Later... with Jools Holland

1992
Later... with Jools Holland

Seasons & Episodes

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EP1 Episode 1 Oct 14, 2023

Jools welcomes vocal powerhouse Jorja Smith to the show, performing a couple of numbers from her much-anticipated second LP, falling or flying; US stadium rockers The National, with a pair of songs from their tenth album Laugh Track; Brooklyn-based ‘discodelica’ three-piece girl group Say She She, with two tracks from their second album, Silver; Manchester-born wordsmith Antony Szmierek with his latest single The Words to Auld Lang Syne; and cult singer and punk legend Wreckless Eric, best known for his much-covered single Whole Wide World, performing a track from his 19th album, Leisureland.

EP2 Episode 2 Oct 21, 2023

Jools welcomes to the show Take That, with a couple of tracks from their forthcoming ninth album This Life; new and hotly tipped all-female band The Last Dinner Party, who perform a couple of tracks from their much-anticipated debut album; Minnesota singer, dancer and actor METTE, with a track from her recently released debut EP METTENARRATIVE; folk music’s bright new star Frankie Archer, who has a track from her upcoming EP Never So Red; and heavy metal-ragga band Skindred with their track Gimme That Boom, taken from their recent album Smile. Meanwhile, guitar legend Johnny Marr joins Jools at the piano for a chat to discuss his upcoming book Marr’s Guitars.

EP3 Episode 3 Oct 28, 2023

Jools welcomes back The Streets to perform a couple of tracks from their album The Darker the Shadow, the Brighter the Light, and he talks to frontman Mike Skinner about the album's accompanying film. Also on the show are London-based electronic artist Romy with the single Weightless from her first solo album Mid Air; the inimitable Cat Power, with her rendition of Mr Tambourine Man, taken from her forthcoming album Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert; from Montreal, Grammy-nominated artist Allison Russell with her single Stay Right Here; and Philadelphia-born, Manchester-based singer BC Camplight, who performs a couple of tracks from his acclaimed fifth album The Last Rotation of Earth.

EP4 Episode 4 Nov 04, 2023

Jools welcomes to the show singer-songwriter, multi-instrumentalist and producer Sampha with a couple of tracks from his second LP, Lahai; Orchestral Manoeuvres in the Dark, who perform a couple of songs from their latest album Bauhaus Staircase; powerhouse vocalist Izo FitzRoy, who plays two songs with her band and a six-piece gospel choir from her album A Good Woman; Christone 'Kingfish' Ingram, a blues guitarist and vocalist who Jools met playing in a juke joint in Mississippi, who performs his track Midnight Heat; and Willie J Healey, who makes his debut with the track Thank You, taken from his third album, Bunny.

EP5 Episode 5 Nov 11, 2023

Jools welcomes to the show Irish singer Róisín Murphy to perform a couple of tracks from her album Hit Parade; London producer and songwriter Nitin Sawhney, who performs a track he wrote with I Am Roze, a new singer from Louisiana; singer-songwriter Tom Walker, who performs two songs including the single Burn from his upcoming second album; south east London drummer Yussef Dayes with the title track of his first solo record Black Classical Music; and Leeds band English Teacher, who perform their track The World’s Biggest Paving Slab. Jools also chats to Madness frontman Suggs about the band's first new album in seven years, Theatre of the Absurd presents C’est La Vie. And there's a celebration of the 75th anniversary of the arrival of the HMT Empire Windrush by showing a specially made short film telling the story of influential Jamaican musician Michael ‘Bammi’ Rose.

EP6 Episode 6 Nov 18, 2023

Jools welcomes to the show Leeds-born soul-rooted artist Corinne Bailey Rae, who performs a couple of songs from her her years-in-the-making Black Rainbows project; neo-soul singer and prolific songwriter Cleo Sol with two tracks, one of which is taken from her album Heaven; London-based group Bombay Bicycle Club, who perform their track I Want to Be Your Only Pet from their sixth album, My Big Day; 19-year-old Sekou from Leicestershire, who performs his single Better Man; Dublin's CMAT, who performs her song Whatever’s Inconvenient from her second album Crazymad, for Me; and Barking's Billy Bragg, who performs a rendition of A New England. Meanwhile, joining Jools at the piano for a chat are broadcasters Annie Macmanus and Nick Grimshaw, here to discuss their podcast Sidetracked on BBC Sounds.
8.2| 0h30m| en| More Info
Released: 09 October 1992 Returning Series
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Official Website: http://www.bbc.co.uk/later/
Synopsis

Later... with Jools Holland is a contemporary British music television show hosted by Jools Holland.

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Reviews

fedor8 "Later With Jools Holland" can never be on late enough, for me at least. In fact, I'd have preferred "Never With Jools Holland", a sort of elusive non-show, with Jools never quite managing to make an appearance in a show that never quite existed. This would be a kind of twilightzoneish scenario, but even the most malevolent episode of that 60s fantasy series is a picnic for its main protagonist compared to having to listen to Jools and the talentless, over-hyped "artistes" he invites to his sleepy program.Not once have I heard interesting music played there. Not once has any band or so-called "artiste" played their music with more energy than is barely contained in a small, near-death table lamp. The audio drowsiness LWJH's music emits out of the small screen can only be matched by the soothing voice of a master-hypnotist as he puts his client into deep slumber. Except that Jools & co have become such experts over the years that the nap is more like a deep coma. No wonder it's "later" with JH: UK television execs aren't foolish enough to put their viewers to sleep before prime time...To make matters even worse, even more predictable, Jools calls all his guests "artists". Everyone's an artist today, even 50 Cent; soon even janitors will be praised for their artistic tackling of our waste products in emergency situations in toilets around the world. Who knows, maybe the mere ability to drink water out of a glass will be praised as "art" in a few years. Perhaps burping, as well? The term "artist" used to mean something. But thanks to MTV, the lobbyist media, the general dumbing-down of the increasingly riff-raff-ish Western populace, and cowardly types such as Jools, we now have a situation in which Green Day and Nelly Furtado are on par with the likes of Rembrandt and Debussy, at least semantically.Even when - by pure chance, I imagine, or by severe miscalculation on the part of the show's clueless/tone-deaf/bribed producers - Jools invites a band of quality, they manage to sound their worst on this ultra-lame show. Jools has a talent, no doubt about it: the rare talent of getting the worst possible performance and sound out of everyone. There is something magical about Jools. He inspires his "artistes" to dig deep, very deep, down, down, to find that inner worthlessness that even the most experienced and sold-out musicians never knew existed in them. Jools draws the absolute worst out of everyone, which can serve as an inspiration to us all, sending a clear message: YOU CAN BE THE WORST YOU CAN BE IF YOU PUT YOUR MIND TO IT. Sort of like the reverse of the American Dream. Let's just call it The Dream of The Jewels. Money for nothing, jewels for free.Are the Netherlands offended that Jools carries their other name? I'd be. They ought to sue his sorry little ass. And after they bankrupt him, he can write a dull, emotionless ballad about "them da blues he's feelin'" on his long-suffering piano. Come to think of it, pianos should sue him, too. Music, also. Notes, as well. Do re mi fa... all twelve of them ought to sue him. God forbid he should invite a band heavier than Coldplay! They might wake up the MTV-slave crowds sitting pathetically at home or in that badly-lit studio...Fans of Jools and his non-glittering jewels praise how uncommercial the program is. They remind me of those severely deluded 20-something Take That fans who believe that they're listening to "adult music". LWJH features easily-digestible commercial pap, rarely going beyond the realm of charts - or "artistes" that were once in the charts (but now that they aren't, are considered by their fans to be "super-artistes"...)I've no idea how this guy got his own TV show. He has the charisma of a fish. I mean the kind of fish species that has so little personality than even the hungriest shark will delete it from its menu for fear of getting contaminated. The thankfully brief interviews he does are a perfectly dull prelude to the apathetic music that nearly always follows. It's almost as if the conversation between Jools and the "artiste" serves as a way to drain away the last ounce of motivation and energy (if there is any to start with; usually not) from the "artiste", so that he can achieve his maximum in the art of under-performing.The fact that nearly all of these guest "artistes" put on a cowardly, fake smiles on their collective faces while appearing on this show only goes to further prove how little pride or integrity they have nowadays. Prostitution has a new name, and it's called "agreeing to appear on Jools' lousy program".Seriously, even Tobey Maguire's lifeless, unmotivated, blank face doesn't make me nod off as much as Jools and his non-traveling, static, studio non-circus does.For more of my music-related rants: http://rateyourmusic.com/~Fedor8
ccthemovieman-1 For those who don't get British television, this DVD was something new: a look at the some of the highlights of long-running show hosted by Jools Holland. His show, I'm guessing, has varied musical guests who perform and chat with him and the music is centered in rock 'n roll, although you get a big mix.On this DVD, of the same title as the TV show, we get individual songs performed by singers. (There are no interviews; this is strictly a concert-like tape.)It gave me an opportunity to see some people I've never seen performed as this DVD has over 20 performers filmed over the years. Everyone should have a least a half dozen songs they really like in here. My personal favorites, for either the great song they did or the fact it was fun to finally see them perform, were: Leonard Cohen, Jeff Beck, Robert Plant/Jimmy Page, Bo Diddley, R.E.M., The Kinks and Ian Dury. Of that group, I think Bo Diddley's number ("I'm Crazy') was the most fun.
bob the moo Music on television is a strange thing. The majority of music is aimed at a young audience and this is even truer about the television programmes that tend to dominate. MTV, Top of the Pops, CD:UK, call it what you want, they all tend to be aimed at teenage (or thereabout) girls and boys. Therefore the pressure is on to provide a product rather than a piece of music and any visual presentation of this music must fall nicely within specific tick-boxes – hence lots of GQ male ballads or lots of ass-shaking depending on the type of music. However for the last decade "Later" has at least tried to be a bit more adult and more about the music, aiming for a different audience section.This is not to say it is somehow better than "popular" music and turns its nose up at anything that sells, but rather than it takes a wider view generally. So we will get the artists from the singles charts as well as new bands, established artists as well as genres of music that MTV etc just don't have any time for or interest in. Not all of it is great and by definition not every viewer will like all the artists performing on any one show but at least it is interesting and grownup about the whole thing. The presentation makes it all feel a lot more intimate because it is a small audience, the bands are within an open, circular area and the mood is relaxing; it is refreshingly free of the feel of gloss and, although the music at times will still be like this, most people will be tuning in for the music and the vibe rather than as a way of staring at a black woman's backside (which, lets be honest, is why MTV Base has a big male viewing base).Jools himself matches and sets the mood as he genuinely seems excited about the music and the format. The artists selected range from the well-known to the unknown (to me anyway) but they are mostly interesting and allow you to experience different things rather than only getting music from one genre (although there have been special shows that do this). I normally would tape it so that I can fast-forward anything I really don't like but more often than not I have got into an artist thanks to hearing a couple of tracks from them on Later.Overall this is a solid music show that, although not perfect, is certainly better than pop shows and music video channels for showcasing music and providing interest. Many viewers will prefer to stick with videos and the nice safe formats where you know what you are getting but Later will always get my vote as somewhere where I expect more.
sixstringscouser I've watched 'Later..' a lot over the nine years that it's been running. I think what makes it an enjoyable watch is the musical vriety that this show embodies. For instance... a guitar-god like Jeff Beck ripping it up in the studio and then onto some plaintive African singing, and then to delta blues artists and current pop acts and also a couple of interviews for good measure. Unlike kid's music shows that just focus on Spice Girls, Hear'Say and Robbie Williams or whatever! So it has my vote. Keep it up Jools...! 9/10