wes-connors For her fan letter, star-crazy New York teenager Virginia Weidler (as Joan Lyons) receives a thank you note from pretty MGM starlet Lana Turner. A zealous collector of movie star signatures, Ms. Weidler gets even more excited when she learns Greer Garson is in town. Weidler and best friend Jean Porter (as Patricia "Patsy" Drew) are determined to get Garson's autograph. In the process, they meet Walter Pidgeon. Weidler is dramatic enough for father Edward Arnold (as Burton V. Lyons to call her "Miss Garbo," but gossipy governess Agnes Moorehead (as "Feather" Featherstone) is the one who falls into a dead faint when Robert Taylor visits. Weidler also crosses paths with William Powell, after seeing him at the movies with boyfriend Raymond Roe (as Schuyler) and little brother Scotty Beckett (as Junior)..."The Youngest Profession" is autograph collecting, but this story does have another plot...Encouraged by Ms. Moorehead, Weidler becomes convinced that her wealthy lawyer father is having an affair with pretty secretary Ann Ayars (as Susan Thayer). Weidler sets out to save her parents' marriage by hiring John Carroll (as "Hercules") to show an interest in mother Marta Linden (as Edith Lyons). All of this is typical situation comedy material, and it's done well by Edward Buzzell and the MGM crew. Raising it significantly above average are some winning performances and witty dialogue. Weidler and Ms. Porter handle the material like younger versions of Lucille Ball and Vivian Vance. Since "I Love Lucy" hadn't yet hit the TV stands, that's a high compliment. Moreover, the Lyons family might have made a good movie series, had the girls been a few years younger.******** The Youngest Profession (2/26/43) Edward Buzzell ~ Virginia Weidler, Jean Porter, Edward Arnold, Agnes Moorehead

JLRMovieReviews Virginia Weidler and Jean Porter are part of a young girls' fan club of the stars who collect their autographs. In fact, Virginia is the president of the club, who outlines the rules and lengths one must go through to get the most famous and desired John Hancocks. They must live in a big city like New York, because how else could they come across celebrities like Greer Garson, Walter Pidgeon, and Robert Taylor! All these make brief appearances, plus another of whom Virginia has a crush on, but, while we get to see him, she never does, in a clever way of closing the film. But, we begin the film in Hollywood, as Lana Turner is dictating a response to a fan's letter, one that they call a very gracious letter. And, Lana calls the young stargazers "the youngest profession." The plot revolves around the escapades they go on to get their target and the appeal of the film is just how star-crazy they really are. Jean Porter is a hoot as she goes all agog over Walter Pidgeon and Robert Taylor. I'm surprised to see the low rating of this film, because it was a very funny film and I had a blast. Maybe it seemed rather trivial to everyone else, but sometimes the simpleness of a film is what makes it so enjoyable and laid-back. I do admit though that the humor was not very subtle as most of the characters here get really loud and outrageous, including child actor Scotty Beckett as Virginia's brother. Another plus is the presence and performance of Edward Arnold as Virginia's father, who through no fault of his own, is thought to be straying with his secretary. But that is encouraged by character actress Agnes Moorehead. If you want an old-fashioned and very funny film, then hang out with those of "The Youngest Profession."

bkoganbing Five of MGM's biggest stars did some box office cameo duty appearing as themselves in this B picture about the trials and travails of autograph pursuing. I do remember pursuing a few of them in my youth so I can somewhat sympathize with what these young girls headed by Virginia Weidler are going through. I can also understand some of the problems they cause the celebrities as well.The landings in North Africa and Salerno should have been as well organized as what Virginia Weidler and her fan club when they're on the prowl for celebrity signatures. Weidler and her pursuits are bedeviling her parents, Edward Arnold and Marta Linden, and they've got additional problems with their son Scotty Beckett who fancies himself an inventor and a governess in Agnes Moorehead who's outlived her usefulness and won't take the hint to retire.Weidler's imagination is set on fire by what she sees in the movies and already she's imagining trouble in her parent's marriage and switches from movie star hunting to Lucy Ricardo like machinations to keep her parents from a breakup that's all in her head.Lana Turner, Greer Garson, Walter Pidgeon, Robert Taylor, and William Powell all make brief appearances as the hunted. Personally there's no way in God's green earth that Greer Garson would have indulged Weidler and her friend Ann Ayars. Only Pidgeon showed the slightest traces of impatience with the young ladies, maybe more than a trace.The Youngest Profession is a cute film, a nostalgic look at the Forties, but not too much more than that.

MartinHafer The story is about an autograph-crazy teenager and her kooky friends who will do practically anything to meet celebrities. This is a small picture from MGM that has a lot going for it, but it also has a lot against it.Let's first talk about the good. Edward Arnold does a wonderful job as the befuddled father of the lead wacky teen. He is suitably angry and confounded--an excellent and funny role. In addition, the film has some lovely cameos, as you get to see such notables as Greer Garson, Walter Pidgeon, Robert Taylor and William Powell. It's nice to see them playing themselves, though I seriously doubt that Garson would really invite star-struck teens in for tea, Pidgeon would have a fatherly talk with them--dispensing advice, or that Robert Taylor would deliver messages. These sweet cameos really were fun to see and did a lot to endear the stars to their fans. Plus it's a cute change of pace to see them as "real folks".However, the bad outdoes a lot of the good. The autograph-crazy girl, Joan (Virginia Weidler) is just too annoying. It was so bad that I really wanted to see Arnold rap her in the mouth! And, although this girl acted too broadly and was too irritating for words, the character played by Agnes Moorehead was just too hateful and broad--and much worse! I actually was rooting to see this witch hit by a bus--and she was too rotten and conniving to be funny or realistic. In fact, neither seemed the least bit real and were severe detriments to the film. It's really too bad, as the idea for the film was fine but the actual writing and dialog sagged--and it's no wonder I just couldn't stand Wiedler and Moorehead--the writers simply gave us little to like. A passable little film with some supposedly behind the scenes views, but nothing more.