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Cadfael is a medieval detective series set in mid-12th Century Shrewsbury against the backdrop of a devastating civil war. It is based on the entertaining and popular series of novels by Ellis Peters, the pseudonym of Edith Pargeter. The protagonist is a Benedictine monk, Brother Cadfael, the crusader-turned-herbalist at the monastery of St. Peter and St. Paul, who finds that the only way to get justice for the corpses that come under his care is to investigate the murders himself.Many of the intricacies and sub-plots that brought such life to the source material are cut out to fit the stories into 75 minutes. Only 13 episodes of the 20 available books were filmed, which is a shame, although from reading the entire series I would say that arguably the best stories got through. The adaptations are good despite their limitations, but it is noticeable when the original (and superior) dialogue is used. The sets and costumes look great and the Hungarian location is a more than adequate substitute. The authenticity in the series is much higher than in most films set in the era.The role of Brother Cadfael is played brilliantly by Sir Derek Jacobi, who delivers a performance that really brings out the different facets of the complex character of a former crusader and sailor who settles for a quiet life in a monastery. Though he was not the first choice for the role, it is hard to see how anyone could have improved upon his work except to perhaps bring out more of the Welshman in him. The support is mostly excellent, with actors such as Terence Hardiman, Julian Firth, Michael Culver etc. turning in memorable performances. It is a shame that they could not have had more consistent casting of law man Hugh Beringar and it is not just the actor that changed – he went from being a level-headed and intelligent man in the Sean Pertwee era to someone who believed in testing guilt by throwing the accused in a river during the Anthony Green phase! Unfortunately occasionally there is some unintentional hilarity from the poor dubbing of the Hungarian extras.Cadfael is worth seeking out if for no other reason than because it is a refreshing change from the CSI-type mysteries that fill our screens, with a different setting and a focus on knowledge of human behaviour rather than forensics (though Cadfael is well ahead of his time in the latter discipline!).
catuus
Now that all 13 episodes of (Sir) Derek Jacobi's landmark mystery series "Cadfael" are now available in a single package, it's time to give this treasure a good look. The bound-leather look of the collection is nice, even if it's obviously not mediaeval. It has convenient double trays and a clever faux clasp to hold it shut."Cadfael" is based on the novels of Ellis Peters (pen name of Edith Pargeter). It's set in 1138-1144/5, during the spotty reign of Stephen of Blois – King of England 1135-1154 – and his civil war with his cousin "Empress" Maud (or Matilda). Stephen's claim to the throne was less compelling than that of Matilda (or Maud), as he was the son of William I's daughter Adela and had already sworn to support his cousin's claim. Maud's (or Matilda's) claim was better, since she was the daughter of William II. Her title "Empress" was only a courtesy because, although she had been wife to Holy Roman Emperor Henry V, she had never been crowned. Despite his oath Stephen quickly appeared to claim the throne when William II died. Matilda (or Maud) came to England in 1138 and a bitter civil war ensued. "Cadfael" begins in 1138, when Stephen seems to be gaining the upper hand. He has just captured the Shropshire area, subsequently executing a large number of his enemies – thus effecting the taming of Shrewsbury.I expect some really sincere groans after that….Brother Cadfael is the herbalist and, in consequence, as close to a doctor as Shrewsbury Abbey is likely to get. His medical practices are fairly advanced for the time – but then, any genuinely medical practices would be. Cadfael has come late to his monkish vocation, having spent 3 or 4 decades in Palestine on Crusade. He has an interesting past … many details of which we learn as the series progresses. Learned for his time, and being clever and inquisitive, Cadfael's avocation is solving murder mysteries. Derek Jacobi invests the character with enormous humanity and compassion in brilliant and nuanced performances.In fact, "Cadfael" is an ensemble of excellent performances. Not least of these is the performance of the technical staff in reproducing the squalor and degradation of living in 12th-Century England. At the height of the Little Ice Age, England was a less pleasant and productive land than it is now – a situation exacerbated by the collapse of Romano-British civilization, the deep-rootedness of Christian superstition, and the triumph of Norman greed. Interestingly, this period is equally well portrayed in a comedy, the hilarious Brit series "Dark Ages".The mysteries that involve Cadfael are complex and interesting, lasting about 1 hour 15 minutes each. His task is made more difficult by the rampant sophomoric thinking of the times and the numerous uptight personalities who think they're better than anyone else.Speaking of personalities … this series is full of them, all highly interesting and individualized, portrayed by accomplished actors. While the murders pose interesting puzzles – especially in the absence of modern forensics – it's the interactions of the characters that really make the stories. (As to forensics, Cadfael is surprisingly thorough and almost scientific. This is almost a century before the prime of Roger Bacon, an era of the triumph of religion and therefore the abasement of empiricism – and yet, here is Cadfael.) Most of the main characters are involved in the abbey. This is, initially, headed by Abbot Heribert (oddly - for the time - spelt "Herribert"). He is played with gentle gravitas by Peter Copley. By decision of a church council, Heribert is quickly replaced by, Radulphis, played with assertive gravitas by Terrence Hardiman. Whilst Heribert tended to give Cadfael his head, Radulphus began his tenure as more skeptical of Cadfael's abilities. However, he quickly came to depend on Cadfael in difficult situations involving murder.Cadfael's nemesis in most circumstances is Brother Robert, the abbey Prior, played with stuffy all-purpose disapproval by Michael Culver. In his grouchy skepticism, he's seconded by busybody Brother Jerome, played with prissy toadiness by Julian Firth. It's not always clear what this pair is up to, but they're always up to it together. Cadfael is assisted by young Brother Oswin, played with earnest immaturity by Mark Charnock. His clumsiness is a running joke for a time, but this is later wisely abandoned.Cadfael's main ally is the Under Sheriff, Hugh Beringar – originally a partisan of Matilda (or Maud) who ultimately swore loyalty to Stephen and was raised to his current post. He is played very authoritatively by Sean Pertwee – easily the best bit of eye candy in the series. Alas, Beringar is played by 3 actors. Pertwee has the role during Season 1, Eoin McCarthy in Seasons 2-3, and Anthony Green in Season 4. The latter two do well, but the viewer misses Pertwee's affable authority. Beringar is assisted by a Sergeant, Will Warden, a hulking berserker sort, prone to arrest first and ask no questions after, played with appropriate menace by Albie Woodington. He doesn't appear in the last season, alas."Sheriff", by the way, should more properly be spelt "sherrif". The Old English is scir gerefa, later rendered as "shir(e) reeve" once the "ge" syllable had been lost (nasty Teutonic thing). Conflating into a single word, we should have been left with a double R (and a single F). Such are the vagaries of English. Ask me about the abomination "dwarfs" some time.The generally top-notch actors give real life to some top-notch stories. But these are, of course, British films. It's amazing that this country, with a fine and sophisticated mystery tradition of its own, has produced little to rival the great British mystery series. Be that as it may, "Cafael" is one of those great series and this set is the most convenient and most economical way to get it.
sneakyclevermongols
I agree with "hgallon" on quite a few points. Any literary adaptation for the large or small screen, owes its existence to the source material. Therefore, it's not merely respectful to retain what made the source material compelling to start with; it's practical. (Acknowledging, of course, the fine adjustments that must occur when translating a story from one medium to another.)The series achieves both "hits" and "misses". I too was a little hurt that Cadfael's Welsh origins was omitted. And for several reasons:Cadfael's Welshness was an important aspect of his character. Anytime the abbey needed a Welsh translator (they WERE on the borderlands!), or the story required someone who knew both the Welsh and the English psyche intimately, Cadfael was called upon. Also, Ms. Peters indicates more then once that his affably earthy, yet bold, "take-no-crap" personality is a direct result to the Celtic culture in which he was brought up. I hardly think a simple Welsh accent would be beyond the scope of Mr. Jacobi's acting talent. (Ian Holm did it pretty well in "Henry V"...) I wonder why he was not asked to try?While on the subject, did anyone notice the actor playing Meurig in "Monk's Hood?" He played the lead in "Hedd Wyn" ---- the biopic of poet Ellis Evans. It was nominated for a "Best Foreign Film" Oscar in 1993. DEFINITELY worth checking out: http://www.imdb.com/title/tt0104403/board/threads/
