Trixie

2000 "The best private detective in the biz"
Trixie
4.9| 1h56m| R| en| More Info
Released: 28 June 2000 Released
Producted By: Sandcastle 5
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Passed over at work and numbed after she witnesses a colleague's murder, security guard Trixie Zurbo takes a relatively easy job at a lakefront casino, working undercover keeping an eye out for pickpockets. Trixie meets an assortment of colorful regulars: Kirk Stans, the casino's lounge act who drinks too much and is a dead-on mimic; Ruby Pearli , a glamorous, young and knowledgeable barfly; and Dex Lang, a raffish ladies' man who pays attention to Trixie in a way that's hard for her to ignore.

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Reviews

jlthornb51 This is a truly delightful comedy romp with a stunningly funny performance by the highly gifted Emily Watson. In her first funny role Watson is simply a delight and utterly brilliant. Her delivery and timing are impeccable and in this rare goofball role, she proves that comedy is certainly not beyond her talents. In fact, she may be one of the most incredibly funny women to appear in motion pictures in the last 25 years. What she does here is in Gracie Allen territory and she absolutely does justice to that great lady's legacy. A superb dramatic actor of limitless technical abilities and overwhelming emotional range, with two Oscar nominations for Best Actress, now Emily Watson becomes the queen of screen hilarity with this unforgettable comic turn. Don't miss it!
curlyqueue This movie has grown on me immensely. The first time I saw it, it struck me poorly. I didn't like the plot or characters. I've seen it twice since then. I was surprised to find how funny it was a second time. Truth be told, Trixie is the sweetest detective ever written. She's obsessed with the truth and lives by no other code, solving the case almost by accident. There is a sexy all star cast to back her up and they all play magnificently. The real joke of the movie is Trixie's ability to get well known sayings wrong, which is explained by her injury as a child from a bowling ball on the head (mentioned very quickly in a hospital scene). She says things like, "Stop right there where you are in your tracks!" Her timing is perfect and Ms. Watson's performance is endearing. Good show, all around.
diamondscaffo Ok - I have to admit....this movie was painful. Just painful to sit there and take all those mixed metaphors like punches to the head. BUT...I stumbled across this movie on a Sunday afternoon. Never heard of it..no expectations, etc. And actually had a good time watching it. My wife hated it (so she says) but we both laughed and kept rolling our eyes at each other throughout the movie. It was like reading a trashy novel...the characters were total stereotypes (the young, good looking womanizer (trying to have a heart of gold), the drunk, corrupt senator (always grabbing ass, etc) and of course the favorite - the bumbling, almost moronic detective making it all happen -kind of like a female Inspector Clouseau only with less physical humor and more verbal humor. Some of the words that came out of her mouth were really funny - like "I woke up unconscious" and my personal favorite, "Do you think I have a ace up my hole?" I wouldn't go out of your way to see this movie but if you come across it one afternoon....see how long you can stand it :)
Paul Creeden I have an idea. Mr. Rudolph, whose production history has been less than profound, should make a movie about the making of "Trixie". It is bound to be more fascinating than the film itself. I would pay money to see Emily Watson, Nick Nolte and Nathan Lane explain that they agreed to do this project on artistic grounds. Great script? Deep character development? Big check? I really am at a loss to imagine that real story. This film is annoying, badly filmed, poorly written and simply horrid. It is so bad, that it couldn't even attract a cult following of the lovers of the worst camp. And the talent! The wasted talent! Unbelievable. There are artistic geniuses waiting on tables in New York and L.A., while big stars are making this junk. Perhaps this film's only value is its exemplary illustration of what damage Hollywood ego can actualize in the film industry. If you see this film anywhere, run. That's the kindest advice I could give you.