moonspinner55 Jeff Chandler plays a major in the U.S. Calvary who wants to train the peaceful Seminoles to help the Army fight the savage, marauding Kiowas; Maureen O'Hara is a flirtatious widow whose captain-husband (found burned beyond recognition, yet still possessing his identification papers!) may be alive, having defected to fight alongside the Indians. Unconvincing Universal western with fine Technicolor photography but a flimsy, ridiculous script. No attempt is made to show why the Kiowas are so bloodthirsty; by the end, they are also portrayed as mercenary and stupid. Suzan Ball has the silliest role, that of a citified Seminole (and feminist!) whose education has apparently taught her the only way to get what she wants is by using her feminine wiles. There's the strong suggestion that Ball and Chandler have a one-night-stand, which is intriguing in and of itself, though screenwriter John Michael Hayes only utilizes the implication to drive cool-but-quickly-thawing O'Hara into Chandler's arms. A few interesting details, otherwise an assembly-line massacre for non-thinkers. *1/2 from ****

TankGuy I just happened to catch this rare gem on TV. I was very plesantly surprised.The action scenes are plentiful and brilliant including several ear blasting shootouts and an epic scale battle sequence which makes excellent use of sharps buffalo rifles, springfield rifles and cannons.The plot is nice and simple as it mainly involves a cavalry officer training a group of discraced semihole indians to fight against some other western indians.I really enjoyed this movie and it is one of the best B westerns out there. Its only available on region 1 but if its ever on TV again i highly recommend you watch it.

Spikeopath War Arrow is directed by George Sherman and written by John Michael Hayes. It stars Jeff Chandler, Maureen O'Hara, Suzan Ball, Noah Beery, Charles Drake, John McIntire and Henry Brandon. A Technicolor production with exterior location work at Agoura, California, it features cinematography by William Daniels and music by Joseph Gershenson. Story is based on real events and sees Chandler as Cavalry officer Major Howell Brady, who is dispatched by Washington to end the Kiowa Indian uprising in Texas. But his mission is made doubly difficult by the obstinate commander of the post Colonel Meade (McIntire), and his feelings towards Elaine Corwin (O'Hara), whose officer husband disappeared after a scouting mission.Brady's BunchA pleasant surprise, although mired in the formula than ran through many a B Western that featured Cavalry and Indians, War Arrow packs an intelligent punch and features acting to match. The strength in the narrative comes from Brady's coercing of the peaceful Seminole Indians to fight alongside the white man against the rampaging Kiowa. Having had to flee their Florida homes, the Seminole are willing to be trained by Brady and his crew on the promise of land and supplies from the government. With Brady meeting resistance from stuffy Colonel Meade, these promises are on shaky ground, but the training sequences are most interesting for their tactical value and the Seminole are nicely drawn as a race of people. The latter of which, unsurprisingly, is not afforded the Kiowa who are rank and file blood thirsty marauders, but the balance is right, and with the Henry Repeating Rifle the weapon of choice, the action and stunt work, particularly for the siege on the fort finale, is high on excitement.They say that a wild plant doesn't live too long indoorsInto the mix is a romantic triangle, which isn't overplayed and creates a number of jealousies from both male and female characters. Either side of Brady is Elaine and Avis (Ball), with curmudgeon Meade pacing the edges of the triangle. Also enjoyable is the light relief that comes from the Sergeants played by Beery (Red River/Decision at Sundown) and Drake (Winchester '73/No Name on the Bullet), who are both excellent. Chandler offers up a big presence, while turning in one of his more committed Western performances, and O'Hara brings the class while Ball brings the smoulder. McIntire is suitably mean yet still giving Meade an elegant officious quality, and Brandon turns in a good one too. In named back up support are Dennis Weaver and Jay Silverheels. Daniels' (The Far Country/Night Passage) Agoura exteriors are pleasing, though the print of the film isn't doing it justice, and the prolific Gershenson (the go-to guy for Cavalry Vs Indians flavouring) scores it in standard, but easy listening, thematic beats.With Sherman's (Chief Crazy Horse/Big Jake) direction unfussy, War Arrow, in spite of mixed reviews on the internet, is a B Western I personally recommend to like minded Western fans. 7.5/10

frankfob The premise of this film is based on fact. During the Indian Wars of the late 1800s, the U.S. government hired Seminole Indians from Florida to help fight the Kiowa Indians of the Southwest. Using one group of Indians to fight another wasn't new even back then--it was, after all, how the Army finally managed to subdue the Apaches--and it would make a good film, but this one isn't it. Director George Sherman was an old hand at making westerns, having churned out dozens of them during his days at Republic, and Jeff Chandler and Maureen O'Hara had done more than their share of them. They all had an off-day here. Whatever failings Sherman's westerns may have had, he at least knew how to keep them moving. This one just pretty much sits there and nothing really happens. There are a few action scenes spread throughout the picture, and a fairly big one--an attack on a fort--at the end, but they are for the most part pretty listless affairs, lacking the energy that Sherman usually brought to them. O'Hara for some reason looks out of place here, and I can't quite put my finger on why she does, but she does. On the other hand, Suzan Ball is smokin' as a sexy Indian girl, so maybe that's why O'Hara looks uncomfortable. In any event, this is pretty much a below-average effort from all concerned. Henry Brandon, who did such a good job later on playing the evil Scar in "The Searchers," doesn't acquit himself nearly as well here--not that he's given all that much to work with--as a Seminole warrior, and Dennis Weaver is about the most un-Seminole-looking Seminole there is, with his bony frame, prominent nose and Missouri accent. Everyone involved with this had done better work previously, and would do better work later. You'd be better off watching any of those efforts than this one.