Coventry TV-movies from the 70's are generally fantastic. Whenever I spot the "archive collection" label, or recognize certain names of contemporary writers/directors, I immediately associate the film with intelligent and absorbing plots, atmospheric tension, genuine frights and devoted performances from often underrated but talented actors and actresses. There's something inexplicably magical about these movies and not coincidentally I regularly encounter user comments around here from fellow film freaks that remember and honor certain 70 TV-titles as movies that haunted their dreams ever since childhood. "The Stranger Within" is such a modest but highly efficient and memorable little gem from that era. Perhaps the film owes its existence solely to the tremendous success of "Rosemary's Baby", but it nevertheless it still stands as a solid independent thriller about a handful of touchy subjects like pregnancy issues, marriage and faithfulness. Painter Ann Collins is overjoyed and optimistic when she finds out she's pregnant, even though she had to process a severe trauma 3 years earlier and her loving husband David underwent a vasectomy as a result of it. He can't be the father, but Ann swears she wasn't unfaithful, so they decide to keep the baby. Ann's condition rapidly turns out to be a very unusual, abnormal and even dangerous pregnancy. She puts tons of salt on her food and slurps down gallons of steaming hot black coffee. Even more disturbing is that Ann constantly seeks for cold, sneaks out for long and mysterious nightly excursions and that her body miraculously heals itself from every type of illness. David and his friends desperately look for a medical explanation while Ann isolates herself and increasingly becomes influenced by the unborn baby whose origin remains an enigma. "The Stranger Within" benefices from a powerful first half, with a strong emphasis on marital defiance. The tense interactions between Ann and David after finding out he couldn't have conceived the child are honest and realistic. The second half is more Sci-Fi orientated, but the atmosphere nonetheless remains vulnerable and serene. The movie doesn't feature and bloody massacres or monstrous creatures, but it's definitely unsettling and grim. The basic story comes from the multi-talented veteran author Richard Matheson, so there aren't many better references in the horror industry. I hugely appreciated the climax and the (very) open ending and caught myself still gazing at the screen even long after the end credits were finished.

bribabylk *** spoiler signal! *** ... that is presumably coming from the alien fetus inside her, speaking through her mouth. I don't remember it verbatim, but the alien fetus explains its origin and speaks of Earth as a "...hot, heavy land..." It was a nice, little haunting bit of writing, and the makers of the TV movie knew it was the best part of the whole production, because they use it TWICE. The rest of the move is rather flat and lethargic; it's not really scary or even all that suspenseful. I saw this when I was a little kid, when it originally aired on TV in '74, and I remember I was looking forward to it and hoped it would be good because I liked (and still like!) spooky movies and because it starred Barbara Eden who was still pretty fresh from Jeannie at the time, but even as an indiscriminate 7-yr old viewer I was bored and disappointed.

Woodyanders Although her sweet, caring schoolteacher husband David (the fine George Grizzard) had a vasectomy three years ago, successful painter Ann Collins (marvelously played with meticulous focus by the lovely Barbara Eden of "I Dream of Jeannie" fame) has somehow managed to become pregnant. Even weirder than Ann miraculously having a bun in the oven is the radical shift in her once normal, now increasingly flipped-out behavior: Ann starts putting way too much salt on her food, gulps down steaming hot black coffee by the gallon, develops a peculiar predilection for freezing cold temperatures, reads sociology books by the dozens, starts talking in an odd unidentifiable foreign tongue, and becomes cranky to the point of being downright hostile. Is Ann going crazy? Or, more disturbing, is the rapidly developing fetus she's carrying some kind of alien creature with potentially malevolent intentions? This frightfully effective and absorbing made-for-TV domestic sci-fi/horror hybrid mixes elements of "Rosemary's Baby," "The Exorcist" and "The Stepford Wives" into a highly creepy and compelling synthesis, cleverly mining a fine line in flesh-crawling thrills from its quietly unnerving central theme: The placid tranquility of a bland, everyday, affluent upper middle-class suburbanite setting gets totally ripped asunder by inexplicable otherworldly occurrences which defy logical categorization and hence can be neither controlled nor comprehended through ordinary means. Lee Philips' low-key, rather pedestrian direction inadvertently works in the film's favor; his lack of flashy cinematic flourishes and pretty mundane style greatly enhance the movie's vivid and convincing evocation of a plain, average, nothing fancy or unusual environment. Richard ("Duel," "The Night Stalker") Matheson's script is typically sound: intelligent, insightful, mature (e.g., when David first finds out about Ann's condition he accuses her of being unfaithful), mysterious and paranoid, with the fantastic premise made believable and intriguing by grounding it with acutely observed, true-to-life, three-dimensional characters and an uneasy tone which remains pleasingly enigmatic and ambiguous to the very end. Eden and Grizzard are excellent in the leads, making for a thoroughly plausible and appealing middle-aged couple. David Doyle as a kindly, helpful amateur hypnotist, Nehemiah Persoff as a bewildered doctor, and Joyce Van Patten as Ann's concerned, sympathetic best friend contribute sturdy supporting performances. The surprise conclusion with the baby's actual origins finally being revealed packs a socko startling punch. Eerie, understated and above all proficiently done, this nifty chiller diller rates as a serenely unsettling little scarefest.

domino1003 ******POSSIBLE SPOILERS!!!!!*****Ann Collins discovers that she is pregnant. Trouble is, her husband David (George Grizzard)is not the proud papa-to-be. Soon, her behavior changes: Eats raw foods (Especially raw octopus!),HOT coffee and LOTS AND LOTS of salt. She also reads books...by just quickly scanning it with her hand. It is obvious by now that SOMETHING is wrong with this pregnancy, but what? Is the baby the spawn of Satan, or from outer space? Is she going to end up with a permanent case of the jitters by drinking all of that coffee?This is a pretty good movie-of-the week, and hopefully it will pop up on DVD sometime soon. It's a good laugh in some parts, and it clearly shows its age, but worth looking at.