paolo sangalli Hi , i'm Italian and i don't speak English very well. So,excuse me for my wrong words. I like very much this TV series. I watch this thriller on my TV in the 1979-80I'm interested to DVD "Thriller . the complete series " ,but in Italian language.Do you know if this DVD is also in Italian language or only in English ? Do you know if exist the release in Italian language ? Where do i find it ?I attend your kindly reply. Thank you very much.bye Paolo

trpuk1968 What a treat for these cold winter evenings... this series is certainly uneven, but got better as it progressed, tightening up on the script and direction. The same world of The Avengers transposed to a series falling into the same generic category of Tales Of The Unexpected / Hammer House of Mystery and Suspense...I ve just watched several superb episodes. By season 5 this has really got into its stride, abandoning the corny witchcraft and devil worship to favour murder mystery type plots. Check Anthony Valentine s chilling psychopath in The Crazy Kill, along with Denolm Elliot's Doctor. There's so many well loved vintage British actors in this. The Double Kill is another amazing episode, as is Won't Write Home Mum, I'm dead.I think its because we re a small island nation we produced such quality television, our way of looking at things suits the small screen. The claustrophobia of THRILLER seems to articulate something about Englishness. It presents a bizarre England of country houses and characters stratified through social class. There's an academic paper to be written about how THRILLER works through issues of class, repressed sexuality and how about race? Black people, Orientals, Asians, rendered hugely significant in my view through their complete absence...Might this series be read as being about terror of the lower social classes as well as fears of contamination by foreigners?

Jeremy Benjamin I remember seeing Thriller back in the mid-1970's when I was about ten. I found it the most terrifying TV series I have seen before or since! It had a memorable creepy theme tune accompanied by fish-eye lens shots of the locations used in that week's story, with a blood red surround. You never knew what to expect from an episode, some being supernatural, others being real world whodunits or Hitchcock style dramas. Some of the mysteries are very intriguing, and the direction is always good. Thriller can be criticised as being of its time in some negative ways, such as being slow moving, having a lot of stock characters, being predictable, and having plot holes. Also, the great clunking fist of Lord Grade appears frequently in the form of many characters being irrelevantly American to please ABC, who reportedly paid $100,000 per episode! But when you look at almost any good TV series many years later you see these sort of faults, and Thriller is inventive, frightening and enjoyable enough to brush its bad points aside. A few years after its first showing, the series was broken up into stand alone TV films with rubbish music/credits replacing the classic theme with the fish-eye lens shots. This made the episodes easier to repeat, as they were no longer officially a series, but it meant subsequent generations of viewers have been less aware of this fine series, and it would have been forgotten were it not for online fan-sites creating demand for the superb 16 disc boxed DVD set of all 43 episodes.

all-briscoe A truly-exceptional series that has largely disappeared into obscurity. This is despite it achieving considerable critical and popular approval when broadcast in the 1970's. It is one of the few British series to have achieved success in the USA and it is not difficult to see why it achieved such popularity.Unlike most series, "Thriller" was an anthology of separate stories, without recurring characters or situations. This allowed great flexibility in terms of style and story-writing but unfortunately made it more difficult to achieve a long-term identity.When broadcast in the USA and given a rare repeat in the UK in the 1980's it was billed as discrete movies, further eroding its identity.The show had a very unusual length of just over an hour of action. This allowed more chance to develop stories and explore characters, to great effect. However it also created scheduling problems and has probably helped to kill the chance of further repeats. Unlike better-remembered but unquestionably inferior productions of the time, it was shot on video-tape. Once again artistically this was a great success. It made the action darker and more claustrophobic. Unfortunately this also made repeats less likely with filmed action usually seen as more likely to win wider viewer-approval.Most credit must go to Brian Clemens. He created the series, wrote most episodes entirely and provided the outlines for all of them. His writing was first-class, and well-supported by guest writers such as Terence Feely. He produced highly intriguing, unsettling, often frightening stories. Astutely, violence was largely kept off-screen and the exact motives of characters were frequently well-hidden. Viewers were forced to use their imaginations, making for deeper and more satisfied viewing. Characterisations were very sophisticated but suitably enigmatic. Most stories featured extraordinary twists and some terrifying scenes.Direction could still have set things back but was immensely strong. A small team of directors kept true to Clemens's intentions and added great atmosphere. Laurie Johnson's music was perfect - extremely chilling and unnerving - and cranked up the tension spendidly. However the producers also knew when to use silence to powerful effect. They were utterly aware that less is often more.Acting was very fine. The British performers included many of the leading lights of the 1970's and beyond. Unusually almost every story featured an American actor. Although this was almost definitely to help American sales, it brought an extra dimension. The Americans were able to offer more stylish and classless displays than their more traditional and austere (but still exceptional) British counterparts.There were inevitably some limitations. The depiction of women was very old-fashioned and often patronising, with far too many references to grown women as "girls". There was an over-emphasis upon portraying women as pretty but helpless, dependent on men to save them. However there were some strong, perceptive and assertive female characters. Generally the view of England is very traditional and deferential, focusing on affluent figures in ostensibly idyllic surroundings. Its world-view was more of the 1950's than the 1970's.Story-development is a little formulaic. For example, many episodes end with men cradling distressed women. However it should be remembered that "Thriller" was intended for a popular audience and not for the avant-garde, and some predictability goes with the territory and is often part of the fun.The American versions feature filmed titles and music added long after original production by different companies. The music is sometimes very effective but the titles are unnecessarily long, often amateurish or crass, and alien to the main episodes.However these are minor points. "Thriller" triumphs irrespective of these reservations, and no production is perfect. Any sophisticated viewer lucky enough to see an episode should be hugely impressed with what is seen. One hopes that stories will appear on DVD or video or receive a repeat broadcast so everyone can see what they have been missing!