CountZero313 One of those strange films that I like but find difficult to say 'why' exactly. Surreal, touching, bizarre, obscure, confusing, culture-bound - but also laugh-out-loud funny in parts. Having read other reviews I am not sure how much of the film I got, but this film had its moments, including strong performances all round, a distinctive look and feel based on clashing modern and Edo themes and strong primary colours, and a convincing love story propping it all up. I'd recommend it to anyone who has spent any time in Japan or feels an affinity with the place. I can only guess at what audiences with no experience of Japan would make of it. Probably not very much...

Sam Cremean Without a doubt the best movie I have ever seen, in every respect. With excellent effects, to the many themes covered, entertaining, colorful, crazy. I couldn't sit still in my seat and definitely have to grab a copy of this any way I can! Its like Brokeback Mountain meets Sailor Moon, on speed.It really shows you that the American film industry don't know anything about the gay community, or for that matter have the ability to produce anything exciting new and original. This is a masterpiece, its one of those films that has to power to make you laugh and cry in the same night, and enjoy laughing and crying.5 thumbs up.

dbborroughs This is the story of two samurai in Edo period Japan who are in love. One is married, the other is a drug addict. They decide that in order to make things better they will go on a trip to Ise Sanctuary, where its presumed, everything will be made right. What happens once they get on the road is the movie and its as wild and wacky as anything your likely to see. There are numerous puns, both visual and verbal; we get bodily function jokes; gender bending characters; gay jokes;romance; spoofs of films and music (and musical numbers); trips through time and space; a search for "my reality"; drug induced hallucinations and other things I was laughing to hard, or too shocked to noticed. Its a movie made for the film makers and whom ever will click into their strange mind set. Frankly its hard to describe what happens since much of it is so out there that to hear about it out of context will not make any sense (office girls on parade? Zombie Bartender? Born to be Gay?).Its probably more fun to discover the weirdness on your own, besides its too hard to describe simply.The film is not perfect. Its over two hours and probably could be trimmed by twenty minutes. The film also gets rather bizarrely surreal and it becomes almost too much to take. There is only so much one can take in before one hits the over load button. You probably won't like or get every joke or reference, I didn't, but I have to give it points for keeping at the craziness at all costs.Still for those are open to crazed, silly/clever films that the term "off beat" is too weak a word. Actually this film is so crazy that there is a good chance it will never even find its well deserved cult.9 out of 10 for sheer originality and audaciousness. Actually it would probably be something about an 8.5 but I have to round up or down to whole numbers. If you you're into off beat films and original visions look no farther this is the real deal. If you can't handle anything even slightly off center stay away, far away.A unique cinema experience.

Meganeguard Three years ago I read Ikku Jippensha's novel Hizakurige, or Shank's Mare, for one of my Japanese history classes. I comparison to some of the other books in the class the long tale of Yaji and Kita was quite entertaining if a bit long. During the Edo period townsmen and rich farmers were able to travel more freely so there was a demand for travel guides. Therefore a number of guides for inns, sites of interest, teahouses, etc. began to appear. Unlike many of the writers, Ikku Jippensha took it upon himself to create a "guide" that was also a quite comedic story. It was in this miasma of budding plebeian literature and tourism that Yajirobei and Kitahachi, Yaji and Kita for short, were born. Consisting of passages in which the protagonists mock samurai, hit on girls, and tour the sites along to Tokaido Road Shank's Mare is an entertaining read not only for Japanese literature, but for those who just enjoy humorous literature as well.Now warp to the year 2005 and put the rapscallion duo of Yaji and Kita into the hands of director Kankuro Kudo. Still dressed in townsmen attire, Kita sports a bleached topknot and has a heroin addiction. Concerned about the health of his friend and lover, there are hints that Yaji and Kita were lovers in some of Jippensha's later stories, Yaji forces his drugged up friend that he needs to go to Ise in order to clean up, so they hop upon Yaji's motorcycle and make their way to Ise. They almost reach their destination when a police officer makes them return to Edo and hike along the Tokaido road to reach their destination.Like the novel, Yaji and Kita stop at a number of inns, but instead of detailed information concerning the food of each inn, the viewer is treated to middle-aged women being accosted by the God of Laughs, a girl whose singing is so bad Mt. Fuji hazes over, a gaggle of school girls, including one ganguro, who are the fan club of a mafia boss, King Arthur, a bartender and his wife who has become half mushroom, etc. Obviously the film ranges from the comedic to the outright bizarre. At some points it is so bizarre that suspension of disbelief is destroyed. However, the comedic effects of the film are able to draw one back in and make it worthwhile to sit through the two hour plus film.Definitely not for the prude, there is one scene in which Yaji stretches Kita's nut sack a few feet and then bites it and the ending theme is a song titled "I Want to be Your F*ck" by the Zazen Boys, Yaji and Kita: The Midnight Pilgrims is definitely good for a few laughs and even more "Oh my God" moments.