State of Play

2003
State of Play

Seasons & Episodes

  • 1

EP1 Episode 1 May 18, 2003

Teenager Kelvin Stagg is shot dead in a London street. Then politician Stephen Collins breaks down when he hears his assistant Sonia Baker has been killed by falling under a train. A newspaper editor asks his journalist Cal McCaffrey (Stephen's former campaign manager) to look for a connection between the two deaths, and McCaffrey finds the dead teenager had stolen a silver metallic briefcase. McCaffrey traces the briefcase and in it he finds pictures of Stephen and Sonia - and a gun.

EP2 Episode 2 May 25, 2003

Spin-doctor Andrew Wilson has a letter which shows Stephen Collins was about to leave his wife Anne and move in with Sonia Baker - so Collins has been lying to Cal. The Collinses give a press conference, and Anne says she knew about Sonia. Cal's team wants to know who leaked their story to a rival paper. Journalist Dan leads them to Dominic Foy. Meanwhile, Stella's flat is raided by the man who shot at the courier who witnessed Stagg's murder. Then Anne and Cal begin an affair. The newspaper finally hands the stolen briefcase over to the police, but Cal refuses to say where he got it and is arrested.

EP3 Episode 3 Jun 01, 2003

Cal is released on bail. In order to get a decoy for Della, Cal arranges to get a story to the press about his release. Cal has now become a target for the hit man and needs police protection. DCI Bell questions Stephen Collins and suggest that Sonia Baker was blackmailing him and had threatened to make their affair public knowledge. Both Bell and The Herald want to interview Dominic Foy, especially when they discover he has had a past relationship with Sonia Baker.

EP4 Episode 4 Jun 08, 2003

Foy is questioned by the news team at a hotel and his interview is recorded by Syd in the next room, who later discovers personally that Foy is gay. Cal declares his love for Anne. Cameron Foster persuades Stephen Collins not to tell the tabloid press about Anne and Cal's affair. Foy has been paid by Warner Schloss who are lobbyists for U-EX Oil. Was Sonia a spy for the company? Meanwhile Stephen discovers he has had a weekend away with Sonia for which their expenses were also paid by Warner- Schloss.

EP5 Episode 5 Jun 15, 2003

Della manages to get Dominic Foy back into the hotel for another interview. Stephen Collins is listening to the interview next door and speaking through a concealed microphone tells Della what questions to ask. When he discovers that Sonia was pregnant and Foy adds that Collins didn't care about her he forces his way into Foy's room and phtsically attacks him. Foy is taken to hospital. Greer tells Cal that George Fergus convinced her to employ Sonia Baker, even though Sonia had less qualifications than the other applicants. Cameron now has a story, but is 'gagged' by U-Ex oil and Westminster, he prints this fact in short headlines. As a result The Herald brings in another editor to edit 'the headlines' . Cameron has a document witnessed by Della and tells Cal that the copyright to the final story will be his.

EP6 Episode 6 Jun 22, 2003

Cameron tells Yvonne Shaps that he has sacked Cal making him a freelance journalist and that Cal has the copyright to the story if she does not give them more money for the story Cal will go to another paper. Yvonne gives them the money. Foy gives them an e-mail linking Sonia with U-Ex Oil and Warner-Scloss. Stephen tells Cal he will resign from the Energy Select Committee and help get him a story that will link George Fergus to Sonia's murder. During an interview Collins talks about Sonia meeting Paul Canning from Warner-Scloss at the Trocadero everyday. Cal realises that this is information that Collins should not know and that there may now be a link to Stephen and Sonia's hitman.
8.3| 0h30m| TV-14| en| More Info
Released: 18 May 2003 Ended
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Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://bbc.co.uk/programmes/p00t775n
Synopsis

The murder of Sonia Baker, a young political researcher, leads journalist Cal McCaffrey to uncover complex links between government and big business.

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Reviews

Bene Cumb The start is kicking, giving a hint that we will witness a diversified story with intertwined events, with all actions/activities wrongdoers use in order to get something or get rid of someone. Sympathies and antipathies among policemen, journalists, politicians - as well as between those groups - let dramas and twists prosper, nicely supported by very good (Bill Nighy as Cameron Foster, James McAvoy as Dan Foster, Marc Warren as Dominic Foy) and good acting (the rest).It seems, however, that some scenes are over-sophisticated and some others do not provide additional value to the logic, thus the 6 episodes of 1 hour each is a bit much (and you need to watch them all in a correct sequence), 5 or even 4 could have avoided short-term falls in tension. The ending scenes have also some gaps of logic; but anyway, a strong series within good British traditions, particularly for intelligent viewers with some interest in social/public matters.
Derek Smith I saw the Crowe film, State of Play, at the cinema, quite liked it (despite his accent) and found what I thought was the DVD in a shop with the price tag of £4. Too good to be true, I thought and I thought right. Imagine my disappointment when I got home to find it was a TV series that I hadn't seen when broadcast. My wife said to give it a go so we settled down to watch.We saw the first three episodes straight off, just as if it was an unputdownable book. We rushed our dinner the following night and then viewed the remainder. Less than a month later we saw the whole series again. It is that good. Brilliant in fact, the best BBC series since the '95 Pride and Prejudice.There were no weak performances, as one would expect with the likes of Bill Nighy, who was excellent, Kelly Macdonald, who is always good value but excelled herself here, John Simm, in his best performance so far, David Morrissey, who got the character to perfection, Marc Warren and oh, so many others.The script was clever, with some lovely one-liners, and the plot developed at a pace that was intriguing. I'm glad I hadn't seen the series when it first came out as I don't think I could have taken the gap between the episodes.The character development was far superior to the film, but then it was nearly four times longer so it was entitled to be. Some of the actors in smaller parts made them their own, most notably James Laurenson who was really horrible. Deborah Findlay was the perfect secretary. No so bit-part Polly Walker was excellent as well.There were little running jokes all the way through that lightened the film at just the right moments.The ending has come in for criticism but it was essential to give a reason for everything. I can't see the problem. Simm's choice, and his reasons, at the end is critical to the story.Bill Nighy had the best script. He owes the writers a few pints.I have just seen it again, courtesy of some awful weather, and it was just as brilliant as I remembered it. I don't want to criticise the film – although as half Irish I did find Crowe's accent, when he decided to try for it, somewhat wearing – by comparison as it has limitations that were not restricting this wonderful series but I have not bothered to buy the DVD of the film.There are few series/films you must see but this is one of them. I rate it at #2 in my top 10 TV films/series, and I'm not sure it shouldn't be joint #1 with Pride and Prejudice. It is that good. No, not good, classy.
[email protected] Except for the final episode, which I will not describe, this series is among the best TV thrillers I've ever seen. Regional accents make some of the dialog difficult to follow if you're not a Brit, but the story line is quite clear. Although most of the faces were unfamiliar to me, the cast is excellent from top to bottom, a hallmark of BBC productions. Each of the twists and turns prior to the final episode was imaginable (if in a couple of cases improbable). But the last twist makes little sense in light of what went before. I would have rated the series a 10 if it had ended with the fifth episode (and a small coda). The final episode subtracted three stars from my personal evaluation. Bill Nighy, James McEvoy, John Simm, David Morrisey and Polly Walker were particular impressive in their respective roles.
Charles Johnston What a trip watching this masterpiece. It's a fast moving intelligent thriller that had me glued to the couch... more addictive than Crack! The acting is convincing, the plot is thick, the script is delicious and the characters are vivid.It's not often a TV production comes along leaving you hungry for more, but the BBC have a knack for picking quality and producing some of the best programming in the world. This is the stuff that leaves American entertainment for dead. No gadgets, explosions or tough guys! Shame on them with all their money and their smarts, it's the BBC that delivers time and time again.Hats off and if you haven't seen it yet don't put it off.