Fallen Angels

1993
Fallen Angels

Seasons & Episodes

  • 2
  • 1

EP1 Love and Blood Oct 08, 1995

A dissatisfied boxer's wife leaves her husband for another man. But she wants to give the marriage another chance. However, fate touches Matt Cordell when he is framed for a murder.

EP2 Professional Man Oct 15, 1995

Johnny Lamb is an elevator man by day and a hit man by night. He's very good at his job; he's a professional. The Boss sends him on a job that makes Lamb confront his conscience, maybe for the first time. The episode has interesting male relationships seldom touched in hard-boiled novels nor found in film noir.

EP3 A Dime a Dance Oct 22, 1995

A police detective investigates the untimely death of a nightclub dancer but the investigation is called off by the brass. The problem: the killer is still loose.

EP4 Good Housekeeping Oct 29, 1995

In the noir world you never know how certain people can change your life forever. A woman is transformed when she falls for a wise guy.

EP5 Tomorrow I Die Nov 05, 1995

In pure noir fashion, where fatalism plays it's untimely hand, Hollywood actor Rich Thurber gets off the bus and enters a bar to take drink. The bar is then abruptly taken over by bank thieves. The hoods mistake Rich for a local politician and take him and Carol, the daughter of Los Angeles' top cop, for a ride they won't soon forget. Look for a surprising and riveting end.

EP6 The Black Bargain Nov 19, 1995

It's the nature of noir never to know who your friends are. A mobster is hiding out in a hotel room and one by one his thug friends abandon him.

EP7 Fly Paper Oct 30, 1995

A well known socialite is missing and the famed shamus, the Continental Op, is on the trail in this story that takes place in 1929. The case takes the Continental Op to blackmail and murder.

EP8 Red Wind Nov 26, 1995

Famed Los Angeles private dick Marlowe investigates a series of murders in noir fashion.

EP9 Fearless Nov 12, 1995

In a tale that takes place in south-central Los Angeles, Fearless Jones and Paris Minton become involved with a femme fatale nightclub jazz singer. They try to help out Deletha by planning to steal her singing contract from the nightclub manager. Not all go as the wily sleuths planned.
6.4| 0h30m| en| More Info
Released: 01 August 1993 Ended
Producted By: Propaganda Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A neo-noir anthology television series, set in somber Los Angeles right after World War II and before the election of American President John F. Kennedy. The episodes, although filmed in color, mimicked what had been done by Hollywood filmmakers during the film noir era of the 1940s and 1950s in terms of tone, look, and story content.

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Reviews

BatBanks Smith These episodes remind me of old movie but there still film noir. I few of my favorite are "Dead End for Delia" with Gary Oldman, "A Dime of Dance" with Jennifer Gray & Eric Stolz, "Fearless", "Tomorrow I Die" with Bill Pullman & "Good-Housekeeper" with Dana Delany, William Peterson, Benicio Del Toro & Marcia Gay Harden. These few episodes were well-acted and had twist in the end. Some episodes were either boring or bad acting they did not keep my interest. I hope they put this show on DVD soon.
PUNISHER_ I remember watching these episodes on Showtime, and I would have to say that they are pretty interesting. The one with Joe Montegna was really interesting. Gary Oldman had a good role in one of the episodes. Above all, I would give the entire shows combined together, 6.5 out of 10.
alice liddell Trust Steven Soderbergh to make dangerous and thrilling a safely nostalgic TV show. His film, 'The Quiet Room' is an extension into noir of his SEX, LIES AND VIDEOTAPE subject matter, and provides a bridge between it and his later generic forays: the private, sexual space in the public domain; the Genetesque rites of sex and power, one corrupting the other (and vica versa); the malaise of middle-class inadequacy; the ultimate failure of all relationships because of lack of communication (this film begins the father/daughter problematic essayed so hauntingly in THE LIMEY). Brilliantly, painfully funny, the film is more stylistically imaginative than a TV programme has any right to expect.