tomgillespie2002 The closing title card of this lesser-known title from Hammer's back catalogue reads "if we have done nothing else for India, we have done this one good thing." Referring to the British East India Company's governance over India for over a hundred years, The Stranglers of Bombay depicts the disappearance of thousands of India's population at the hands of the 'Thugees', an organised gang of murderers and thieves who operated relatively undetected for more than 600 years, and how their operations were eventually brought to an end. It is a subject that would no doubt be handled more delicately if tackled today, and I'm sure that those sensitive to modern PC standards may be somewhat offended by the film, but Stranglers is well-balanced and ultimately apologetic for the Company's occupation, finding a positive note in what was a barbaric time.Captain Harry Lewis (Guy Rolfe) of the East India Company is the only person interested in the reports of over a thousand disappearances, attempting to bring the mystery to the attention of his superiors. However, Colonel Henderson (Andrew Cruickshank) is more concerned with solving the mystery of how English merchants' caravans are similarly disappearing without a trace. To get Lewis off his back, Henderson agrees to an investigation, but opts to hand the reigns to the inexperienced and pompous Captain Connaught-Smith (Allan Cuthbertson). Frustrated at Connaught-Smith's bungling and the general disdain he has for the Indian people, Lewis quits the Company to carry out his own inquiry, and uncovers a murderous cult who make sacrifices in the name of their god, Kali. Led by the High Priest of Kali (George Pastell), the gang's influence goes all the way to the very top, which is how they have managed to remain in the shadows for centuries.The Stranglers of Bombay is low on horror but higher on adventure. The violence is implied rather than shown, but the film doesn't shy away from their grotesque acts. Eyes and tongues are removed, but most are garrotted with a ceremonial silk scarf. It's off-camera, but nevertheless effective. When the action is away from the thugees, the story plays out more like a period detective thriller, as Lewis plunges himself deeper into this secret world while the population denies the group's very existence. It's no surprise then to learn that frequent Hammer collaborator Terence Fisher is behind the camera, who would always shoot efficiently and make his films appear more expensive than they actually were. The absence of Christopher Lee and Peter Cushing is almost always felt when watching a Hammer horror, but leading man Guy Rolfe proves to be a perfectly watchable leading man, earning our sympathy as the one decent white man in a company of incompetent and uncaring fellow officers. While more attention could have been given to the suffering of the Indian people, the film's heart is certainly in the right place, making it one of Hammer's most interesting, while not their most thrilling, entries into the genre.

hwg1957-102-265704 Filmed in 'Strangloscope!' no less 'The Stranglers of Bombay' is a Hammer film directed by their usual director Terence Fisher about the historical Thugee cult in India. People and goods have been going missing from caravan trails and the officers of the East India company are worried. That is Colonel Henderson and the merchants are worried about the goods but Captain Harry Lewis is more worried about the missing people, overwhelmingly Indian. He comes to realise that devotees of the goddess Kali are responsible and begins to track them down. It is an entertaining film that gallops along to a good (but rushed ending) taking in murder, gore, suspense and excitement. Guy Rolfe is solid as Captain Lewis and George Pastell scarily convincing as the High Priest of Kali. They are supported well by Allan Cuthbertson, Andrew Cruickshank, Jan Holden and Marne Maitland (who actually was born in India.) Splendid support is also given to the frontally blessed Marie Devereux, thankfully. In minor parts are Roger Delgado and Warren Mitchell. Hammer regulars James Bernard provides an excellent musical score and Roy Ashton supplies suitably effective make-up. Good use is made of English locations and perhaps it might have been better in colour? Possibly,Apparently a few minutes were cut from the film though the 76 minute version I saw was adequate. There is supposedly more Marie Devereux and more mongoose/snake footage which is a shame as I think you can never have enough mongoose scenes in a film.

Leofwine_draca THE STRANGLERS OF BOMBAY is one of Hammer's last black-and-white movies but, being set in the exotic locales of 19th-century India, it really needs some colour to liven it up. As it stands it's a rather lifeless and stagy affair, clearly hampered by a low budget and an almost singular lack of action, incident and spectacle. Hammer would later do the whole pulp adventure type format much better with the likes of the truly gripping TERROR OF THE TONGS.The story sees the British East India Company finding themselves menaced by sinister members of a thuggee cult with a predilection for strangulation. Said cult members are headed by the memorably zany George Pastell, whose role seems to have provided inspiration for Spielberg in INDIANA JONES AND THE TEMPLE OF DOOM. Watch out for an uncredited Roger Delgado (DR WHO's Master) as an evil henchman and Marie Devereux as a mute but arresting thuggee follower.All this is fair enough, but the film really lets itself down when it comes to the lifeless characters. Guy Rolfe's heroic leading man is adequate, but way too much screen time is given over to the stuffy character Allan Cuthbertson plays. The whole narrative stagnates for minutes on end only to be rushed when it comes to the climax. STRANGLERS OF BOMBAY has promise at times, but with the pedigree behind it (such as Terence Fisher's direction) it should have been a lot better than it actually is.

Spikeopath The Stranglers of Bombay is out of Hammer Film Productions. It's directed by Terence Fisher and written by David Zelag Goodman. It stars Guy Rolfe, Jan Holden, Andrew Cruickshank, George Pastell, Marne Maitland and Paul Stassino. Music is by James Bernard and cinematography by Arthur Grant.For hundreds of years there existed in India a perverted religious sect, dedicated to the wanton destruction of human life....So secret was this savage cult that even the British East Indian Company, rulers of the country at the time, was unaware of their existence....So it begins, a compact and often violent retelling of the Thuggee Cult in India in the 1820s. It was considered strong stuff back on release and had the head suits at the BBFC shifting uneasily in their office chairs. It's a film that has also fallen unfairly into the realm where political correctness dwells, where some folk are seemingly obsessed with decrying old movies for their outdated political portrayals. This deserves better, for it's a very good script, where although the history is difficult to pin down as being correct, it does at least show a care and attention to detail where the Thugee Cult is concerned.It's also a good old adventure yarn, full of intrigue, peril and detective work. Fisher directs at a clip, never allowing the plot to stagnate, and the low budget afforded the project is barely evident amongst some very effective sets. Cast are mostly good value for money, with lead players Rolfe perfectly restrained as an officer desperately trying to be heard and Pastell owning the film as the High Priest of Kali; in fact he is revelling in the bad guy role. Bernard provides an ear banging effective musical accompaniment.Torture, maiming, heroics and a clever mongoose, something for everyone here! 7/10