contato-56-570022 I have just finished to see the movie and I came to IMDb, which seems to be a very serious movie website, to read what people wrote about "Qui a tué Bambi?". It's strange that everything I read turns to make the film a good quality one. The argument is poor. The music is non-sense (it tries to copy the soundtracks of David Lynch. And I still do not know how can somebody quote him here). It's far from anything we had in history of cinema like Lynch, Kubrick's and so.If Bambi was in Cannes, I'm starting to doubt about the festival as well. And it's impressive how can the media support it. I've seen some French movies and I believe this is the worst one, it's so young as Facebook. The film was made for cocktails, good for globalized children.

laurasinead A slow thriller about a young trainee nurse who suspects that one of the doctors working at the hospital is up to no good.The white wash of the entire hospital gives the film it's eerie, anonymous feel, however it remains highly predictable throughout which is a little annoying. Fortunately the obvious chemistry between the main actors compensates and certainly adds to the tension that is needed. Sophie Quinton is entirely believable as the naive Isabelle and never 'overplays' the part and Laurent Lucas is perfect for the charming yet sinister doctor.One for those who like Hitchcock and don't mind sitting though a 2 hour film, although it does make you think twice about going to the doctor again ...

Robert J. Maxwell I missed the first 15 minutes or so and that might be why the ending left me as confused as it did. I mean, what happened to the doc? Was the forest and the hole part of a dream? Was the whole movie a dream? Did I fall asleep and dream it all myself? In any case, I found this to be pretty good. It's slow, of course, by the standards of, say, "Coma", or "Freddy and Jason Haunt a Hospital," but the visual images, the score, and the acting make up for it and keep a viewer's attention engaged.The visual images are striking in their sterility and simplicity. It's not not like any hospital you've ever been except maybe in a couche-mar. The hospitals I'm familiar with -- the better ones -- have people bustling about night and day, and the floors have coded colored lines on them. This hospital is mostly empty. And oddly lighted. Even the OR is dark except for some dramatic lighting over the patient etherized upon the table. In the corridors, the FLOORS seem to emit their own white light.There is hardly any score to speak of. There is usually an ominous discordant electronic hum. Aside from that there is only a slight groan from an opening door and the squeak of rubber soles on polished linoleum. Well, an occasional scream too.The acting is fine on everyone's part. Dr. Phillip's role doesn't call for much except a haughty look and a stern tone. But Isabella is just about right. Few people have ever looked so winsome and helpless. She has a slight figure and the face of an adolescent girl. (Try to imagine Gerard Depardieu in the part.) The story itself is rather routine. We've seen it in one or another variation before. But this is a well-done example of the genre, worth catching.

George Parker "Who Killed Bambi?" is a subtitled French film all about Isabelle (aka Bambi), a surgical nurse in training in a hospital where strange things are happening to attractive female patients. As this somewhat plodding film wears on, Isabelle comes to suspect a surgeon of murder and the plot becomes a dangerous contest of wits between doctor and nurse. A visually stylish film with little to fault, the mounting tension is marginal and barely sufficient to qualify it as a thriller. Rather it is a somewhat tedious drama which a couple of peculiar dream-like scenes which seem like an after-thought and a conclusion which is anticlimactic and too long in coming. Nonetheless, there's enough substance to make this a worthwhile watch for those into French cinema who've seen the many better films of this genre. (B)