arsportsltd Elvis Presely was deemed to be about the only sure thing in movies as a bankable star when Allied Artists paid Elvis the the great salary of one million dollars to star in this film. Norman Taurog directs this film in a breezy style and the movie while a AA film was produced at nearby Paramount.Allied Artists was a boutique studio with films such as Love In The Afternoon, Friendly Persuasion, Soldier In the Rain, El Cid, and 55 Days At Peking, etc. AA had a small studio and no TV division and its fates rose and fell with its movies competing with giant studios such as MGM, 20th Century Fox and Warner Bros. Some of the major film personalities that worked at AA were Gary Cooper, Audrey Hepburn, Steve McQueen, Ava Gardner, David Niven, and Sophia Loren. AA would go on to film Cabaret with Liza Minnelli, Pappillion with McQueen, and The Man Who Would Be King with Sean Connery. Directors such as William Wyler, John Huston and Billy Wilder contributed to the success of AA.

Poseidon-3 The deadening treadmill of cookie-cutter Presley vehicles, foisted upon him by his "mentor" Col. Parker, continues here with both good and bad results. Presley plays a singing rodeo rider who finds himself working at a ranch where zaftig women go to peel away pounds. It's run by Adams, who has her sites set on him and is also home to exercise instructor Lane, who is more skeptical, at least at first. Presley's roomie is dim bulb fellow hand Mullaney while his chief antagonist is jealous swim instructor Faulkner (who sports one really awkward-looking and unappetizing set of swim trunks hoisted up practically to his chest!) Presley has to fend off the female guests of the ranch who are hungry not only for steak, but for him, while Lane searches in vain for a fortune her grandfather left behind in a nearby western ghost town. It all comes to a head in a protracted finale that seems more like a very bad episode of "Scooby Doo" than a piece of musical froth. Presley lopes through the film with varying degrees of interest, lip-synching to songs he had recorded months and years prior (a symptom of the low budget of the project), not that it stands out too much to the casual viewer. It's just that the songs bear virtually no relation to anything and there's not even a title tune. The script is preposterous, so Presley goes along for the ride as well as he can. Lane is almost legendary as one of The King's most attractive costars. Her body, even by today's standards, is unbelievable, so it's hard to imagine how jaw-dropping she must have seemed in '65. Her acting leaves quite a bit to be desired, but most male viewers will care very little! A Brit in real life, she provides a creditable American accent. Adams doesn't even try to mask her character's outright lust for Presley. She isn't given much to do at all beyond drooling over him, but she looks great doing it and does it with verve. Mullaney is annoying as would be expected from anyone being led through tired "3 Stooges" style schtick. (The films writers had worked with the comic trio previously.) Most of the rest of the cast are only shown is brief bits. At times it seems like the story – to use a term loosely – was cobbled together in order to take advantage of pre-existing sets left over from a prior movie and it's possible that that is what happened. Nonetheless, this was an inexplicable box office smash, placing the studio that backed it into the black and giving Presley (who was entitled to 50% of the profits) a hefty payday as well. At least it is colorful and attractive to the eye most of the time and undemanding (to say the least.) It's just a shame that someone as handsome and talented as Presley was unable or unwilling to be placed in projects that better displayed his charms while also paying tribute to them instead of bleeding them and his reputation dry.

aimless-46 Although the Elvis formula films were pretty much the same when they were released, two factors made some significantly more appealing and memorable than others; the actress playing his love interest and the songs that were incorporated into the production.A third variable, more important 40 years later, is how well each film has held up. Generally the less exotic the setting and the further Elvis is from an ocean, the better they have aged. In this regard "Tickle Me" benefits from its desert ranch and western Ghost Town sets-nothing elaborate and the only water is a rain storm.And while the song selection in "Tickle Me" is nothing to get excited about, the leading lady is spectacular. Whenever Elvis movies come up in conversation you will find someone asking which one showcased Jocelyn Lane as an exercise instructor, then they get this far away look in their eyes and a dreamy expression on their face.Lane makes "Tickle Me" the most memorable of the Elvis films for male viewers. I would rank it second, edged out slightly by "Viva Las Vegas" which not only has Ann Margret but a great song selection.

shepardjessica This flick is fairly frightening! The plot is beyond explanation, but it does include the beautiful and undervalued Jocelyn Lane (Hell's Belles) and Allison Hayes (Attack of the 50-foot Woman). Not only are all of the songs forgettable, the script was left in the trailer.A 2 out of 10. Best performance = Jocelyn Lane. Don't go near this one unless you've sat through Schindler's List and need a goofy fix of sterilized nonsense (plenty of pretty girls though). Jack Mullaney is his usual mental defective sidekick and Julie Adams was a decent actress (Creature from the Black Lagoon and The Last Movie), but this one is right there with SPINOUT, CLAMBAKE, and LIVE A LITTLE, LOVE A LITTLE. Sorry Elvis!