Woman Is the Future of Man

2004
Woman Is the Future of Man
6.4| 1h28m| en| More Info
Released: 05 May 2004 Released
Producted By: CNC
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Budget: 0
Revenue: 0
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Synopsis

As the first snow falls in Seoul, two old friends reunite; one is a successful college professor, and the other, a struggling filmmaker recently returned from the United States. After their reminiscences, they finally decide to go in search of the young woman each had romanced years earlier.

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Jithin K Mohan My first Hong was ..Turning Gate which was ok for me but never understood the hype of it and when I heard most of his films are like that I wasn't so keen to watch his rest. But here I understand his style better, basically, it's the same theme as the former where people get confused and misunderstood in love and friendship and when they turn into lust for a faster relief it's still unfulfilling and men and women never understand each other. But I still think this could have been a masterpiece with better craft.
adrean-819-339098 It has been a couple of years that I heard the name Hong Sangsoo and of his reputation. I'm a fan of Eric Rohmer and to have somebody follow in his tradition with glowing reviews immediately compelled me to seek out his films. His films aren't the easiest to come by so I immediately grabbed this film when I saw it.I was not the slightest bit disappointed.There was certainly an ethereal quality to this film and an indefinable stamp of a director unto himself. The decors are simple and not manipulated but at the same time there is a depth and simplicity in each shot. There is such a control of what we the viewer can see and what is not shown. The relationships are complex and real. The tension is palpable in several scenes. My heart really went out to the characters during the course of the film. I even had a change of heart. I didn't feel manipulated by the nature of the characters but I felt free to choose. A second viewing might be rewarding to see another perspective.In contrast to others I found the soundtrack unique and appropriate. I also appreciate that, like Rohmer, there is humor throughout the film.This film has revitalised my opinion on Korean cinema which I had a pretty dire view on before (I lived there a few years ago). I also have a new director forefront in my mind whom I must discover more of.
Miuriel (PanTonowicZ) Sang-soo Hong has very unique way of story telling. Which can sometimes be confusing for audience unfamiliar with retrospections mixed with present storyline without any hints. Feels really diary like though require constant attention to avoid mentioned confusion. I think thats why my friend who is unfamiliar with non-Hollywood narration completely did not like it. He also accused me of wasting his time. I however share Scorsese's point of view who said that Hongs films unpeel like an orange .Films about 2 friends that meet over the beer after they haven't seen each other for few years. What we're witnessing is memories, resentment and so on coming back as the story follows. After drinking they decide to catch up with their lad friend. Scenes are built very. The story has rather dramatic character but there are subtle comical moments like the one in the bar with waitress. Ending is rather disappointing and abrupt. But it convey the fact that some things ends just very sudden and sometimes you don't even know when did it happen and why.In a sense point of this film is to convey some old truth. In the eyes of women all men are pigs and thats often truth. Although as a men i cant accept it. Oh and the film feels like it lacks some kind of twist or something really dramatic.
starla51792 Munho and Hyeon-gon are two friends who meet up years later. They go out to lunch and begin to reminisce. One is now a filmmaker and the other an art teacher, both share Seon-hwa in common. The story unfolds that Munho and Seon-hwa dated and Munhoo left her to study in America. While she waited, she began an affair with his friend Hyeon-gon. All these years later Munho has no idea and the two decide to go visit Seon-hwa together. Hyeon-gon expresses in the beginning that he is married and no longer sees his wife as a woman or wife anymore and instead as "human" therefore she can do as she likes. When the two meet up with Seon-hwa, Munho is obviously upset over the past and wants to rectify things with her, however, the triangle persists and then unravels into yet another entangle that made me a tad puzzled. What exactly this film meant and a tie in with the title, I'm not sure if I fully grasped. I liked many elements about the film, but felt that the lack of close ups was strange and distant, and the story felt almost open-ended. I would like to know more about it but I'd say it was still interesting.