The Tortoise and the Hare

1935 "Hare stops to show off, and the slower Tortoise wins the race."
The Tortoise and the Hare
7.1| 0h9m| NR| en| More Info
Released: 05 January 1935 Released
Producted By: Walt Disney Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The Tortoise and the Hare is an animated short film released on January 5, 1935 by United Artists, produced by Walt Disney and directed by Wilfred Jackson. Based on an Aesop's fable of the same name, The Tortoise and the Hare won the 1934 Academy Award for Best Short Subject: Cartoons. This cartoon is also believed to be one of the influences for Bugs Bunny.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Walt Disney Productions

Trailers & Images

Reviews

Hot 888 Mama . . . during this phoned-in lackluster version of THE TORTOISE AND THE HARE. During the early going of this Battle of the Sexless, the terrapin sees himself passed by a herd of slowly slithering snails. However, when the race is on the line, he guzzles a can of Human Growth Hormone while popping a bottle of Steroid Pills. To encourage this sort of prohibited Substance Abuse, Disney then shows the hopped-up turtle putting additional inches on his legs faster than Barry Bonds went through bigger and bigger baseball helmets. Speaking of cheating, Disney also adds about five minutes of "padding" to the middle of this ho-hum affair showing the hare's main way to impress the ladies: by playing with himself! Rather than being judge, jury, and executioner, this show-off rodent offers himself as pitcher, catcher, and Aaron Judge on the ball diamond. If you think that this is fair, just ask yourself one question: How can he lose? Finally, the misguided Thumper makes hay in the tennis racket, risking nothing as he's again BOTH the Ying and the Yang. It's as if Siamese Twins are playing Twister!
DVR_Brale This movie teaches, in my opinion, one of the most important life lessons ever. Treating something like it is important involves rejecting disturbances no matter how tempting they might be. The Tortoise has become a sort of a coat-of-arms to me. The Hare on the other hand embodies all the typical flaws including being conceit.Being skillful and gifted means nothing unless we stay humble. Without humble character skills might even do us damage.In short, the moral is: Finish things once started. Work humbly.Watch this precious gem whenever you need to remind yourself on how to do your work. You may even become a child again for a moment.
TheLittleSongbird What can I say, brilliant! It is funny, original and fast paced. Adapted from the Aesop fable, it deals with overconfidence and perseverance in the way only Disney can do, and at no time does it preach. The Technicolour animation is very very good, and the music was just wonderful. The little rabbits were adorable, and both the tortoise and the hare(who I admit is a bit of a jerk) are great with great personalities that positively shine through here. There is an irreverent script, and although the pace is very fast, it is a hugely enjoyable silly symphony, that keeps true to the original fable, and in the meantime putting its own irreverent spin on it. Time to give it the standing ovation it deserves. 10/10 Bethany Cox
Ron Oliver A Walt Disney SILLY SYMPHONY Cartoon Short.THE TORTOISE AND THE HARE compete in a foot race. While Max Hare struts & smirks & shows off, Toby Tortoise keeps plodding right along...Aesop's Fables provided the inspiration for this Academy Award winning cartoon. Max is rather insufferable, but Toby's gentle good nature provides the core of the story. This little film was followed by a sequel, TOBY TORTOISE RETURNS (1936).The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.