The Roy Rogers Show

1951

Seasons & Episodes

  • 6
  • 5
  • 4
  • 3
  • 2
  • 1

7.1| 0h30m| en| More Info
Released: 30 December 1951 Ended
Producted By: Roy Rogers Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Roy Rogers is the owner of the RR Ranch in the Mineral City area, which he runs with the help of the German shepherd dog Bullet and his horse Trigger. Roy, supported by his friend Pat Brady, is often helping the weakest usually threatened by cattle thieves, dishonest sheriffs and villains of various kinds. Pat Brady works as a cook at the Eureka Café, owned by Dale Evans.

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Reviews

im-fmouie Despite what one reviewer said, the Roy Rogers TV show was an excellent show for us kids in the 50s. If that reviewer did any research he would see that people in Texas, Oklahoma, Nevada, California, etc did ride horses for ranch work and in their daily lives, with cars, including Jeeps being driven in the same era.As for shooting guns out of the hands of outlaws instead of killing them, that was simply role modelling for kids. The Lone Ranger did it; so did Roy Rogers. It was about values. Disarming an outlaw was more important than killing him. It tried to teach children that the value of a life was important. Respect and dignity were valued. Yes, these were all fantasy shows with unrealistic concepts and ideals, but so are the Star Wars movies. The violence displayed in today's society is more associated with the TV shows and movies shown decades after the 50s. Perhaps, if those 50s values had continued on into the 60s and 70s, instead of the violent 'reality' displayed on TV and in the movies that became the standard, America and the world might be a better, safer place today. I say, "shame" on the entertainment industry for promoting the violence to children on TV, in the movies, and in the music that has become today's norm.
John T. Ryan WHEN WE HAD CBS with THE GENE AUTRY SHOW, the National Broadcasting Company answered with THE ROY ROGERS SHOW. It was as if the two friendly rivals were truly slugging it out; although not going toe to toe for their ratings, they still had to establish who was truly number one TV Cowboy.WHEREAS THE "B" MOVIE fans were very familiar with this sort of series Western from studios like Republic*, Coluimbia, Monogram and Producers Releasing Corporation, no real beach head had been established on the newly created realm of Television.WELL THAT SURE didn't last very long as Flying A Productions (GENE AUTRY, ANNIE OAKLEY,RANGE RIDER) and Bar Double R produced the ROY ROGERS SHOW. Others, many others followed.AS FAR AS the Rogers production, there was far more continuity with more regular cast members. Roy and Dale Evans Mrs. Rogers in real life) always managed to get involved with whatever local hugs had planned for 'Mineral City' and vicinity. They were great help to somewhat laid-back and inept middle aged Sheriff, played by Harry Harvey. Then there was "Roy's comical sidekick", Pat Brady, thrown in for,. that's right, comic relief.THE ONE THIG that always was a puzzlement to us as kids was that whereas Roy rode his palomino horse, Trigger and Miss Dale rode her mare, Buttermilk; why did Pat Brady drive a jeep with the name of "Nellie-belle?" After all, how could one have a Jeep, an automobile, in the Old West? THE ANSWER OF course is that THE ROY ROGERS SHOW, as were so many of the old "B" Western Sderies Poctures, was set in the modern, then contemporary times of the 1950s.WE ALSO WOULD like to make mention of one other regular cast member. That would be Bullet, Roy's faithful German Shepard puppy dog.ROY KNEW THAT he needed all the help ion his 'rivalry' with Gene. And, as any schoolboy knows, people just love dogs.NOTE: * Both men had worked at Republic and Roy had been a member of the Western Musical group, THE SONS OF THE PIONEERS when he arrived there. When Gene went to the Service in World War II, it was the former Leonard Sly ()Roy's birth name) who replaced him. Upon his return, Gene established his own company, FLYING A PRODUCTIONS and struck a deal for release with Columbia.
pensman The Roy Rogers show along with other 50's Westerns is currently running on COZI TV and I am chuckling at some of my childhood heroes. Don't know if Roy could get a passel of little Buckaroos to engage today as kids now seem to be churned into mini teenagers by age seven. What struck me were the not infrequent references to the Bible or God in the show. Indeed one episode was about a search for treasure and the treasure turned out to be the Bible itself. The show had a pretty clear cut demarcation between good and bad with good clearly winning; but bad characters could find redemption. One thing for sure, we received clear messages from Roy as to what behaviors were expected and which should be eschewed. Personally, I don't think the 50's were the simple times people like to claim they were. Children still had to learn how to grow up navigating a world of Korea, McCarthyism, and Atomic bombs. Maybe it wasn't so bad getting "raised" in part by Roy, Cisco, Hopalong, and the Lone Ranger.
Carycomic This show was already in Saturday morning re-runs when I first watched it. And, I loved it! The "good vs. evil" plots might seem corny, by today's standards. But, we have to remember that this was produced during comparatively simpler times. When morality was just as black-and-white as the film stock the studios used.Furthermore, the hero and heroine practiced what they preached! Nor did they preach using four-letter words. Unlike, say, Dennis Franz on NYPD BLUES.Last, but not least? This was not a "steampunk" Western.The fictional city in which Roy and Dale made their home was contemporaneous with the shows' audience. It's just that the locals maintained a 19th-century ambiance for the tourist trade, similar to Virginia City, Nevada. So, the mixture of "old and new," especially modes of transportation, was most definitely _not_ anachronistic!In short, I am unalterably convinced that this show should be praised, rather than condemned, for the beneficial values it tried to instill in its mostly young viewers. That some of us might not have grown up to live by those values is--to paraphrase Shakespeare--not the fault of this show's stars. But, of ourselves.