Jay Raskin At the very beginning of this film, Nina Tennyson (Leona Maricle) tells lover Henrie Saffron (Erik Rhodes) that she is going to marry millionaire Kenneth Nolan (Joel McCrea) "so you and I can live happily ever afterwards." She explains that she is going to marry Nolan for his money and then leave him. Henrie say, "Holy Mackerel, what a way to make a living." "Do you know any other way to make a living," she wisecracks.Besides his fiancé, Nolan's father, B.J. Nolan (Charles Winninger) is also after his money. He has started a suburban housing community called "Nolan Heights" and creditors are going to ruin him if his son doesn't invest in the project. His son has specifically been ordered in his mother's will, not to invest in his father's hair-brained schemes. Thus both father and son are in trouble. At this moment, Virginia Travis (Mariam Hopkins) shows up looking for a job as an architect for Nolan's "Nolan Heights" housing project. She gives a wild and hilarious introductory speech:"I know what you're thinking that I'm a girl. Yes, Mr. Nolan, but I have a man's courage, a man's vision, a man's attack...For seven years, I studied like a man, researched like a man. There is nothing feminine about my mind. Seven year ago I gave up a perfectly nice engagement with a charming, wealthy old man because I chose a practical career. I left him at the church to become an architect and today I'm ready and he's dead. Here I am Mr. Nolan with the key to Nolan Heights. I've found a way to make us both rich. I can make you a fortune. Why I have a million dollars right here in my hand."At this point, she faints dead away. A doctor is called and he explains that she fainted due to hunger. She hadn't eaten in 48 hours. "49 hours," Virginia corrects him, coming out of her faint.This is a very sweet movie where all the main characters are both con-artists and lovers.I think Mariam Hopkins is brilliant in her performance and deserved an academy award. Unlike Katherine Hepburn, who appears loving, but feather-brained, in the popular screwball comedy, "Bringing Up Baby (1939), Hopkins manages to be both loving and smart. Everybody is flawed and a little bit of a screwball in this comedy. That makes it a very wise comedy, indeed.

vincentlynch-moonoi I have mixed feelings about this film, and perhaps that can be explained mostly by somewhat of an aversion I have against Miriam Hopkins. Mostly I dislike her performances, although every once in a while she seems to be just right for a part. For example, "These Three", "The Children's' Hour", and some of her films with Bette Davis are the exceptions, when I enjoy her performances. In "Woman Chases Man", I think she did a decent job of playing a scheming woman who is out to bilk a man (Joel McCrea), but also protecting him (out of a growing love) from another woman is attempting to bilk him.Probably because of his preference later in his career to concentrate on Westerns, Joel McCrae is a much underrated actor, and demonstrated here...though this is hardly his best role (watch instead, for example, "Foreign Correspondent").Charles Winninger as the McCrae's father is quite good here, and it's a hoot seeing Broderick Crawford playing a slightly crooked butler.The story -- a former millionaire and his wealthy son have differences about how to spend the family fortune -- is funny, and occasionally a tad silly...but I guess that's what screwball comedies are supposed to be. Some of the dialog is pretty clever, other times it devolves into being foolish, but overall it's a pretty good story.Recommended for a watch, but it probably won't end up on your DVD shelf.

Michael_Elliott Woman Chases Man (1937) ** (out of 4) Screwball comedy has a father (Charles Winninger) trying to get $100,000 from his son (Joel McCrea) but when the son refuses the father hires a young woman (Miriam Hopkins) to try and lure it from him. This is a rather strange film because it doesn't work as a comedy at all. In fact, I don't recall laughing a single time but the two leads keep things moving along and makes for a great couple but it's a shame the screenplay doesn't do them justice. McCrea comes off a tad bit too straight-forward but this works well against the more free-spirited Hopkins who is incredibly charming in her role. The supporting cast doesn't add too much and the ending is very predictable but fans of the two stars might be interested.

wes-connors Woman (Miriam Hopkins as Virginia) chases Man (Joel McCrea as Kenneth) for father (Charles Winninger as B.J.). Woman wants to get Man to invest some of deceased mother's money in father's business venture; but, father is notorious for losing money on hair-brained schemes. Little does anyone know, but real evil schemers are posing as Man's best friends in order to steal his fortune...The production looks engaging, but the story fails to engage. The players don't play drunk well. Notable as Broderick Crawford's first appearance - as gopher "Hunk"; other than running errands, Mr. Crawford gets pinned to the floor by Mr. McCrea. *** Woman Chases Man (4/28/37) John G. Blystone ~ Miriam Hopkins, Joel McCrea, Charles Winninger, Broderick Crawford