The_Void I'm a big fan of Lucio Fulci; many of his Giallo and splatter flicks are amongst my favourites of all time, but this made for TV movie is extremely sub par and not what I've come to expect from the great Italian director. The film is neither interesting, like some of Fulci's more tame Giallo's, or gory like the majority of his cult classics; thus leaving it lacking in both major areas, and ultimately ensuring that the film isn't very good. The film works from a plot that has been used many times previously, but still it's an idea that always has the chance of springing an interesting story just because it focuses on the theme of the afterlife, which is the ultimate unknown. This film focuses on Giorgio Mainardi; a man that isn't exactly well liked and after he dies of an apparent stomach hemorrhage, there aren't many people that are sad to see him go. This means that his ghost is trapped somewhere between life and the afterlife, and so he decides to try and get to the bottom of his death, and his only ally in this endeavour is his daughter.The video that I saw this film on is proudly proclaimed that the film is "in the style of HP Lovecraft", and that's one of the most blatant attempts to sell a film I've ever seen. There is nothing even slightly reminiscent of the great horror writer in this tale, and the reason for that tagline would appear to be because of title similarity to the Stuart Gordon/Lovecraft film, 'From Beyond' - which is a lot better. The film does benefit from a distinctly Italian style, and the score is rather good. Unfortunately, however, Fulci has seen fit to positively roast every scene in it - and so the theme quickly becomes annoying. The plot plays out in a really boring way, and most of the scenes simply involve the ghost 'desperately' trying to find things out, or the daughter placing her suspicions over her family members. This movie was made for Italian TV, and so it's not surprising that it's all rather tame. There's a little bit of gore and a nightmare sequence with zombies; but this isn't the Fulci we all know and love. Overall, this film is extremely mediocre and not a good representation of Fulci's talents. Not worth bothering with, unless you're a Fulci completist.

Buio_Omega ****WARNING!!!!! POSSIBLE SPOILERS***Voices From Beyond is the last Fulci' work. It's about rich businessman Giorgio Mainardi who dies suffering, spewing blood, and his whole family is watching as he suffers. When Giorgio dies, his spirit connects from beyond the grave with his beloved daughter Rosie to find out, who is responsible for his death.This film is a little bit of disappointment, but there are some interesting scenes giving thrills. Not much gore - Fulci's trademark, but includes a zombie attack, rotting head and some eyeballs pretending to be fried eggs. Recommended for Fulci completists and true die-hard fans. I give 5 out of 10.

gridoon One of Lucio Fulci's last films, this is a cross between a murder mystery and a horror shocker. It has a rather weak script and resolution (it just doesn't seem to matter much who did it one way or the other), but it's stylishly, sometimes imaginatively directed by Fulci. (SPOILERS FOLLOW)......Some viewers called this too tame; I guess it depends on your standards. It does feature a gruesome autopsy scene, repeated shots of worms munching on a rotting corpse, a attack by decomposed zombies (!) and a scene of a man who spits blood. Not your normal "mystery" stuff, I'd say. (**1/2)

AS-69 Caution: Some plot and scenes revealed"Voices from beyond" is one of Fulci's most coherent and successful productions, especially among his last films. As usual, the subject are the horrors of death and what comes after it.The story deals with the death of Giorgi Mainardi, a man with a lot of money and enemies. After the prologue and the opening credits we witness the violent death of Mainardi, vomitting loads of blood. During his burial ceremony we are introduced to the main characters and in flash back sequences to why they had good reason to hate him. After his death, Mainardi manages to keep contact to the living: To his only trustee, his daughter Rosy, he talks in dreams, and his enemies he haunts with terrible nightmares. This concept gives Fulci the opportunity to insert many wildly surreal dream sequences (including, believe it or not, a zombie attack), and he makes good use of it. This dreamlike aspect of the movie is contrasted to the clinical analysis of Mainardi's death and decay, starting from his unpleasant demise on the death bed, ranging over the autopsy carried out by the Maestro (i.e., Fulci) himself, and ending in repeated shots of his decaying corpse.Other fine images include a still life with broken light bulbs (the device used to kill Mainardi) which summarizes the evil plot against him.We also watch the claustrophobia of Mainardi's father whose spirit is still alive but who has no means to communicate with the outside world, except his tears. He has to suffer interminable mockings through Mainardi's enemies.Maybe this character expresses Fulci's own incapacity to express himself properly in his latest movies due to extremely limited budgets and equipment. In fact, in an interview Fulci declared that he wanted to make one more movie with sufficient production values (i.e., "The Wax mask"), so that he can die in peace. As everybody knows, fate has declined this favour to him.Nevertheless, with "Voices from beyond", Fulci has demonstrated that he could create something of value even with restricted resources.