They're Watching Us

2002 "Han desaparecido. Pero están aquí y... [nos miran]"
They're Watching Us
5.8| 1h44m| en| More Info
Released: 08 September 2002 Released
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Synopsis

Norberto Lopez Amado's They're Watching Us is about a cop who becomes obsessed with a case. Juan (Carmelo Gomez) is ordered to head up an investigation concerning a businessman who has been missing for almost three years. The officer who worled on the case previously now resides in a mental institution and is unable to say anything other than, "They're watching us." A priest (Roberto Alvarez) explains how a series of disappearances in the area have supernatural underpinnings. As Juan is absorbed deeper and deeper into the case, his mother is concerned for him.

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Michael Troy Martinez Nos Miran is a very good and interesting film that has creepy elements but it is not the all-out horror some people do not like. It is similar to The Sixth Sense, and like The Sixth Sense it gives us something to think about for days.... or months.... or possibly years. I have watched it six times, and every time I like it a lot. It does not start very fast, but it is interesting from beginning to end. I enjoy it very much, and if you like films like The Sixth Sense, you cannot leave Nos Miran out of your life.(This review was originally written by me in Spanish and then I translated it to English. Because of differences between the languages, some parts of the review may sound choppy.... I am not a professional translator, but I translated my original Spanish review to English to the best of my ability. I am putting this in the review in protest that IMDb.com would not allow me to submit a review that had both the Spanish and this English translation, despite the movie being in Spanish and my desire to allow people who may primarily speak Spanish to understand my review better.)
José Luis Rivera Mendoza (jluis1984) Spain's horror film industry had a huge comeback in the 90s with directors such as Alex De La Iglesia, Jaume Balagueró and specially, Alejandro Amenábar; a generation of young directors that demonstrated that there was a lot more in Spain besides Pedro Almodóvar's famous melodramas. The nightmarish nights of Spain's big cities, the grim Gothic memories of the country's past and that characteristic black humor that Spaniards domain very well, have become the ingredients of the dark fantasies of Spain's new horror films, and started a school that has begun to give fruits. Director Norberto López Amado is one of this fruits as "Nos Miran", his first film, is an excellent effort in the horror genre that shows the evolution to what Amenábar, Balagueró and De La Iglesia started more than 10 years ago.In "Nos Miran", Carmelo Gómez plays Juan García, an excellent detective who has been assigned the Barreiros case, one of the most famous unsolved mysteries in the story of the Police Department: the case of a man who one day simply vanished without leaving a trace. While at first it seems as an easy case of a missing person, the mystery surrounding brings back Juan's memories of his own sister Sara (Eva Llobregat), who as a girl disappeared in eerily similar circumstances, and Juan begins to descent into an spiral of madness and obsession. As Juan's investigation takes him to the field of occultism, his wife Julia (Icíar Bollaín) fears that his husband will face the same fate as the previous Detective in charge of the Barreiros case, Detective Medina (Karra Elejalde), who is now an inmate in the local asylum, unable to say anything else besides "they are watching us".Written by Jorge Guerricaechevarría (famous by his work with Alex De La Iglesia) and based on a novel by Javier García Sánchez, "Nos Miran" is at first a police mystery with noir undertones, but soon it begins to descent into darkness as the plot thickens and the horror elements begin to take over. While it may not be the most original mix, Guerricaechevarría offers an effective and captivating story that toys with the duality of sanity and madness, and where reality is never what it seems. Almost void of his usual black humor, "Nos Miran" is a serious Gothic horror where the very real horrors of the urban nightmare collide with the supernatural.Director Norberto López Amado shows an amazing talent for a first time director, as everything seems to be in the right place to create an effective horror film. The remarkable use of the camera to create an atmosphere of dread is one of the film's main assets, as well as the eerie score (by Bingen Mendizábal) that almost always sets the perfect mood for every scene. While it's true that López Amado shows the influence of those who came before him (mainly Amenábar's), the touch of film noir he adds to film suits as a glove the police drama part of the story and truly makes "Nos Miran" to be something more than a derivative Gothic horror.As many critics have said before, Carmelo Gómez is truly at his best in this movie, as he truly becomes this troubled complex character in a frighteningly believable performance that certainly is the highlight of the movie. As the film is focused completely on Gómez character, there is little room for the supporting characters to developed, however, some of the supporting actors do stand out, mainly the kids Carolina Petterson and the young Javier González (who is also in "El Espinazo del Diablo"), who give terrific performance for their young age. Icíar Bollaín also gives an effective acting, but she is definitely overshadowed by Gómez. The excellent Margarita Lozano appears in a small role, but her screen time is very limited and it could even be considered as a cameo.While "Nos Miran" has apparently all the ingredients for an excellent film, it's main problem is the fact that it truly feels derivative and unoriginal. Guerricaechevarría's take on García's novel focuses more on the mystery instead of its effects (as the novel does), and the Detective's madness is an angle not fully explored (a missed chance, in my opinion). While the lack of Guerricaechevarría's usual comedy does help to enhance the movie's atmosphere, it also creates some tedious moments where the slow pace of the film feels unpleasant.Despite having these flaws, "Nos Miran" is another excellent horror film from Spain, and a proud example of what seems to be a Renaissance of horror in the land of Cervantes. Like "Romasanta", "Palabras Encadenadas" or "El Espinazo del Diablo", this movie seems to prove that modern horror not only comes from Asia. Hopefully, we'll be hearing more from both Norberto López Amado and Carmelo Gómez. 7/10
barkerking This film is, basically, "The X-Files meets Without a Trace". Easy explanation. A young boys sees her daughter been abducted by an eerie supernatural force and becomes a specialist about abducted people. In the same way as Mulder (even his partner/wife is redhead), he lives only for his job, don't take care of his family and no one believes his creepy theories. Finally he is abducted in the same way in the mood of protecting his relatives. It reminds the Mulder arc story from the beginning of the 1st Season to the end of the 7th. Norberto López Amado does an uninspired directing of this movie and wastes acting talent of all the cast (its a shame how Karra Elejalde looks on screen)."Nos miran" is another unsuccessful try of doing a Spanish scary movie and the list is getting longer. Jaume Balagueró (Darkness, Fragile), Paco Plaza (Romasanta, Second Name) and Brian Yuzna's friends from Fantastic Factory (this is worst that the late films from Troma) should look for better scripts in order to satisfy the audience.
eacebes Disturbing and somewhat weird. That's what I would say about this one. Carmelo Gómez is at his best, but there was something that I didn't like when the film ended around 03:00 AM... 'Nos miran' is one of the new terror spanish movies, with a similar atmosphere to 'The Others' by Amenábar or 'The Nameless' by Balagueró (both of them are must-see). But there is something about the script I really don't like... The story starts as a typical detective movie, with Carmelo Gómez trying to find out what happened with Barreiros, a married man who disappeared three years ago. After finding nothing, he looks for stories of other people who disappeared... and then his life turns weird...The story is interesting. Bun when the movie ended, I couldn't help thinking "How? When? Where?..." The end is not well explained and that's why I think it could have been much better.