richard.fuller1 Were that prancing with a pram in public was all it took to raising a child. Talk about a movie sending the wrong message! There's been stories like this before. Check out She's Been Away (1989) with Dame Peggy Ashcroft.This little girl here didn't see her problems solved with having a baby and causing everyone to wonder who the father might be, as tho that casts the blame upon them and leaves her completely innocent.This is the mindset of Maury Povich trying to find out the father is of those babies. "You are NOT the father!" Here's this girl.Even still, that kid grows up, and either she's going to have to pay for a baby-sitter or she's going on aid, or she's relying on someone.She isn't doing it all on her prancing own, walking in front of everyone with the pram.How long before that gets old? This movie was older.Just another film trying to be original on an idea that's older than dirt.

Michael Neumann David Leland's companion piece to 'Personal Services' (also 1987) is another dramatized fiction suggested by the life of Cynthia Payne (London's notorious 'Luncheon Voucher Madam'), only here the canvas is smaller and the film, as a result, is less effective. A 'prequel' to the earlier feature, it relives the rebellious teenage years of the sassy young Ms. Payne (the names have again been changed) as she flies in the face of her stodgy English upbringing with a rousing rejoinder of "up yer bum!" Growing up too fast in a very slow corner of the Empire, she struggles through that awkward age when her cynicism about sex hasn't caught up with her curiosity about it, leading to a good deal of engaging if familiar adolescent angst, reinforced by a bland seaside setting viewed through nostalgia. The film succeeds mostly on the charm of young Emily Lloyd, portraying a character who can't decide if hers is a child's mind in an adult's body, or the other way around. Boredom motivates her rude behavior, and it's a pity the film itself didn't follow her good example. After making its point (and making it well), the story can't help losing a little momentum.

Pepper Anne This is a strange low-budget British drama about a young, promiscuous woman (was Lynda supposed to be a teenager throughout the film?) who asserts her independence in strange way (though less strange by the finale). Her precocious behavior stems from an odd relationship with her family. Once her mother dies, she becomes alienated from her estranged father and her "boring" sister (seriously, what was this kid doing all the time walking around in a scouts uniform carrying a flag?). Nonetheless, I suppose seeking solace in a meaningful relationship with other men (but I assume she realizes that none of these relationships are actually meaningful at all), she goes from one man to another, which serves only to further aggravate her father and others around her. Set in the late 40s/early 50s England, her outlandish, exhibitionist behavior is perceived as much more wild and offensive as she attempts to basically turn any convention about young women of the period on its head. (Whether this is to gain her father's attention, I'm never sure). Until the ultimate staging of independence (see the movie, why don't'cha?).As odd as the film was (I especially was amused by Lynda's intent to use as much foul language as possible whenever the opportunity presented itself, which was often), Emily Lloyd did a fine job in the lead character. Although she is familiar to these types of roles, reminiscent of her character, Cookie (Cookie, 1989) or Samantha (In Country, 1989), or countless other films that she appeared in, portraying the same type of character. It is not at all surprising that her film debut role would garner her Best Actress awards (British honors and the National Society of Film Critics Awards--US). She was an excellent choice for the part and that is reason alone to see it.

pillix If you enjoy life, this film is a must see... absolutely worth watching.I saw this film about ten years ago as part of a one-day-show at a film festival. Since that time forward i have tried to see it again, but that has been impossible for any "commercial" movie theatre showed it in my country.Both, the plot and the acting of Emily Lloyd left a delicious taste in my senses during and after the film was over. Later i found it was her first official/professional appearance on film. She was perfectly casted. One has no other choice but to love this film, and being a woman... it is a MUST SEE.What happened to writer/director David Leland? It is a shame we don't see fresh films like this one more often. Recently, "Life is beautiful" (Italy) swept with many awards... well, "Wish You Were Here" is something like "life is not beautiful but one better live it to the edge, being the one and only life we have".P.S. Still... i am waiting for the video version in order to watch this film over and over.