runamokprods The world fell in love with musicians Glen Hansard and Marketa Irglova when their tiny indie romance film "Once" became a world wide hit. That adulation was fed further when they won the Oscar for best song – and gave endearing thank you speeches. And the icing on the cake was when we all learned this lovable and appealing duo were now a real life couple, not just a movie one."The Swell Season" follows their 2 year American tour after winning the Oscar. Shot in lovely black and white it captures fragments of terrific musical performances, snippets of life on the road, and pieces of the difficult and choppy real-life waters this seemingly fairy-tale couple went through. The weight of career, fame and – perhaps most importantly – the much younger Ms. Irglova's need to start to be her own person with her own way of seeing and reacting to the world all puts their relationship to a severe test.At the same time, the film gives us a lot of Mr. Hansard's back-story in some amazing scenes where he talks with his alternately funny and creepily fame obsessed mother, and heartbreaking alcoholic ex-boxer father.All these elements are always interesting and often arresting. But for me the film is good, but not quite great, because each of these elements feels just a little incomplete, a little cut short, a little cheated.Their music and performances are terrific, but songs are never allowed to be finished; often we get just a verse and a chorus before cutting away. The 'life-on-the-road elements are so brief they end up feeling familiar from other docs about musicians.The character study element is very strong, but both one sided (we learn far, far less about Ms. Irglova than Mr. Hansard), and frustrating when we get highlights and striking moments instead of depth.And the strongest part of the film – a very intimate look at the battle of a complex relationship to thrive (or even survive) as the people evolve, and the pressures on them grow suffers from having the process and role of time jumped over.Any one of these threads could have been a terrific film. I could easily have been thrilled by a simple, wonderfully short concert film, or a portrait of what drives an artist, or the study of a rich and sad relationship being rocked to it's core. But all three, plus an 'on the road' music doc sharing 88 minutes mean each of these worlds only get - at best - 20 minutes each – just not enough to get nearly as far into any one story element as I would have liked.Still very worth seeing, especially if you liked 'Once' (without that you might feel a bit lost about just who these people ARE). There are great and indelible moments. I just wish the whole wasn't somehow a little lesser than the sum of it's parts.

myungjahigh I think this is a good movie. Glen Hansard and Marketa Irglova show their feelings and thoughts honestly in this film, and it was interesting. Their personal stories and musics are really well combined. I felt that real life is as hard as described in Once. But both films are beautiful.The only problem is that it was released with a title "Once Again" in Korea. I don't know why, maybe the distributing agency thought that is a cool name enough to attract many audiences who know about Once. Many people expected the film is the following up, and might feel deceived after watching it. The title "Once Again" is not suitable for the movie at all. If the movie kept its real title, that would have been better. It is very sad that some korean audiences were disappointed by the film because of its korean title. I think the korean agency should feel sorry about their stupid choice. "The Swell Season" itself is good enough.

rhbailey-178-208287 First, full disclosure. I am friends with two of the filmmakers--Chris Dapkins and Carlo Mirabella-Davis--and their parents. In fact, Chris Dapkins grew up a mile and a half down the road, which in our part of rural upstate New York made us the equivalent of next-door neighbors.So I was prepared to like The Swell Season. But to be stunned by it? Though I am no longer a fan of pop music, I sat absolutely riveted through every frame of this extraordinary story of two performers on tour in public and private. The choice of black and white photography was just right, and the filmmakers let their narrative unfold in a straightforward fashion without adornment or visual gimmicks.I loved the music by Glen Hansard and Marketa Irglova, and ached at the sad poignancy of their gradual breakup. Their doomed romance took me back to that brief but legendary love affair between Joan Baez and Bob Dylan in those younger days in the 1960s when I cared deeply about such public matters of the heart.Ron Bailey, author and retired journalist

dbborroughs The film nominally covers the duo's tour across the world and the US after the Oscarwin during which we watch how the pair falls in and out of love.The film was shot in a moody black and white that looks great. The music is wonderful. The film itself is okay.The trouble is it's clear that not everything that happened during the time frame covered by the film was recorded. There are time periods where there was no coverage and we have to go on references (there seems to be vast passage of time where Glen's dad dies, but we don't have any sense of it). It's also plain to see that Marketa Irglova didn't really want to be on camera so at times the film comes off as the Glen Hansard show.It's not uninteresting but if you are a fan of the pair odds are you won't have any surprises. I liked the music but felt there was no point to it since there is nothing really new here.The film is worth a look if you like the pair, but I would wait cable or Netflix. On the other hand the final number before the end credits of Glenn playing Say it to Me Now at Radio City Music Hall is almost a good enough reason on it's own to see this on a big screen (It's one of those this is why I go to the movie moments we get so rarely these days).