Armand and little more. a bird, a search and a couple. the story is, in same measure, adorable, credible, sweet and wise. a kind of parable about life beauty and sense. and a not little role for its success remains the work of Rachel Nichols and Jackson Hurst chemistry. a film with all spices who gives to its public joy and few crumbs of cinnamon. and a not bad script who creates interesting characters and gives precision to details and inspired rhythm to atmosphere. histories, humor, duty and love. in a perfect package. that is all. is it enough ? in this case, strange fact, the answer may be yes. only for few animals. and a green bird.

CMichaelLeeD I just can't say enough about this great little indie jewel. All the actors shine, the production values are superb and the normal compressions and compromises inherent in bringing a sparkling novel to the screen have been thoughtfully and artfully chosen. Sure, all we jaded film fans have seen it before, just not always this heartfelt and fun. This film left me wanting more, in the good way.I highly recommend this for those who want to share a moving experience with someone special. Even better share this with someone you want to become special.This film is virtually bereft of objectionable content. Younger children may become invested in characters that suffer the vicissitudes of temporal existence. There are some suggestive situations. Parents may want to preview the movie before sharing it with the family. That said, a very rewarding film. Highly recommended!

profrabbit-1 I read a review of this film and was drawn to the story line, being an animal lover. A bird draws two unlikely people together. I thought this would be like Bringing Up Baby or What's Up Doc or other screwball comedy. I expected something wacky and cute. But it was so much more. Yes, it's antic, but the spiritual aspect totally caught me by surprise. The mystery of the bird represents the unfathomable forces which interlace peoples' paths and create love. Bird of the Air is witty and sweet and deftly directed. The two leads are presently unknown but it's easy to predict that will change. (And while the bird is awesome, the dog had me at first sight.)

lor_ Character actress turned filmmaker Margaret Whitton demonstrates real directorial savvy with A BIRD OF THE AIR, an appealing dramedy adapted by Roger Towne ("The Natural") from Joe Coomer's 1992 novel THE LOOP. Indie production may be low-profile amongst the high-concept Hollywood product out there, but is a highly recommended movie.Originally optioned by Oprah and later acquired by Matthew McConaughey as a vehicle for himself and post-SAHARA (but pre-Oscar) Penelope Cruz, Whitton's eventual version benefits from casting unknown leads.Jackson Hurst toplines as Lyman, a handsome introvert with zero social skills, whose job is cleaning up the interstate in rural New Mexico by night, aiding stranded or injured motorists. A beautiful, flighty young librarian Fiona (winningly personified by Rachel Nichols) sets her romantic sights on Lyman, and a decidedly unconventional bond develops between the mismatched pair.A couple of non-human characters balance and amplify the drama, as a parrot mysteriously flies into Lyman's trailer home one day, an aged, lost soul like our orphan hero. Fiona's basset hound is the other leading player, at first downright hostile to Lyman, but later helping to break down his protective shell.Much of the narrative revolves around Lyman's quest to track down the previous owners of the parrot, while Fiona researches Lyman's own shady background. Director Whitton has cleverly distorted the voices of those owners to provide a voice for the humorously loquacious bird, whose pronouncements hint at the film's underlying themes.Brief but telling character turns are provided by the succession of owners, all sympathetically acted by a diverse group of talents including Buck Henry, Judith Ivey and Phyllis Sommerville. Film buffs will also note a welcome (albeit fleeting) return to the screen by Anjanette Comer as Buck's wife. Also forceful in support is Linda Emond as a diner waitress who mothers Lyman and narrates the picture.Flavorful but not showy lensing by Oscar-winner Philippe Rousselot is a plus, and the film remains offbeat without succumbing to the cutesy clichés that tempt so many indie efforts of late. Hurst is disarming as the central hunk, acting in a style reminiscent of early Harrison Ford (before he started taking himself a bit too seriously) and Nichols, in quite a turnabout after co-starring opposite CONAN THE BARBARIAN, is a radiant heroine.