max von meyerling GANGLANDThis is a terrible movie that normally I would not watch but I was desperate. I have no recollection of its being released. It's a 1987 release, and I was reviewing films at that time so possibly it went straight to VHS. Its not even listed under this title on the IMDb but as The Vern Miller Story after the famous gangster. That's right, while I'd never heard of Vern Miller there was a real life gangster named Vern Miller, and this kinda is his story. Not any more inaccurate than most screen biographies, but maybe a little less. But what has me bowels in an uproar about this film is not so much how terrible it is, but how wonderful the visuals are. How can a film be so terrible but look so good? It means virtually writing two reviews for the same movie. Its easy to dissect the shortcoming of the scripted and directed parts of the film but far more difficult to praise the visuals. Actually the excellent visuals highlight the dramatic shortcomings. Action sequences are non sequiturs with succeeding scenes failing to follow up on the action. They're sort of stranded and exist on to themselves. There is no dramatic timeline, no progression, no development of themes. Characters pop in and out of the narrative without much individuality. Its hard to know who these people are and what their connection is to each other and Vern Miller. Miller is talked about as something special but beyond being a cold blooded killer he doesn't seem particularly adept. The opening, pre credit sequence is a good example. A couple of what are usually described as "jazz babies" are seen on a country road in a roadster. He is wearing what's supposed to be a raccoon coat, he has a silver flask which he places playfully in his girlfriend's crotch. Suddenly a sedan rolls across the road and the roadster hits it and stops. Out steps Scott Glenn and it comes to pass that he identifies himself by taking out two huge revolves from shoulder holsters and shoots his initials in the door of the sedan. Then the movie credits begin. What have we just seen? Was it a robbery? Car hijacking. A kidnapping? Double murder? Who knows, but its never referred to again. Its is visceral and emotional in that it seems as though there is some menace in this highway stop, but its never followed up. This recalls similar scenes in Bonnie & Clyde and Badlands, both with radically different results, but this has NO resolution. What did I just see? It was well photographed, but what just happened?The rest of the picture is like that. Vern Miller goes to work for Al Capone (not factual), and I guess because of the budget, he is not seen in an elaborate office or swank restaurant surrounded by sycophants, but in a cramped room. The actors surround this Capone are mostly bland and faceless, small town preppy guys with no personalities. In fact all of the actors seem recruited from a college drama department or a dinner theater. No character develops, they just are. I found myself living that old Jerry Seinfeld routine where a guy watching a movie can'r distinguish between the different actors. "Wait, is that the same guy? Oh, its a different guy. Or is it?" The women are just as interchangeable and act like middle school seductresses. Adventurous crimes are flattened out like a sheet of paper that needs to be folded like origami to resemble something. Its just monotonous and mundane. A mundane gangster film, how did they do that? The thing just dribbles on until the climactic set piece, the raison d'être of the film, which is a recreation of the famous Kansas City Massacre, when a gang tried to free Frank Jelly Nash, a notorious bank robber, being transferred under FBI custody. They made their attack in front of the Kanas City train station.No doubt the budget was very small, so instead of a big city location, a hick town of the type where looking three blocks in any direction reveals wheat fields was used. It reminds me the Monty Python gag where two groups of housewives stage the Battle of Hastings by attacking each other with handbags. The action is fast and confusing. Maybe as confusing as in real life as its now generally acknowledged that the deaths were mainly the result of wild police gunfire. Four cops and Frank Nash all died. The FBI claimed that Adam Richetti and Pretty Boy Floyd were Miller's accomplices but that was probably one of Hoover's ploys to arm the FBI and give them powers of arrest. Richetti was later captured and executed for the crime. So this is a total botch. You have to figure they could have done better in finding an urban setting for the shoot out. The rest is anti climax. The real Miller was found dead near Detroit in what has been assumed was a mob hit in retaliation with for the failure of the Kansas City job or more probably killing a New Jersey gangster. Which reminds me there is no sense of geography in this picture. Its all back roads and lonely stores and rural gas stations. people speak with generic drawls. Dialogue scenes are difficult to hear and conversations flaccid. But everything looks great. There are close ups in perfect focus. Medium shots perfectly lit. Long shots artistically framed. They're even reasonably joined together but they're not enough to tell a story.

lost-in-limbo Scott Glenn takes on the role of the infamous mob assassin Verne Miller and he simply excels in the part that fits his dry, lean persona. While the production might be low-budget, execution mildly slapdash (although it does have some imaginative flourishes) and the story's account of this larger-than-life figure is somewhat makeshift in its sensationalized details when he becomes an important underworld figure. It's the performances that drive this one home, especially Glenn. I always found him to be an under-appreciated actor and here he's no different. In 1925, ex-lawman Verne Miller is released from prison after spending two years there for embezzlement. Soon he finds himself working along side Chicago Mobster "Scarface" Capone and becoming his number one hit- man. But things begin to change for the worse when he starts going behind Capone's back, the Feds start interfering and his health starts declining.Gangland: "The Verne Miller Story" is a distinctively stark mobster feature (The intro is stylishly presented, like it's taken out of a Bond feature with its saucy opening song). Each scene seems to move quite quickly as in the end it's rather a simplistic take on the rise and fall of Verne Miller. Perfect it's not, but thoroughly entertaining and Glenn gives his character quite a humane quality which stands out in certain scenes when compared to the calculative nature he goes about his business. The dramatics of the narrative can be all over-the-place, sometimes even being comedic in an unintentional manner. Still there are offbeat moments (especially surrounding Thomas G. Waites' portrayal of Capone), a surreal quality (carnival setting and a certain death scene or two) and the script have its witty exchanges. Even brutal, without being excessive in the visuals (like the Kansas City Massacre, which saw Capone turn his back on Millar). Miller is portrayed as quite ladies man, and the women on show give strong performances with the likes of the seductive Barbara Stock (however I did find her narration unnecessary), Lucinda Jenny and Diane Salinger. Also showing up in accessible support are Ed O'Ross, Sonny Carl David, Andrew Robinson and Xander Berkley.

bayardhiler 1987's "The Verne Miller Story" is a rather unique gangster movie. First of all, it deals with a man that very few people are probably familiar with today, that being Verne Miller. Verne Miller was a former, highly decorated soldier from serving in World War I, who became a tough on crime law man in South Dakota. Then one day, after Verne Miller had gone on vacation, it was discovered that he had embezzled several thousand dollars from the county and the "vacation" was nothing more than a cover for a get away. Eventually, he was caught and spent some time in jail. After he got out, he became a full fledge gangster. That much is certainly true. The movie presents Miller as a killer but one that has a heart. For example, there is a part in the movie where Miller takes on a false identity and goes to a fair where he encounters a group of blind children. Verne offers to help the children win prizes by participating in a shooting game and wins a prize for all of the children and goes on his way. Whether or not any of that is true, I cannot say. What I can say is that Scott Glen, who plays Verne Miller, does a great job making you believe that something like that could have happened. The move than follows Miller as he becomes more and more powerful in the underworld by killing for Capone. Along the way, he makes numerous woman friends and lives the high life in a country club. Eventually, he becomes too big for his own good when he leads the Kansas City Massacre, something that the real Verne Miller did. All in all, this is not a bad movie. It has the touches of an artistic movie as far as the colors and cinematography (see the scene that has Miller dressed up as a mannequin for a murder and you'll see what I mean). Great acting by Scott Glen and good shot out scenes. If you love movies like "Bonnie and Clyde", then check this out.

rhino8268 While the movie is about Verne Miller's life it also documents one of the most important events in law enforcement history, the Kansas City Massacre. It was this event that took place at Union Station Kansas City in 1933 that permitted Federal Agents to carry weapons. However, two points to bring up. First is continuity. At the time of the Kansas City Massacre, Al Capone was in Alcatraz and was not, as the movie indicates, out of prison to tell his men not to touch Frank Nash. The second relates to reality. Union Station Kansas City was depicted as an old wooden train "depot" when in reality it is a magnificent 850,000 sq. ft. edifice of marble and granite. Other inconsistencies have been brought to light with recent research. The most significant of these is that the officers killed at Union Station were not killed by Vern Miller and his two cohorts but by other police officers. This was uncovered after the production of this movie.