Coma

2012
Coma

Seasons & Episodes

  • 1

EP1 Part One Sep 03, 2012

A young medical student discovers that something sinister is going on in her hospital after routine procedures send more than a few seemingly healthy patients into comas on the operating table.

EP2 Part Two Sep 04, 2012

After finding out the truth about the coma patients, Susan Wheeler's life is in danger.
5.8| 0h30m| TV-14| en| More Info
Released: 03 September 2012 Ended
Producted By: Warner Bros. Television
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://aetvaws.aetv.com/coma/
Synopsis

A young medical student discovers that something sinister is going on in her hospital after routine procedures send more than a few seemingly healthy patients into comas on the operating table.

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Warner Bros. Television

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Reviews

ikeybabe I loved the cast. There were some really stellar actors in this TV mini series. I remember the original Coma and that was spooky to me, being a kid at the time. This version was all right. I was moderately entertained. I did keep guessing as to who the bad guys were, because there were a bunch of possibilities. There was plenty of creepiness here and the modern upgrade with the technology and the look of the comatose victims was pretty cool. Overall, I'm glad I watched this. It was worth the time and it was nice seeing Lauren Ambrose, who was in one of my very favorite series (HBO's Six Feet Under). It was nice seeing the dude from FX's Rescue Me too. The chemistry between the two wasn't so real, however, but it was palatable.
Robert Thorpe OK,So the I finally sat down to watch this 3 hour epic on DVD. Saw the billboards and stuff all around town and I love me some Tony and Ridley Scott. I also like medical thrillers, like Anatomy, Antiviral, Nightwatch and more. To Coma - What I liked - I loved the cinematography, the performances were great, the suspense was well built and the FEW twists within it were well done. All the technical aspects of this show ere top notch, I would expect nothing less from the Scott brothers. (Tony - RIP) A HUGE problem with the film, the pace and knowledge of the main character - Speaking from EXP as I spent 14 years in the military in the medical field, the pace of how this STUDENT uncovered the issue at hand is astounding and really, NOT STUDENT LIKE. So logistically there are TONS of problems with the film. All the evidence she found was so easy and yet they could not contain or remove her before it got out of hand yet they can put JAMES WOODS in an elaborate car accident? James Woods, who was apart of the whole thing (or was he, this is never revealed) Just because the main girls father was a doctor and supposed starter of this project does not mean the granddaughter will suddenly be smarter than all the other students and catch on. Geena Davis who looks like BOTOX on steroids in this film has a mental, killer patient who kinda makes no sense and his character is never truly explained. So he killed a young girl, so he is on meds now and does her bidding. Yet can't kill a female medical student? uhhh OK! I could go on with a lot of the logistics of the show. Now - to the overall story. I get that they are putting specific people in Comas. I get that there are experiments on those in the coma. trying to cure disease or find better ways to treat them. I get it. What I don't get is why take NORMAL HEALTHY FOLKS coming in for cyst removals and have them suddenly go into a coma? That only draws attention which with the amount mentioned in the film in such a short span not even the facilitates ethics committee could hide from HIPPA and the federal government which requires you to report such anomalies. You could not keep this contained to the hospital alone. Richard Dryfeuss character is never fully realized. What exactly they were doing in the facility was never fully explained. Kind of a round about answer. and FINALLYWhat was with the pregnancies that the old lady was doing. How the heck was she getting female coma patients pregnant and WHY? In the end - A good looking medical thriller that had wonderful performances but lacked any explanation as to WHY its all happening. Not to mention she had friends at the beginning of the show that mysteriously didn't materialize during the last hour. Odd.
Leofwine_draca COMA is a 2012 television miniseries based on the Robin Cook medical thriller of the same name. If it seems familiar, that's because Michael Crichton already directed an adaptation in the form of a movie back in 1978. It was a great little film, and the miniseries seems destined to pale in comparison.Not that this new COMA is bad; it turns out to be quite decent, especially by TV movie standards. The reason it works is that it focuses throughout on the developing suspense and conspiracy situation, which means that it's never less than involving. Yes, there are problems with the direction and the acting, not to mention plenty of hulking plot holes, but the crucial thing is that COMA remains watchable from beginning to end.Very nearly, anyway; the last twenty minutes or so falls down with a silly, sci-fi scenario which goes against all that's come before. It's something that belongs in a SyFy Channel movie, not this, but at least it's only at the very end that things fall apart.The young actors in this production aren't bad, but the most fun comes from 'spot the star' in the older cast members. James Woods, Richard Dreyfuss, Ellen Burstyn, Joe Morton and Geena Davis are all present, and there's fun to be had from guessing which of them is involved. It certainly helps to pass the time, anyway.
Stuart Whyte When making Trainspotting Danny Boyle described the film as something of 'a remix' of the source book to allay any fears of viewers who had read and would perhaps feel allegiance to the cult phenomenon of the Irvine Welsh novel. To corrupt that same analogy, this production of Coma is like a bad 80's 12" version of the (rather schlocky) original 70s film. Some scenes are very faithfully/slavishly reproduced to seemingly mimic the original film. I know the source material is the same but exactly the same shots are employed without further thought or creativity. So there is familiarity in places for those who've seen the other one. But the over-riding feel is one of jarring cliché, unrealistic 'lifestyle gloss' applied to the characterisation and art direction and most problematically a lot of condescending exposition and spoon-feeding of plot without any regard for tension or pacing. The cumulative effect is of an overlong, corrosively hallucinatory 'bad trip' with dialogue and acting that create an oppressive air of malevolence that is both reductive and exploitative of the audience.