John T. Ryan WE HAD LONG ago screened this little curio of a hybrid one reeler. We say that it is a little film that owed its lineage to several different genetic sources. Our view is also shaped by its parents; being Mother Nature & Father Time.PERHAPS IT IS a fine example of the old saying: "Too many Cooks spoil the Broth." The very blending of the varying talents and styles of Laurel & Hardy with the very dry and self-deprecation of Pete Smith's narration's being blended with the industrial & patriotic message that was the crux of the movie.ADDED TO THIS curious blend is the uninspired use of color and the static camera's eye with the very plain backdrop of a parked auto in the 20th Century-Fox Studio's parking lot. Although the action is very brief, it soon wears thin and really drags. That the action is worked out from the thinnest of a premise.ALTHOUGH THAT WAS the method that was most successful in bringing the World the best of the now Classic L & H silent and sound shorts; as well as being a chief ingredient in their Hal Roach features, this was not the 1920's or '30's and the team was now caught up in the studio contract system. This was a definite bane to that genre of comedies.AS FAR AS any suspicion that the team did this for any financial remuneration seems to be specious at best. We must remember that it was World War II that was raging and affected everything. This was most likely a product of a donation of time and services from L & H, Pete Smith, 20th Century-Fox and MGM to the War effort, much in the same way that the JERRY LEWIS LABOR DAY TELETHON supported the Muscular Dystrophy Association.

classicsoncall Just about every reviewer on this board calls this a propaganda film, but that word carries a highly negative connotation to me. I found this more in line with what I'd call a documentary style narration that happens to feature one of the funniest comedy duos of all time - Laurel and Hardy. At a mere five or six minutes, this doesn't give you much except for a quickie education on the wonder of wood products, and in that respect is an eye opener even today. For example, Stan's hat band utilizes tan bark and wood fiber, and a host of products we consider primarily plastic contain such things as cellulose fiber and wood pulp. The picture, made during World War II, was produced by the U.S. Department of Agriculture, and commends the U.S. Forest Service for the work done by it's product laboratories in developing products made from wood. Not the most interesting of subjects to be sure, made somewhat annoying by the narration of Pete Smith. But fans of Laurel and Hardy will certainly want to catch the duo in their only color footage, even if their wordless performances, excuse the pun, are somewhat wooden.

MartinHafer The film consists of a narrator talking to Laurel and Hardy. The boys say nothing much (other than a laugh) and it was made on grainy color film for release in the theaters during WWII to educate (and bore) audiences on the importance of having wood.This was a Pete Smith Specialty--one of many Pete Smith shorts made during the 1940s. Compared to the other Pete Smith shorts I have seen, this one manages to be even duller--even though it uses Stan Laurel and Oliver Hardy to demonstrate that they've got wood in practically everything they are carrying--such as rayons, pressed wood, etc. In many ways, it looks like a film that should have been made for a wood products convention, as no other human beings could possibly find this interesting. In fact, tedious is probably the best description of the short. Even die-hard fans of Laurel and Hardy (like myself) would find this excruciating and you can't detect even the faintest whiff of a laugh.

knsevy This is your only chance to see The Boys in full color. Reportedly shot on their lunch break, it IS a weak entry, a film in which Stan and Ollie do nothing more than open their luggage and respond to Pete Smith's jackass narration about how many of their toiletries bow to the timber industry. Taken as a film of its time, this is no embarrassment to Stan and Ollie. As the only film they ever made in color, it becomes an odd little collector's item, which is really where its only interest lies. Completest should have this in their collection, but fans who only want to see a Laurel & Hardy comedy should probably pass this up.