOT a fan of PSYCHO II because of its convoluted ending).

Michael_Elliott Son of Dr. Jekyll, The (1951) * 1/2 (out of 4) Dr. Jekyll's son (Louis Hayward) goes back to the laboratory to try and prove his father wasn't a monster. This film actually gets off to a pretty good start but things quickly fall apart making this a rather poor film in the end. The performances from everyone in the cast are actually pretty good, which is shocking for this type of film. The first transformation scene is also very well effective but after this there isn't much here. The film seems to think that the viewers didn't want to see a monster but instead sit around and listen to bad dialogue. There's way too much talk going on in this film and this here makes it quite boring.

reve-2 I realise that my one-line summary is faint praise indeed but it does reflect the quality of this film. Overall it's at best, a slightly below average story but, it does indeed get better and picks up the pace in the last one/third of the film. The black and white photography of this period piece is done very well with the street sets looking very authentic. Louis Hayward does his usual competent job and is assisted especially well by Alexander Knox and Rhys Williams. Jody Lawrence is pretty to look at but her character adds very little to the story. The identity of the real killer is divulged rather early so this film is not a whodunnit. If you start watching this movie and find yourself starting to get bored, try to stay with it for a while longer. You will eventually be rewarded with about 30 minutes of good action.