The Time That Remains

2011
The Time That Remains
7| 1h49m| PG-13| en| More Info
Released: 07 January 2011 Released
Producted By: France 3 Cinéma
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

France 3 Cinéma

Trailers & Images

Reviews

cyborg-of-eternal-prospe The very idea of this movie is disgusting, heart-wrenching. There was never a black comedy movie made about the wiping out of the Jews by the Nazis, and yet you people have the heart to have a snort at anything happening in this movie? What is happening in this movie is real, raw events. The very fact that this movie was made and the very fact that you audiences are appreciating it is gross. Compare, what if this movie was exactly the same but about the Nazi occupation then you all would be raging about how heartless this was. When it's the jews, people sympathize with them as if they had survived the absolute end of the world. What about the arabs oppressed by the jews? Don't Palestinians die daily?
tieman64 Another masterpiece by Palestinian director Elia Suleiman, "The Time That Remains" chronicles Israel and Palestine's violent relationship. Deftly mixing drama, comedy, history and metaphysics, the film's first section watches as Arab resistance movements take up arms against the newly formed state of Israel. These movements slowly peter out, however, and pretty soon Suleiman's own family find themselves trapped within Israel, their new homeland. Here they eke out a living, and try to shrug off the literal and psychic violence directed at them from the Israeli majority.The film's second half finds Suleiman returning to Israel from abroad. Part of the Palestinian diaspora, he's a man caught out of place and time, his identity seemingly stolen. We watch as Suleiman drifts in and out of spaces, never speaking, slowly confronting the fact that he will not witness Palestinian independence within his lifetime. Perpetually behind enemy lines, his body seems haunted by occupation forces. Ironically, even Jews no longer recognise "their Israel". "Where am I now?" an Israel taxi driver asks, when clouds of fog part to reveal a land whose borders always change.Suleiman's films have always been attacked by Zionist groups. Such attacks epitomise Israel's own deep-rooted insecurity. She was "illegally" formed in the late 1940s, the result of rigged UN votes, a by-passing of the UN Security Council (who shot down Resolution 181 and the UNSCOP proposals), and the violent ejecting of some 750,000 Palestinians from their land before any lawful international consensus was reached. While there is nothing inherently wrong with the idea of "Israel", the sheer speed, inhumanity and tactlessness at which she was created would lead to decades of conflict. Zionists, Arabs, the UN and Britain were complicit in this tactlessness. While many Jews supported Israel's "re-formation", many prominent ones didn't. Albert Einstein would state that "the essential nature of Judaism resists the idea of a Jewish state" and was deeply "afraid of the damage Judaism would sustain by this new nationalism". Lessing Rosenwald, president of the American Council for Judaism, would prophetically say in 1944: "The concept of a racial state – the Hitlerian concept - is repugnant to the civilised world. I urge that we do nothing to set us back on the road to the past. To project at this time the creation of a Jewish state or commonwealth is to launch a singular innovation in world affairs which might well have incalculable consequences."Regardless, 55 percent of Palestine was, in an instant, taken by a Jewish population who had previously controlled 7 percent. The Palestinian majority, and their right to self determination, was swiftly ignored. Many massacres were committed in these early years (Deir Yassin etc), acts of ethnic cleansing which snowballed into the 1948 Arab-Israeli war, which saw Israel capturing 78 percent of Palestinian land. Towns were obliterated and renamed, maps were redrawn and hundreds of thousands of Palestinians became refugees. Next came the Sinai/Suez war (1956), when Israel, Britain and France set about bombing Egypt and invading the Sinai peninsula. After years of further squabbles, the Six Day War began in 1967 with Israel launching surprise air-raids on Egypt. Israel swiftly occupied the last remaining 22 percent of Palestinian land, as well as parts of Egypt and Syria (the Golan Heights, never returned). Of this attack, Israeli Prime Minister Menachem Begin would say: "The Egyptian army concentrations in the Sinai approaches did not prove Egypt was really about to attack us. We must be honest with ourselves. We decided to attack them." Henceforth, Arab/Israeli relations only get worse.The 1973 war followed, this time started by Egypt and Syria. Contrary to common portrayals, this war did not involve an attack on Israel, but saw Egyptian/Syrian forces confining their operations to sovereign Egyptian/Syrian lands that had been occupied by the IDF since 1967. As for Palestine, it would increasingly come to resemble a giant concentration camp, walls and checkpoints erected, its infrastructure annihilated and more of its land slowly confiscated. Meanwhile, roughly 8 million dollars a day would flow from the US to Israel, the tiny nation swiftly becoming a regional superpower.Over the decades, numerous peace plans would be drawn up (most famously UN 242), most of which were rejected by Israel/the US for very specific reasons: the fear that a Palestinian majority will develop within Israel ("the demographic problem") and the fear that acquired land and settlements, all of which are deemed illegally acquired by the International Court of Justice, will have to be returned ("the withdrawal problem"). Since 1976, there has been overwhelming international consensus in support of a two state Israel/Palestine in keeping with internationally recognised borders, even though this grants Palestine far less land than it "deserves". The consensus includes Arab states and the Organisation of Islamic States. The US and Israel have blocked these proposals for almost 4 decades.The Palestinian Liberation Organisation was formed in 1964. Since 1974 it has been recognised by the UN as the "government" of Palestine. Israel and the US categorise it a "terrorist organisation". The PLO would recognise Israel's right to exist in peace in 1993, accepting UN242 and rejecting all violence and terrorism. Also "representing" Palestine is Fatah, a major political party within the PLO, and Hamas, an ultra right-wing offshoot of the Muslim Brotherhood, at times backed by Britain/Mossad to essentially destroy the PLO and provide justification for Israeli counter-violence. Israel would also invade Lebanon several times (as well as mounting hundreds of illegal incursions), all in an attempt to expel the PLO from Lebanon, dethrone the Lebanese government and install pro-Christian leaders (Bachir Gemayel). The militant organisation, Hezbollah, was formed in response to these invasions. Israel would also back the South Lebanese Army and the Kataeb Party (the Lebanese Phalanges Party), violent right-wing sects. These groups used the 1982 Israeli invasion of Lebanon as cover for their slaughters of Palestinian refugees. The point? Talk, think and deliberate, before drawing lines on maps.8.5/10 – Masterpiece.
Fuad Halwani "The Time that Remains" is by far one of the most well-made and powerful Arab movies (and specifically Palestinian) to date. Elia Suleiman tackles one of the most prominent issues in the Arab world with beautiful imagery, nostalgia, music, and the silent word.I usually do not admire having a director act in his/her own film, but Elia Suleiman is his films, they are part of him and his appearance in them as the silent observer simply attacks the emotions and makes the viewer a part of his own life. "The Time that Remains" basically chronicles the life of his mother and father and their 'silent' resistance through the turmoil of the Israeli invasion of Palestine from 1948 till today.What is so powerful about this film is that how the viewer (and especially an Arab viewer) can go through a history of conflict so smoothly with much joy and come out with a striking view of this history. Suleiman shows will all simplicity how the cause still loves, without blood, with few words, but with a lot of emotions and things to say. The choice of music (classical Arabic songs) make the viewer understand what the beauty of being an Arab is, and how this beauty is slowly fading... fading into a lack of identity.I watched Suleiman's previous film "Divine Intervention" after watching this one and realized that we do have an Arab auteur director in our midst; his playful style and cartoonish characters all the more strengthen his cause and keep on his silent resistance.A pure must-see!
nyshrink This film, like most Elia Suleiman films, uses real time, absurdity, symbolism and scenes from Suleiman's life, at the same time portraying history and current events. As typical of Suleiman it is also a very personal film, the most personal of the ones I've seen (Divine Intervention, Chronicle of a Disappearance). It is a reminiscence of his family from the time of 1948, when the state of Israel was created on the land called Palestine, to the present day.The film covers events including the war of 1948, the death of Nasser, the resistance against Israeli occupation, and the deterioration of Palestinian society in recent times. It is filled with Suleiman's typical tragicomic scenes of interaction between Israelis and Palestinians. It is a very sad film, however, the humor that runs through the film, and the suspense that is created by filming in real time, keep the film engaging even though like Suleiman's other films the pace is somewhat slow.