The Couchpotatoes I see there are a lot of negative reviews for this movie and I honestly don't get why, certainly if you rate it the lowest possible. I won't say it is the best movie ever but to watch once it's certainly decent enough. I was just a bit dissapointed by the end, that's the only part where I expected more. For the rest the movie is entertaining enough to keep you interested. Watching the main character Joseph Burns (played by Joseph Cross) losing his mind after his wife got pregnant, and this while he has issues with his project and with his political views and life in general. It's not like Falling Down where Michael Douglas lost it and became extremely violent nor like Jack Nicholson in The Shining losing it also, but there is definitely a tension, a bad tension. The other movies mentioned became cult movies and are still very good, way better than Tilt, but Tilt is just different and yet the same as a person can't cope with reality anymore. The acting was not bad, the story could have used a bit more violence to me, and a bit more explanation at the end, but it's certainly watchable and doesn't deserve those ridiculous low ratings.

SashaDarko A psychological thriller / leftist propangda movie about a downfall of an ultra-liberal white American man.The man is unemployed, he but doesn't care about that since he believes he's working on a very important documentary movie. Yet his samely ultra-liberal American wife doesn't like the fact that he doesn't bring the money and they're already starting a family. There's almost nothing happening during the whole movie and this is one you can get through skipping parts. But the acting is good and cinematography is nice, plus it's not that boring to watch (especially if you start skipping through it).As for the leftist propaganda, they're a bit obsessed with hating Donald Trump in this movie. Calling him names while watching his speech on the TV, using a mask of him to scare each other, etc. And of course all that message about capitalism, America's past / future and such. He talks almost nothing but politics and propaganda.p.s. There's already one fake review (March 18 2018, 9/10 review written via a fresh IMDB account created the same day), maybe they'll bring some more later. Watch out for these.

belomestnykh This film is a good example of what people that fail exams at film schools have to show as their thesis film. This hour and a half time wasting machine is full of cheap tricks that are surface level filmmaking. Calling this pile of garbage a film is a disgrace to film industry and filmmaking in general.You may think that this is a psychological game, that it's much deeper and not for everyone, but it is not. This movie is not mysterious or challenging, it is very easily understandable, bad version of simple and not that hard to take in. The problems arrive when you watch a scene, know what it will end with and what will it lead to, then watch it do exactly that with no enthusiasm and emotional and visual attraction.This thing is a pile of film-school-garbage made by someone who needs to repeat their program.

Alison "Tilt" is billed as the first horror film of the Trump Era, although it was filmed before the actual 2016 election took place. Joe is a documentary filmmaker living in LA with his pregnant wife, nurse Jo. He has been working on a new doc that aims to expose the "myth of the Golden Age" in American history, specifically the post-war period roughly from 1947 to the advent of the Beatles. Trouble is, Joe keeps expanding his vision, but Jo needs him to buckle down to work in a "real" job, one that brings in money, and oh, by the way, to become an adult already. But Joe's sense of reality is unravelling, one scene after another…. I could see what filmmaker Kasra Farahari was going for here, but despite the excellent acting by Joseph Cross and Alexia Rasmussen, the film ends up being just too disjointed to work. Like Joe's documentary, "Tilt" really needs a sharper focus on a smaller theme.