Van Diemen's Land

2009 "Hunger is a strange silence"
Van Diemen's Land
5.9| 1h44m| en| More Info
Released: 24 September 2009 Released
Producted By: Noise & Light
Country:
Budget: 0
Revenue: 0
Official Website: http://www.vandiemensland-themovie.com/
Synopsis

The true story of Australia’s most notorious convict, Alexander Pearce and his infamous journey into the beautiful yet brutal Tasmanian wilderness. A point of no return for convicts banished from their homeland, Van Diemen’s Land was a feared and dreaded penal settlement at the end of the earth.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Noise & Light

Trailers & Images

Reviews

jonnytheshirt Like another film based on a true story from Australia - Snowtown - this is a grim telling of a very unpleasant tale. The palette of the movie is gritty and washed out with a persevering lack of hope, and just in case you were in doubt the musical score reflects the vast and dark land. There is not one single female in this movie, as it's about a place where none were. Almost like a dream of life lost for the souls there the feminine warmth is a lost memory and song. Seen perhaps a cautionary tale of a hard and man made time it depicts shows how this may have transpired, how it may have come to pass with a stand out line for me being "six pairs of shoes". This is no movie for the faint hearted and the acting is absolutely top notch. Be warned however this is not a study of human spirit over coming anything but rather about the dark slide into the worst aspects of a hopeless humanity. As a horror genre fan no horror movie is anywhere near as horrific and haunting as I found this one, because it's a real story about a terrible thing. All I felt was sadness for the characters, every one. When I curled up in bed that night later I simply felt lucky to be there.
Niall Moran Having seen a documentary about this story a few years ago, I was enraptured by the story and absorbed until its conclusion. When I heard a film was in production, I was interested to see how it would be translated into a motion picture. This should by no means considered a film that delivers on the potential of this story. I suspect budgetary restraints ruled out the possibility of opening scenes such as the prisoner's arrival at Hell's Gates as the prisoners rowed for their lives through the stormy sea. Scenes in the courtroom where Pearce is confronted with the horror of his deeds were similarly ruled out. I also believe budgetary restraints were at the root of so much of the landscape views of Tasmania we were 'treated' to- a previous comment said the film works as an ad for the area, I didn't rent the film to see an ad for the landscape of Tasmania! In one scene the director focuses on a mountain top for longer than five seconds (It was long enough for the thought to enter my mind- did he hike up here with a camera and say, well I made it up here so this shot is taking up at least six seconds of this movie!)Budgetary constraints doesn't mean the film couldn't have been successful, engrossing, and in some ways this gave it an advantage over any big-budget films that may succeed it. Whereas they would spend time on back-story, by cutting straight to the shock value of the cannibalistic 'middle part of a possible trilogy' as suggested by an earlier comment, Auf Der Heide could have given a definitive interpretation of it. Time saved on earlier scenes could have been used to give more depth to the inter-group dynamics, leaving the viewer wondering 'who would be voted off next', in a Survivor-like scenario. If you're making a film like this with a low budget, the focus has to be more on the human aspects of the group. For this to work, a strong narrative voice explaining the group dynamics was needed. Pearce would have been ideal for this, but instead we were presented with 'the quiet man', which proved disastrous. Where could the film have succeeded in the context of it having a relatively low budget? How could it have better elicited tension and emotions?· Fleeing the prison- dialogue about having to escape the deadly conditions would have helped us see the need for escape· The decision to resort to cannibalism- the portrayal of how the resources diminish isn't done in a way that builds tension, it's merely documented. Members of the party were unaware whilst the others plotted, and the first murder took place at night while the first victim slept. This scene should have been shot through the ignorant ones' eyes as they wonder what's become of the group.· This could have been followed by dialogue between the two who ran away about how they thought they were next and the plan of their subsequent escape from the group. · Explaining the sub-groups; the miracle of Pearce's survival is that he was the outsider from the point where there was at least 4 left and in theory he should have been next in the pot. A narrative from him detailing these fears could have done wonders.· When it came down to the two men, the pact that took place between the two men to renounce cannibalism has no place in the film. This could have been developed the theme, added to the tension as we question the two men's sincerity or even broken the pervasive silence. · There was no moment of catharsis where he reaches the village and is 'saved', if a man can be saved after what he has been through.Ultimately it's a poor script that failed to bring out the potential of the subject matter or to deliver any character I would either remember (the Alexander Pearce of my memory is the one whose character was explored in the documentary I saw) or whose survival I actually cared about even in the closing scenes of such dramatic potential.
angryangus Grim. Relentless. Unsettling. Frightening even. This film leaves nobody sitting comfortably whilst they watch it. This is 'us' when the thin veneer of being 'civilized' is stripped away. When all that Life has left you is no future, a few rags and a brutalized nature then the consequences can reach unfathomable depths.I've read some of the negative reviews for this film and can understand it when viewers who watch 'sanitized' Technicolor visions of what are classed as the 'norm'…that is their benchmark and they don't like concepts that stray beyond that. But when one has watched unglamourous brutality and emotions in such good, raw films like Saving Private Ryan, Last of the Mohicans, Apocolypta, Fateless and the superb Kokoda, then one can appreciate what this true-life film was trying to achieve.There are no heroes in this film…and no villains, just survivalists. From the uniformed officers and men posted to what seemed a god-forsaken land, to the convicts they had control of, they all had one thing in common…the desire not to be there!I'll not watch this film again for a couple of months as I'd like my senses to be on an even keel next time, but already I'm looking forward to it.
kosmasp This is based on a true story and although I'm not to fond when movies come along with tags like that, I really liked this one. It is slow moving though and I had a bit of trouble following the movie after 20 minutes. Actually I should say, I didn't know where it was moving to ... but this is a good thing! So as you can imagine, I didn't know the true story behind this movie and if you can, don't read anything the movie or it's origin and just watch it to be surprised. Be prepared though, because not only is it slow moving, there isn't happening that much during the course of the movie. But besides being a weak point (for some), it also can be the highlight for others! I think the movie, wouldn't have worked, if it had been spiced up. I like how it creeps up on you ... So if you haven't watched it yet, either be warned or watch it to be "thrilled" (depending on what you like in a movie).