Starsky & Hutch

1975
Starsky & Hutch

Seasons & Episodes

  • 4
  • 3
  • 2
  • 1
  • 0

EP1 Discomania Sep 12, 1978

The streetwise Detective partners go incognito as disco dudes at Fever, a popular dance club, where Sergeant Lizzie Thorpe is laid as bait in a trap set for a serial killer, who is drugging, abducting and murdering attractive women who refuse to dance with him...

EP2 The Game Sep 19, 1978

When they blow the capture of a wanted felon, Starsky and Hutch each blame the other, and lay down a bet to see whether or not Hutch can successfully elude Starsky for a whole weekend. But the exercise in hide-and-seek becomes more than just a game when Starsky realises that Hutch has unknowingly eaten contaminated soup, and could die from the potentially lethal botulism poisoning. It's a race against time as Starsky struggles to locate Hutch to warn him, but Hutch, unawares to the poisoning, assumes it's all part of Starsky's attempts to draw him out, and dons a number of disguises in order to stay one step ahead...

EP3 Blindfold Sep 26, 1978

Responding to a jewellery store robbery, Starsky is distraught when he accidentally shoots an art student caught in the cross-fire, costing the girl her sight. Guilt-stricken, he forcefully strikes up friendship with the blinded young woman, without confessing that he's the law officer that caused her to loose her vision. But their subsequent relationship soon proves to be very dangerous, as someone seems determined to keep him away from her, and Hutch comes to question just how much of a chance by-stander she really was in the incident...

EP4 Photo Finish Oct 10, 1978

Starsky and Hutch brush shoulders with high-society, at an exclusive party that photographer friend Marcie has invited them to, but the event grinds to a halt when an artist is shot dead by an unknown assassin. Marcie has caught the shooting on camera, and the Detective duo confiscate the pictures for Police evidence as they begin some black-tie sleuthing on the champagne circuit. But Marcie is determined to use the valuable photos to break into big-time journalism, and quietly holds on to one to sell to the highest bidder – only for her life to now be endangered by the killer, who is determined to get their hands on the incriminating film...

EP5 Moonshine Oct 17, 1978

After they arrest two ploughboys who soon after die of poisoning, the Detective pals pose as country boys in order to track down some Southern moonshiners who have brewn a bad batch of bootleg whisky. But the ruthless head of the innocent operation is determined to continue pushing the lethal brew at any cost...

EP6 Strange Justice Oct 24, 1978

When his daughter is raped, long-standing, veteran Detective Slate is devastated, and shoots her attacker, who's been brought in for questioning. With the wounded rapist looking like he'll get off scott-free and Slate facing serious charges, the distinguished Lieutenant takes the law into his own hands to get even with his daughter's assailant - and it's up to Starsky and Hutch to stop him in time...

EP7 The Avenger Oct 31, 1978

The intrepid Detectives investigate a woman's claims that a jealous brief acquaintance from San Francisco has followed her to the city and is responsible for the vicious murders of a string of the her lovers. But there is a sinister twist to the case, and Starsky unknowingly places himself in great danger...

EP8 Dandruff Nov 14, 1978

The Detective pair are working undercover at a plush hotel as effeminate hair-dressers Mr. Marlene and Tyrone, to trim the plans of an international master thief known as The Baron, who is expected to strike at the private auction of a highly valuable cache of diamonds...

EP9 Black and Blue Nov 21, 1978

When the partners in crime-busting respond to a reported burglary, Hutch is shot by one of the teenage robbers, leaving him critically ill in hospital. Starsky is paired with a dynamic new partner, black Policewoman Joan Meredith, to track down the thieves, and they find themselves on the trail of an operation that is using ghetto youths to commit burglaries, and then selling their hauls on the black market...

EP10 The Groupie Nov 28, 1978

Hutch takes the guise of a bumbling swimwear buyer and Starsky poses as an eccentric photographer, as the Detective duo enter the fashion world to stitch up a garment-business racketeering ring. But as they look into the case, they receive an unusual offer of help from a woman eager to get in on the action – unfortunately, she only serves to compromise the undercover investigation...

EP11 Cover Girl (a.k.a. No Deposit, No Return) Dec 12, 1978

When a leading model – an old flame of Hutch's – is told that she is terminally ill with Cancer, she arranges for a hit-man to end her life before the disease can take it's toll on her body. Then her doctors discover that she is in remission – but her contact with the genius hit-man has been severed, and she must go to old friend Hutch for help to prevent the hit from taking place...

EP12 Starsky's Brother (a.k.a. Starsky's Little Brother) Dec 19, 1978

Starsky's younger brother Nick arrives in the city to visit to his elder sibling. But the older Starsky soon has cause for concern that Nick is mixed up in criminal activities, when he is spotted entering a restaurant at the centre of a Federal stake-out that's trying to nail a counterfeiting scam...

EP13 The Golden Angel Jan 16, 1979

The detectives are assigned to protect a wrestler who has received a death threat, with Starsky going into the ring himself to draw out a suspect.

EP14 Ballad for a Blue Lady Jan 23, 1979

The detectives are called when a witness is found dead before he can testify against a notorious racketeer. Hutch begins to suspect that his girfriend's brother may be involved.

EP15 Birds of a Feather Jan 30, 1979

A former partner of Hutch's arranges the murder of a witness in order to pay off his wife's gambling debts.

EP16 Ninety Pounds of Trouble Feb 06, 1979

When a contract is put out to kill a top union official, Starsky and Hutch go undercover as hit men to protect him. But while Hutch rehearses his performance as a trigger man, Starsky is plagued by a young admirer who may compromise his cover.

EP17 Huggy Can't Go Home (a.k.a. Huggy Can't Go Back) Feb 13, 1979

An illegal poker game puts Huggy Bear in a tight spot - holding a dead man's hand and facing a choice between covering for a friend or obeying the law.

EP18 Targets Without a Badge (a.k.a. The Snitch) (1) Mar 06, 1979

A friend of Huggy's offers to finger a judge who is supplying drugs but is killed before he can testify. The case looks lost, and the cops lose Huggy's friendship.

EP19 Targets Without a Badge (2) Mar 11, 1979

Starsky and Hutch have retired voluntarily but become involved in a blackmail case.

EP20 Targets Without a Badge (3) Mar 11, 1979

EP21 Starsky vs. Hutch May 08, 1979

Competing for the affections of a policewoman, Starsky and Hutch neglect their investigation of the murder of a dance-hall girl.

EP22 Sweet Revenge May 15, 1979

As Starsky lies in a hospital bed at death's door, Hutch goes after the powerful man who tried to have him killed
7| 0h30m| TV-14| en| More Info
Released: 10 September 1975 Ended
Producted By: Columbia Pictures Television
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Streetwise Detective David Starsky partners up with a more intellectual partner, Kenneth 'Hutch' Hutchinson, to protect citizens and patrol the streets of Bay City.

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Reviews

Denise Lf Starsky and Hutch was my absolute favorite show (and obsession) for two formative years of my life, and probably will always hold a special place in my heart. I still can watch it and smile, even forty years later. The first two seasons contained some amazing stuff and changed a lot of my youthful ideas about the kinds of relationships and emotions that can be expected of men. All positive and important information for a teen girl trying to understand the adult world, and especially men. The second two seasons ran a gambit of styles and never seemed to find its footings, so it lost me back then. I'm rediscovering it now and learning to appreciate some parts that were beyond me in the past (though some of it defies explanation). David Soul and Paul Michael Glaser were so good at what they did; I don't think they get enough credit. They could be absolutely stellar as their characters and, although they often had great dialog to work with, non-verbal communication was their forte. That talent they had with each other was sometimes enhanced for amazing results and sometimes exploited and squandered. Although they had to contend with extreme variations of style of writing and directing and story lines, when they were given good stuff, they nailed it every time. Starsky and Hutch is still very watchable even forty year later. The show is a roller coaster ride of ups and downs and crazy curves. But as with any great coaster, you never will forget the ride.
elshikh4 I wanted to begin my review by saying "welcome to the 1970s" but I believe (Starsky and Hutch) isn't the good introduction for that era. It's the TV, the entertaining TV, but it's still a TV.. in a bad scene I suppose. The worst about this show, which isn't a bad show by the way, is its writing; from the start there wasn't a main irony between this 2 leads, that's a high treason for the genre as a Buddy-show. For little instance, at the same year of its launch (1975) there were another Buddy-shows such as (Switch) or the cartoon (The Oddball Couple), actually both of them got basically an effective irony unlike those 2 – just seemingly different – cops. I bet a lot of kids went to play (Starsky and Hutch) at the time, yet not with many things to mimic I believe !It was playful plain comics, namely fun time, but too flat, tame, with no twists. Sometimes it managed to present attractively suspenseful and vigorous episodes, but this kind of solid scripts that utilized the elements and exceeded their own weakness didn't recur much. The theme music wasn't engaging or catchy, and the first opening credits looked as one of the dullest indeed (freezing David Soul's image while his mouth is wide open !, clips for Soul wiping a glass ?, boring pointless shots for the car, etc) you'll wait some years later till the opening credits became a star with many memorable works. Evidently its production wasn't that big. The action was suitable like one can of your favorite soda (small can by the way !), and the red "gran torino" wasn't given the chance to be that heroic the way next cars will be (such as The Dukes of Hazzard's General Lee 4 years later) being all the time nothing but a part of the nice picture.On the other hand, the top of the essential attractive points was the main plot of 2 title's roles awfully handsome unmarried young police (officers, cops, detectives, YOU NAME IT !) that belong to the streets more than the offices, being in action more than mysteries, chasing the bad guys all the time, and beating them every time. Not to mention a very childishly nerves but good superior, a very loyal 'police snitch', and the company of one of the coolest cars in the decade. This simple frame will be copied hundreds of times after, whether in TV or cinema (remember shows like CHiPs, Miami Vice, or Cagney & Lacey).Another factor : the awfully handsome unmarried young 2 heroes (Paul Michael Glaser) and (David Soul). Both of them surely captured too many hearts back then. There is a certain chemistry between them, but it's clear that (Glaser) was the best always, not because he can deliver fine and make every effort, but also because (Soul) wasn't making any efforts at all, relaying mainly on the way he, or his hair, would look!With the exception of short-lived TV shows like (Shaft), (Get Christie Love!) which were just humoring the gigantic success of the Blaxploitation movies at the 70s' start, it was such a scarce matter to watch black actors in such respectable roles in a TV drama back then. So I think, as a third factor, it was really something to watch (Bernie Hamilton) starring as the adorable Captain (Dobey), and (Antonio Fargas) as the good-humored good-hearted street hustler (Huggy Bear) sharing the opening credits with the title's characters like equal stars as well. They were both the best sidekick Starsky and Hutch would ever have, and some of the best characters – that were given to black people – to be remembered from that era. It took years to see black actor as a title's role in action shows like this, the closest that I can remember is (Avery Brooks) in (A Man Called Hawk – 1989). So it's about having a nice time, but even if, it wasn't that top-notch memorably great nice time. Unfortunately nothing but the stars' glamour was that clever. However, despite me and my opinions, it is watchable, and with the nostalgic feel (Starsky' wool sweater.. I used to wear that once!), increased by the end of this kind of entertainment today, it's rather highly watchable and so needed as one feel good show where the bad guys aren't meanly bad, the girls are all gals, the 2 leads must go in a street fist fight and win, and at its extreme there was no blood or explosions, only innocently blank shoots confrontations that always end well, and there must be a laugh, any possible or impossible laugh, at the finale.. Actually it was beyond redemption for that to be cut even for once, they didn't stand but to leave you with a smile.. so cute.
mnstauto I grew up watching this show, Bottom line no others came close to the action, Drama, and slap stick comedy all rolled into a 1 hour show.And just for the record had the coolest car sense the 60's Batman T.V. show! We all know the Torino was a stock 302cid automatic transmission car but non the less it sounded cool when it had to. And yes I saw the movie. At least when the Torino ( in the movie ) was airborne you could see it was a dual exhaust car. And if you watched the series you know that Hutch was not a " shady " cop. And lastly, in the series, Starsky and Hutch, THEY pushed around the " uniformed officers " not the other way around. as well as in the series. the Dolbey did not like Huggy Bear and never would have offered him a job
kmaloney7659 Law and Order? Bleeh. CSI? Naaah. Magnum PI? Nuh uh. Starsky and Hutch? YEAH!! If you're looking for an AWESOME, ACTION PACKED show, this one is definitely for you! Starsky and Hutch was the greatest show to come from the 70s. I remember gathering around the TV set with my husband and children, waiting for that classic theme to start and ready to see that beautiful red torino come squealing onto the screen. My favorite episode was and always will be The Las Vegas Strangler. There was just something about Hutch's feelings towards his old high school buddy that really drew me in. I loved how he wouldn't give up his belief that his friend was indeed innocent despite Starsky's urging.When I heard that there was going to be a Starsky and Hutch movie, I was so excited. Seeing Paul Michael Glaser and David Soul reunited on the big screen was going to be a treat, indeed! However, my dreams were shattered when I learned that two young kids, Ben Stiller and Owen Wilson, would be taking the parts of Starsky and Hutch, respectively. Not only that but they got Snoop Doggy Dogg to play one of the finest characters in the history of TV, Huggy Bear. An abomination! I admit that I did go and see the film but I was highly disappointed. The highlight was at the end when the original boys had their five second cameo.I guess what I'm trying to say is that the TV show is in a league of its own and no remake or other cop show can possibly come close to its greatness. Whether you be 19 or 99, you should certainly give this classic a try. Look in the TV show section of your local movie rental place, it should be there right after Sex in the City! Check it out! You won't be disappointed!