utgard14 Cheapie western starring John Wayne as a cowboy who forms a group of singing vigilantes, slinging bullets and ballads across the West. Meanwhile his long-lost brother has saddled up with the wrong crowd. Nonsense from start to finish, and sadly never as much fun as the plot description makes it sound. It's dullsville. And don't even get me started on that ending! What was the point of the brother plot if it was going to end like that?

Michael O'Keefe Republic Pictures first production, WESTWARD HO features great locations and photography for the time period. A strong performance from John Wayne, who at this time has been before the camera a little over ten years. John Wyatt(Wayne)vows to avenge the death of his rancher parents at the hands of cattle rustlers. Wyatt leads a group of vigilantes hell bent on finding the gang of outlaws. When the bad guys are rounded up, to Wyatt's surprise one of the bandits is his own long-lost brother Jim(Frank McGlynn Jr.) Its been about 73 years and this picture still holds entertainment value. Although it is a shame to watch the torturous scenes some of the horses went through. The cast also features: Glenn Strange, Jack Curtis, Hank Bell, Sheila Bromley, Jim Farley, Chuck Baldra, Yakima Canutt and Dickie Jones.

John (opsbooks) Brother versus brother as the Duke leads a gang of white-horse-mounted vigilantes out to destroy every bad guy in the state. His parents murdered by a gang of cattle thieves, his brother taken and raised by the gang, John/the Duke sets out to locate the gang a decade after the event. Exciting action scenes which make up for stilted dialogue, especially from Mary MacLaren as John's Ma. As the row of good guys, black hats and black shirts on their white chargers, thunder across the screen, my thoughts hark back to the days of 17-inch black and white TV sets. In Australia this comes packaged on a cheap DVD with 'Flying Tigers' and 'Hell Town'. The DVD has excellent sound but generally below average picture quality!

rsoonsa Newborn Republic Pictures utilizes the solid directoral ability of Robert Bradbury, and the presence of John Wayne along with Yakima Canutt and his troupe of stuntriders to produce this strongly scripted film of 1860s vigilante efforts to rid the Far West of outlaw bands that were involved in widespread robbery and cattle rustling. Bradbury, whose skill with Westerns dates back to the early silent period, directs and edits with a solid awareness of suspense, building his typically short scenes with sparse and, at times, stilted dialogue and an eye for proper cast placement which makes excellent use of defined personalities such as Wayne, Frank McGlynn Jr., and Glenn Strange, and gives particular value to the hard-riding stunt performers, who are splendid throughout this well-made (and musical) adventure filmed in California's Owens Valley, at the base of the Sierra Nevada.