mallaverack A number of reviews here seem a little harsh even though a number of faults, particularly in the direction, can hardly be glossed over. I agree that the flashbacks add confusion to not so much the events but to the dramatic atmosphere of individual scenes. When one feels a certain empathy with a character is being elicited, the viewer is suddenly hurtled into another time and place.Hardly a 'spoiler', we know that the major characters portrayed more than adequately by Zingaretti and Bellucci, are executed by the partisans. But at the end of the film, I found myself asking the obvious: "What were their crimes that deserved the ultimate punishment"? There seems to have been an awareness of motives and actions of the ill-fated couple that is not adequately revealed in the film's plot. Nevertheless, this story led me to further explore historical facts relating to the waves of vengeance by anti-Mussolini forces, once the Nazis departed. The production values are commendable and despite some finding fault with the performances of Bellucci and Zingaretti, surely Alessio Boni as Golfiero deserves our praise.

fanbaz-549-872209 Orson Welles once said there are 52 million great actors in Italy, none of them work in films. Cards on the table. I am an Italian. I write movies and act in movies and there are some moments in Italian movies that are like no other. New moments. Acts of inspired imagination. Leone had them by the yard. Fellini the same. I could name a dozen. But this film is nothing more or less than two and a half hours of soft porn and cheap emotions. If you like a lot of simulated copulation and have hours of nothing better to do, then this one is for you. But it is sure as hell not one for me. Time to go and check out Bitter Rice to take the taste out of my mouth.

vivalafa Maybe if the director went a little easy on the flashbacks and allowed actors to grow with the scene the results would have been different. For me, Zingaretti was way over the top, needing Bellucci's passiveness to balance the scenes. I don't see any other actress playing Luisa Ferida. In all, the film lacks historic references, making it feel empty. When the story asks for continuity Giordana gives us a flashback, when the scene is at the point of climax he brings it down with a harsh cut. The story of Luisa Ferida and Osvaldo Valenti is so rich and yet, the film focuses more on Luisa's two loves instead on focusing on the drama of living hard in a divided country.

latinese Unfortunately the interesting topic chosen by Giordana, and the quite good acting by Zingaretti have been wasted due to the terribly poor acting of Bellucci. That she wasn't really an actress I suspected, as she was always only _shown_ in US films, and they never allowed her to utter more than a few words; now I can see why. She's as expressive as a sofa, as passionate as a brick, as professional as somebody who has never even seen a film. What a pity! With one of the good actresses who work in Italian cinema today (for example Vittoria Mezzogiorno) it could have been a very good film, though, compared to the other Italian movie at Cannes, Gomorra, we are in a different, lower league. Garrone is a real film director; Giordana is a gifted TV director (in fact his best thing so far is a TV series, La meglio gioventù). Once again: what a pity. What a waste.