Rainey Dawn A stupid druggy and his dumb drugged-up girlfriend wants to kill his grandmother for her house and money. They are irritating as they can be. It's really easy to feel bad for the grandmother who's seemingly stuck with her awful and evil grandson caring for her. It's one of those films concerning youthism, power to the youth and down with the "oldies" (as said in the film).The movie had a couple of moments of being a little bit interesting but kept falling flat after the "moments" each time. It's slow, boring mainly and the two youths are irritating as all hell. Let's just say I was unimpressed with the film for the most part.2/10

malcolmgsw I do not think that this film was released in the UK.It certainly has not made it out on DVD.It is a rather strange film.It takes an awful long time to get to its climax and when it does all you can think its"so what".In fact when the couple go into see the solicitor about the reading of the will you think ,rightly,from that moment on that everything is about to go downhill.It is difficult to know why the makers thought this film was worth making.It is not a horror film,it is not sexploitation it is not a mystery thriller,it is just a mess.One can only feel pity for dear old Mona Washbourne that she felt that she had to appear in this.Although only 69 when the film was made she looks absolutely dreadful.

Theo Robertson Jack lives with his elderly grandmother who he looks after . He hates this and resents caring for her . Along with Jill his gold digging girlfriend they hatch a plan to get rid of her If the premise above reads as a bit too simplistic then you'd probably have a point . It's the old Shakespearian tragedy of a young weak greedy man listening too much to a slutty greedy woman and coming to regret it . However this isn't enough to to condemn the film as being bad in anyway and while it's not terribly good neither is it terribly bad , just a little bit predictable The cast are somewhat one note with Paul Nicholas as a hip early 1970s young cat brooding that the best years of his life will revolve around looking after his elderly grandmother who he has murderous fantasies towards . Vanessa Howard plays Jill who is a bit too slutty to be entirely credible but if you're a hip young cat then the tail wags the dog if you know what I mean and Mona Washbourne plays Gran who despite being a coffin dodger isn't written or portrayed as being insufferably selfish , just old The directing by Bill Bain is rather static and workman like which is not too surprising since most of his prior and subsequent work was in the field of television . One interesting aspect Bain does bring to the film is a cinematography featuring muted sepia tones which is the only real remarkable thing in an unremarkable film

lazarillo This is an obscure English thriller, whose interrogative, nursery rhymesque title suggests an attempt to connect it to the series of bigger-budgeted "crazy old lady" thrillers directed by Robert Aldrich and Curtis Harrington ("Whatever Happened to Baby Jane?", "Who Slew Auntie Roo?", etc.). The old lady here though (played by Mona Washburn) is genuinely sweet, and the villains are her lazy, amoral grandson and his sexy Lady Macbeth-in-training girlfriend (Vanessa Howard). The two young people plot to get their hands on grannie's money, but rather than simply pushing her down the stairs they hatch an elaborate plot to convince her that radical youth have taken over England are planning to do away with "oldies" like her. This is thus kind of like a nasty horror version of the recent film "Goodbye, Lenin", but not played for (intentional) laughs.This is an entertaining movie while Washburn is in it, but the other two characters are so disagreeable that it's hard to care much about them after she exits, and the young couple are also too one-dimensional to really relish them getting their eventual just desserts either. This isn't really the fault of the actors though. Vanessa "Girly" Howard is especially good(even if her failure to take off her clothes is pretty regrettable).This movie was also probably a little too tame for 1972, even for the famously violence-adverse British, and this too might have led to it's failure and current obscurity. Still it isn't a bad movie, and deserves at least a minor footnote in the history of the British psycho thriller.