rainmanrey This was a very enjoyable show with a great cast of actors & actresses that I love in other things as well. I know we are not lacking for cop shows out there, but this one had its own thing going on. It seemed like every character was very much a unique character with baggage and quirks on the plenty. We had the rich girl, bubble boy, cancer guy, goody good... Someone from every realm. It seems very weird but it complimented the same old cops and bad guy routine nicely. I even liked the random dispatcher with the strange announcements. I am sad to see this didn't have more episodes but it was still worth watching what I did. On a positive note the show did not end with a huge cliffhanger, so I was not to upset with not knowing what was going to happen. It also didn't really have a series or season closure either... Just kind of ran out of episodes.

rivergirl301 The Unusuals caught my eye last night, and I was desperate for some decent TV fare (all I currently watch is The Office and Intervention, well, okayand The Millionaire Matchmaker, but I am just plain humiliated to admit that). I loved it immediately and then read the bad reviews after a search on the web. I was dumbfounded! Maybe the original media reviews were for the premiere episode, and I have seen only the last 2 episodes, episodes 3 and 4. This show is funny and smart and sad and real and crazy. My gosh, you've got how many millions of people watching Real Housewives or that hospital show based in Seattle where the impossibly attractive, and thus vapid, characters hang around posing like they are in an MTV video, and The Unusuals gets bad reviews? This show seems to have found the soul that Boomtown was searching for, and it doesn't take itself too seriously, which was Boomtown's downfall. Network TV--give me a reason to tune in, with shows like The Unusuals!

Christopher T. Chase Having watched everything from LAW AND ORDER to NYPD BLUE, I have a pretty good idea by now how police procedural shows work. You get a sense of the personalities of the main characters while they solve a boatload of cases week after week, but since the shows are mostly about the cases and not about the characters, nuggets of information about the heroes' quirks, family lives and other intimate details are about as rare as actually finding a real cherry in a Hostess Cherry Fruit Pie. And then they're doled out maybe one or two every fifth or sixth episode.Which is why THE UNUSUALS is so darn refreshing. Like a fighter who actually leads with his chin, this series wears its characters odd qualities on its sleeve. And what gets doled out just like those aforementioned cherries, are bits and pieces of a puzzle underneath all the weirdness: the real secrets these characters are hiding underneath the "WTF" moments.I never watched a single episode of JOAN OF ARCADIA, but I was immediately intrigued with Amber Tamblyn, who plays Det. Casey Shraeger. What makes her "unusual": she's a trust- fund baby from a VERY wealthy blue-blood background, who has been working in Vice "on the stroll" for two years, when she's plucked off the streets from her hooker gig and teamed up with stoic Det. Jason Walsh, played by Jeremy Renner. (You may remember Renner as the heroic and doomed soldier from 28 WEEKS LATER.) Two of the things that make him "unusual": off-duty, he runs a hole-in-the-wall diner where he cooks and serves dishes you could never imagine yourself wanting to eat, and he has been covering for his corrupt partner, who suddenly ends up looking like a slab of beef in a slaughterhouse. Since said partner was also into hookers, hence his sudden, reluctant partnership with Shraeger.In an inspired bit of casting, two of the most watchable "unusuals" seem to have the most conventional secrets in any cop show going this far over-the-top: Adam Goldberg (SAVING PRIVATE RYAN) and Harold Perrineau (LOST, OZ) play partnered Detectives Leo Banks and Eric Delahoy, respectively. Banks wears a bulletproof vest both on and off-duty (he's terrified that he will die at age 42), where Delahoy suddenly becomes a suicidal "super-cop", who isn't afraid to do anything that might get him killed (he has a brain tumor and has been given mere months to live, if he doesn't get the operation he's determined to avoid.) Riding herd on these and several other off-beat personalities constantly clashing in the precinct is Sgt. Harvey Brown (OZ alum Terry Kinney), who has pulled Tamblyn's seemingly squeaky-clean character in for a very specific reason: to help him clean house. Not surprisingly enough, there are several cops in their shop who are on the take and worse, and he wants to expose and take them down before his superiors are motivated to do it for him. "Nothing is what it looks like," he warns her - or something to that effect. If the show has any problems, which are definitely not with the strong ensemble cast, it's some of the cases piled on top of everything else to heighten the weirdness. No explanation is given as to why a perp is brought in wearing a hot dog suit, or why their caseloads include everything from a serial killer of neighborhood cats, to a dangerous gang that goes on a rampage which includes virtually every male member of the family, down to the youngest brother who is an honor student in high school (so why weren't the aunts, the mother and the grandmother in on it, too?)The goings-on with the main characters would be more than enough to keep things interesting without any more embellishments, but in a blasted landscape littered with the corpses of shows long past their prime, being fed on by the fly-blown vultures of reality TV constructs, at least THE UNUSUALS is trying by daring to be...unusual. And it's for that reason I fear that this show will be over before it even gets the chance to find its feet and its potential audience. But I really hope I'm wrong.

David Bjerre THE UNUSUALS: THE PILOT.The Unusuals is a cop show that belongs in a different decade. After NYPD Blues, Third Watch, The Shield, hell, even after the old Hill Street Blues there's just no room for a toothless show like this any more. The plot lines are trivial at best, or just plain stolen (pop quiz: in which other cop show does one of the lead character's mum call all the time?), and the whole show is presented in pretty, calm pictures that just underlines the plainness of the whole endeavor. I've seen more interesting cinematography in The Golden Girls. And don't get me started on the police station, the most unconvincing piece of art direction in recent memory.The characters are also terrible! Amber Tamblyn is cute. She's suppose to be the young, beautiful rookie, who's just transferred in to this tough station. Unfortunately all her collages look like they're fifteen and wandered off the set of 90210. Her partner, played by Jeremy Renner is so beyond bland it hurts, apparently he has "a secret", and we're suppose to be intrigued. I'd go ahead and be dutifully intrigued if he could manage a single convincing emotion. Even solid folks like Harold Perrineau and Adam Goldberg look like they've watched The Thunderbirds for acting inspiration.The most offending elements, however, are those comic relief moments. Oh look, the cops are looking for a cat killer. That's so funny! And there's a guy dressed as a hot dog! Hilarious. They even put on that "this-is-funny-and-quirky-just-so-you-know"-music which plagues shows like Grey's Anatomy, Desperate Housewives or Ugly Betty, and make them completely unwatchable. They even have one character who talks about himself in the third person, and has a funny mustache. Really!? The pilot lines up the plot for the series... There's something rotten in this station. They're gonna need to clean it up! Which of course begs the obvious question: Why would you need to clean up a station which looks so squeaky clean it'll makes your dentist's office seem like a dump? I love Amber Tamblyn, but I can't bring myself to watch such a mediocre show just for her. There aren't enough hours in the day to justify that.