Twist and Shout

1984
7.3| 1h47m| en| More Info
Released: 30 December 1984 Released
Producted By: Per Holst Filmproduktion
Country: Denmark
Budget: 0
Revenue: 0
Official Website:
Synopsis

Danish teens come of age in 1963. Bjorn and Erik are close friends. Bjorn is pursued by Kirsten, a future Stepford wife, but he falls for Anna, who initiates him into love and sex. Erik is somber, caring for his home-bound mentally-ill mother while his strict father rules his life. He desires Kirsten, but she's unattainable. Pregnancy, a horrific abortion, an engagement party, and a revelation about the rectitude of Erik's father lead to a climax: Bjorn and Erik must stand up to controlling adults.

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Reviews

roddekker This 1984, Danish film, set in the year 1963 (at the height of Beatlemania), is an exceptional coming-of-age tale about 2 young friends named Bjorn and Erik.Bjorn, a flamboyant, out-going drummer for a pseudo-Beatles group, and Erik, a reserved, conservative 17 year old with severe problems at home, are the best of mates who bravely take a stand against a world of controlling adults.Played out against a standard pop-culture backdrop - "Twist & Shout" is a raw, uncompromising look at human emotions. Friendship, loyalty, obsession, first love, loss and betrayal are all examined at close range here.I guarantee you that this "true-to-life" movie will leave no viewer unmoved.
runamokprods Another solid film from Bille August about adolescence in Denmark the 60s - 1963 this time.This is even a little stronger than August's 'Zappa', if not quite up to Roy Andersson's somewhat similar, brilliant 'A Swedish Love Story'. The Scandinavians seem to have a knack for making emotionally complex films about adolescence. As with 'Zappa' some of this feels very familiar (first love, leading to pregnancy and to abortion that ruins the romance), and some feels a bit forced or unrealistic (would the parents of an upper-class, clearly upwardly mobile and socially conscious family really be quite so positive about their daughter marrying a boy from a humble working class home?). But the two male leads are very good, and there's a lot of specifics and idiosyncrasies that far outweigh the clichés.
Michael Neumann (add a few rating stars for the original Danish version)The old John Lennon/Paul McCartney tune has always been a popular anthem for teenage rebels around the world, but in this attractive Danish period piece (set in Copenhagen circa 1963) the title is a bit misleading: there's precious little of the song's youthful exuberance in the lives of Bjørn and Erik, best friends who find their loyalty to each other tested by the traumas and disillusions of young adulthood.At times the two characters almost seem to be in separate films: the outgoing, extroverted Bjørn enjoys the love of a lifetime with Anna before an unwanted pregnancy and painful abortion drives them apart, while the more shy and inhibited Erik battles his father over the emotional health of his mentally disturbed mother. Ironically, the film is almost too well crafted for its own good. The handsome imagery and meticulous camera-work aren't quite suited to a rock 'n' roll teen rite of passage, and the dramatic impact is further muted (on the old VHS tape I watched, at any rate) by the artless dubbing into textbook English.
Pepper Anne The Danish movie, Twist and Shout, turned out to be a better movie than I had expected, despite using tired themes of the similar coming-of-age movies. The movie concentrates on the stories of two young friends, Erik and Bjørn. Bjørn is a flamboyant, outgoing kid with a passion for Rock N' Roll and Erik is his reserved, conservative friend. Both learn tough lessons about growing up, each in his own way. For Bjørn, his experiences come from first love when he falls for a lovely young girl named Anna. And we see Bjørn's first love in a way that reminds us of our own experiences that we have had (or will have) towards someone. Says Bjørn, glowing to his friend Erik, "I have never felt this way about anyone before." Sadly, these experiences also lead to a tragedy which force the relationship apart. Bjørn's friend, Kirsten, a wealthy, but empty girl, takes advantage of Bjørn's vulnerability and somehow forces him into a situation so that Kirsten may delude herself that Bjørn will forget all about Anna and find comfort in this new relationship. Bjørn's lessons are of the impossibility of substituting one thing for another. It seems that the value of his first love will live on with him forever.For Erik, his experiences involve his controlling father and a neglected and misunderstood mother. Erik is the shy, conservative kid that he is because of the strict upbringing by his father. Eventually, he comes to doubt his father's rules and loses respect for him as he draws closer to his mother.From his father's stories, it seems that his mother entered some sort of state of schizophrenia, though he said they called it Post Natal Psychosis, and I suppose Erik feels that this is partly his own fault for being born. Embarrassed by his mother at first, he gradually draws closer to her and discovers that she is actually quite a lovable person in that way you find something you love about your mom. And he finds out that his mother starts to feel better, and appears much more vibrant, although Erik's father tries to stop their time together. Erik is forced to defy his father to save his mother. Though it appears that the movie, simply judging by the title, is about two youth's experiences in the Rock N' Roll era, the music is only there as a condition of setting, but not as a drive of story. And though sad, it is still a wonderful film about growing up.