The Stranger's Return

1933 "A story of real people"
6.9| 1h29m| NR| en| More Info
Released: 28 July 1933 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A divorcée leaves New York to visit her grandfather's farm and recover in the Midwest, where she unexpectedly falls in love with a married farmer.

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blanche-2 "A Stranger's Return" from 1933 stars Miriam Hopkins, Lionel Barrymore, and Franchot Tone, and is directed by King Vidor.Hopkins plays Louise Storr, a divorcée who leaves the big city, New York, and comes to visit her grandfather's (Lionel Barrymore) farm to get back to her roots. She doesn't intend to stay.Grandpa Storr is thrilled to see her and wants her to stay. She meets his neighbor (Tone), an educated man with a wife and child, and there's an instant attraction. Like her, he loves theater and they relate on a different level from him and his wife. They realize they're in love.Other people aren't really interested in having Louise stick around. And abruptly, Grandpa starts acting demented, and there's a move afoot to have him committed.Funny and touching, this precode touches on two no-nos later on, divorce and adultery, but of course it's nothing today. Lionel Barrymore is hilarious as Grandpa, and he and Tone have wonderful banter as friends who pretend to be enemies. *Come over at 7 for dinner," Guy says "It will give me time to count the silverware and hide the valuables." "Why?" Grandpa asks. "Afraid I'll recognize my own stuff?" Both of them give charming performances.Miriam Hopkins is at her most beautiful here, giving a lyrical performance as Louise. Such a wonderful actress - by her acting, we see the character's backstory of hurt due to her divorce. She's a gentle woman, capable of deep love. Hopkins had a long and prolific Broadway career and brought her training to film, playing a variety of roles. One of my favorites is her as the aunt in "The Heiress."Catch this when it's on TCM.
csteidler Lionel Barrymore is wonderful as 85-year-old Grandpa Storr, crotchety old patriarch who's spent his life running the old family farm. Miriam Hopkins is equally enchanting as the granddaughter who arrives from the city to stay. Hopkins and Barrymore are just delightful as they strike up a fast friendship. "You know, I have a feeling you aren't quite as bad as you're painted," Hopkins offers in a charming early scene where the pair get acquainted sitting on a porch swing. "Who said I was bad?" Barrymore growls back—with a mischievous smirk and slightly raised eyebrow. Stuart Erwin is excellent as Grandpa's devoted if melancholy farm hand. And Franchot Tone is just right as the educated neighbor farmer, loyal to his family and farm although he is powerfully attracted by Hopkins' charm and sophistication and misses the university where he really should be teaching. Funny and poignant, the picture is full of endearing moments and simple yet memorable episodes. The threshing day lunch, for example—when a farmer at the crowded dinner table asks Hopkins for one more piece of pie, the result is hilarious and unforgettable.
Maliejandra Kay The Stranger's Return is an interesting pre-code film to watch, because although it deals with shocking subjects for the time period (like divorce and adultery), the film comes off relatively tame today. Louise Storr (Miriam Hopkins) has just divorced her husband and for a bit of a holiday and a way to get back to her roots, she revisits the family farm. Her grandfather (Lionel Barrymore) takes her back with open arms and shows her how wonderful a rural life can be, even for a city girl. Despite his age, he is a very active sort and continues to parade around his independence amid snobby onlookers. He even introduces his grand daughter to their neighbor Guy Crane (Franchot Tone), a married man who turns out to be the perfect diversion for the girl.This movie is all about gossip and loyalty and finding a place to belong, but it is presented casually so as not to be mistaken for anything but entertainment. It features pleasing performances from some of the big names of the era, namely Barrymore who carries the film.
thegreggor-1 A very quiet story in terms of action, but full of wonderful performances in material that could have been easily dull in the wrong hands. Miriam Hopkins is at her most beautiful in her prime. When she's on the screen,you simply can't miss her star appeal, which is absolutely magnetic. Not only a beauty, but she proves herself again to be a great actress with a dynamic range. (Also see Dr. Jeckyl and Mr. Hyde 1932, Trouble In Paradise, Story Of Temple Drake,and Becky Sharp for Miriam at her best.) Beulah Bondi offers great support with her character that you will love to hate. Lionel Barrymore is also quite lovable in his role as the elderly patriarch of the family.Don't see this film when you're high energy, but see this film.