dougandwin I know this is going to offend a lot of fans, but "Weekend in Havana" does not come anywhere near "Down Argentine Way" or "That Night in Rio" both of which were made around the same time. Certainly, Carmen Miranda (the main attraction of the movie) has more to do in this, bus the talent of Alice Faye is wasted, and I felt it needed someone like Charlotte Greenwood to really lift the tempo and interest. No need to recap the story as it is one that has been done before many times, but I do give full marks for the Technicolor which was absolutely brilliant (in more ways than one!). John Payne and Caesar Romero were adequate, and it was good fortune to have some of the standard actors in Leonid Kinsky, Billy Gilbert and Sheldon Leonard to help move it along.

weezeralfalfa Fox channel aired this film right after "Sun Valley Serenade", both released in 1941. This emphasized to me that both musical romances had basically the same plot, but in very different settings and with different lead actors, except for John Payne. In both films, Payne is engaged to be married to a society knockout, but gradually comes to realize he really prefers a newcomer "nobody", Alice Faye , in the present film. Whereas in SVS, Payne spends most of the film trying to deny that he is falling in love with Sonja Henje's character, who keeps popping up unexpectedly, in the present film, it's Payne who keeps popping up unexpectedly in the life of Alice Faye, who initially shows no interest in him. Both films are blessed with multiple stars with complementary and overlapping talents. As usual, Payne is the straight man for a series of embarrassing and comedic situations, can sing, and eventually winds up with the leading lady. Cesar Romero functions as the primary male comedian as well as something for the ladies to swoon over. Carmen Miranda is her usual effervescent flirtatious self, as different in personality and looks from prim dreamy-eyed Alice Faye, as one can imagine. She is the centerpiece of occasional lavish costume musical numbers, whereas Alice renders her ballads in quite a different style. While Romero makes a play for Alice, whom he thinks is filthy rich,and Carmen flirts with Payne, savvy viewers sense that Carmen will return to Romero, while Payne and Alice will return together to NYC. Like SVS, this film is just a fun time, with a vaudevillian mix of song and dance, comedy, drama and romance.

JohnHowardReid Despite the super-lovely Alice Faye's top billing, exotic Carmen Miranda manages to steal the show. She not only has the pick of the songs, the liveliest dances and the most colorful costumes, but shares the movie's funniest moments with Cesar Romero. Mind you, Alice is most attractively photographed, does wear some beautiful clothes, and does get to sing the haunting "Tropical Magic", one of Harry Warren's loveliest tunes. (Harry, incidentally, hated the picture. He loved Alice, but was somewhat ambivalent about Carmen Miranda and John Payne with "his limited and rather ordinary singing voice." Harry also complained that Fox treated him badly, forcing him to work night and day for four weeks because Carmen had scheduled the movie between other engagements. "I turned out a lot of music, some of which was dropped from the picture. I fell ill and was hospitalized for three months with pneumonia. When I returned to the studio, I found I'd been taken off salary for the whole time, whereas Mack Gordon had been kept on. Waving my walking stick, I stormed into Zanuck's office but his yes-men wouldn't let me see him. Maybe Zanuck knew nothing about it, but his lieutenants did. They were horrible people." In Fox's defense, it should be pointed out that Mack Gordon did write lyrics for "Romance and Rhumba" during Harry Warren's absence).To my surprise, John Payne's role is more of a character part than that of a romantic lead. It's the lively, personable Cesar Romero who not only shares most of the comedy with both Alice and Carmen, has some delightful run-ins with the heavy (Sheldon Leonard), but supplies romance as well.The comedy is also helped out by George Barbier as the peppery president and Billy Gilbert as a self-important innkeeper. In the scenes with both these expert comics, Payne plays the fall-guy. And he makes an amusing job of it too.Walter Lang has directed with his customary expertise and no-one will feel short-changed by the lavish Miranda dance numbers choreographed by Hermes Pan.

blanche-2 Alice Faye knows more than she should about a cruise ship accident and gets herself a big vacation courtesy of the ship line in "Weekend in Havana," costarring John Payne, Carmen Miranda, and Cesar Romero. Alice plays a demanding young woman who insists on recompense for a long-planned vacation when handsome John Payne tries to convince her to sign a waiver. Payne escorts her to Havana where, anxious to get home for his wedding, he proves a dull escort. Faye soon hooks up with Romero, who thinks she's wealthy. He's on the lam from a casino proprietor to whom he owes money. Carmen Miranda, his girlfriend, is the jealous entertainer.Everyone in the film is delightful. Having just seen Romero in "Captain from Castile," he is even more impressive in this light role. Miranda is always fun to watch. Faye is very pretty and sings well in her lush contralto. John Payne is easy on the eyes and makes an able leading man. Cobina Wright, as Payne's fiancée, is quite stunning.I admit to liking Springtime in the Rockies and The Gang's All Here more, but "Weekend in Havana" makes for fun viewing.