Michael Neumann By 1990 pundits were dismissing the Western as a moribund genre, but here was more proof to the contrary: a thoughtful, intelligent frontier drama (from the book by Ruthanne Lum McCunn) about a reluctant young Chinese mail-order bride who learns how to overcome both racial and sexual discrimination after being sold into virtual slavery and shipped to a remote Idaho mining camp. The story offers a fresh look at familiar Far Western terrain from a unique and otherwise neglected Far Eastern perspective: through the eyes of Chinese immigrants who, as much as anyone, helped win the West. The heroine's rocky path to independence is softened somewhat by romantic interest from a sympathetic (and racially color blind) saloon owner, but even in love she never loses her dignity or identity. Likewise the film itself maintains its quiet feminist integrity, by successfully navigating the fine line between sensitivity and soap. Beautifully shot in the Rocky Mountains of Montana, with careful attention to authentic period mood and detail.

juliearleen This is a movie I have seen on TV twice - an inspiring movie about one woman's determination and industry. There is also a touching love story. But one of the most amazing parts of this very interesting film, is that it is based on a true story and, if I am not mistaken, shows a picture of the real heroine of the story at the end. This is an important story for women's "herstory". The acting is fantastic, and the story is compelling. My only real challenge with this movie, is that I decided I wanted to see it again and can not find it anywhere! But I will continue my search for this important historic film until I find it - I believe it is worth the effort :-)

tim_o_callaghan Gritty social realist story of Chinese woman Lalu who is sold into slavery in the late 19th century, and taken to a rough mining town in the American west. There she faces a series of humiliations, rejections and triumphs before finding at least a degree of happiness with a sympathetic saloon keeper. By turns both gloomy and sentimental (not necessarily a bad thing) issues of racism and feminism are very much to the fore.

goodbook_1979 One of the few movies i've seen where sex is not the bottom line or basis of the romance. It is tasteful and sweet in its depiction of an interracial relationship which develops around an actual friendship and ensues into a genuine emotional bond in the midst of semi-racially intolerant environment. The lead actor and actress produce an amazing performance of a romantic chemistry that is set in the bounds of respect, selfnessness, kindness, and deep affection.I give it a thumbs up, way, waaaaaaaaaaaaaay up.