ma-cortes "A Genius, Two Friends, and an Idiot" also titled "Trinity Is Back Again" is a Western satire with a bemusing premise , there is plenty of action in the movie , guaranteeing shootouts , fights or stunts every few minutes ; however , being regularly directed by Damiano Damiani . It's an improbable blending of standard Western , tongue-in-cheek , silly humor , Comic-book and realized in Spaghetti/Fagioli/Trinity(Terence Hill-Bud Spencer) style . It deals with an expert conman named Joe Thanks (Terence Hill) who remembers the character ¨Nobody¨ from ¨Il Mio Nome e Nessuno¨ or ¨My name is Nobody¨ by Tonino Valeri . Joe teams up with Mestizo Bill Locomotiva (Canadian singer , Robert Charlebois) and naive Lucy (Moiu Miou) to rob a lot of money from a nasty Army officer . Joe is a genius with several qualities as ubiquity , controlling space and time and fast gun . As three rogues set out to steal $300,000 from an Indian-hating cavalry major Cabot (miscast Patrick McGoohan) supported by his Sergeant Milton (Raimund Harmstorf) . Their elaborate scheme is full of disguises , treason , and pursuits , but Joe along with half-breed Steamengine Bill always seem to know what they are doing . The two gunmen using his wits , break all the rules and kicking virtually every cliché in the pants carry out their objectives .Spaghetti/Schnitzel/Paté Western parody co-produced by Italy/Germany/France , it is packed with ridiculous situations , noisy action , exaggerated roles and lots of silly humor .This is a surprisingly low-key Spaghetti Western in which three diverse characters joining forces to rob a cache of money . This amusing as well as absurd picture contains a funny plot , action Western , shootouts and bits of campy and embarrassing humor . During filming took place a distress , parts of the original camera negative were stolen , so the film makers had no choice but to assemble many scenes from alternate takes , until today the original negative has not been found It displays an entertaining screenplay written by usual Ernesto Gastaldi , but shot by a filmmaker with no sense of humor . Amiable but sometimes lumbering Western satire goes on and on about the same premise , as a lot of minutes are superfluous ,it has half hour of excess , as it packs overblown jokes and antics and some moments turns out to be dull and tiring . This overlong film mingles slapdash, silly scenes , chases , double-crosses and it's fast moving and embarrassing .There appears customary Spaghetti actors such as Benito Stefanelli , Mario Brega , Raimund Harmstorf , Reno Girone , Rik Battaglia , and of course Klaus Kinski . The musician Ennio Morricone , composes a jolly soundtrack with catching leitmotif and well conducted. Colorful cinematography plenty of barren outdoors , sunny landscapes under a glimmer sun , stunningly photographed by Giuseppe Ruzzolini on location in Monument Valley , Utah , a favorite place habitually used by John Ford and also Sergio Leone , here producer . This was a failed farewell in Western genre from Sergio Leone , and ordinary secondary actors as Mario Brega and Klaus Kinski as a grumpy gunfighter who is ridiculed by the genius Terence Hill . The motion picture was middlingly directed by Damiano Damiani and lavishly produced by Fulvio Morsella and Sergio Leone . Damiani's so-so direction is regularly crafted, here he's mostly cynical and humorous and less inclined toward violence and too much action especially on its ending part . Damiano is an expert on all kind of genres as Drama (¨Arthur's island¨ , ¨The Most Beautiful Wife" , ¨The witch¨ , and ¨Empty canvas¨ based on the Alberto Moravia novel) , Terror (Amytiville 2 : the possession) , Historical (¨The Inquiry¨) , Spaghetti Western (¨Trinity is back again¨and the prestigious ¨A bullet for the General¨ again with Klaus Kinski) . Damiani was specialized on crime-thriller-Subgenre or Italian cop thriller (¨Confessions of a Police captain¨ , ¨How to kill a judge¨, ¨The case is closed , forget it¨, "Goodbye e amen" , ¨Mafia¨, "I Am Afraid" and ¨Warning¨ starred by Martin Balsam) . Rating : Average , 5 . Only for Terence Hill fans .

MARIO GAUCI This popular latter-day Spaghetti Western proved a disappointment overall, considering the talents involved; to begin with, I've always been wary of semi-comic genre entries such as this – which stars one of its major exponents, Terence Hill (in fact, I recall having misgivings about even his MY NAME IS NOBODY [1973]): incidentally, that film was produced by the foremost director of Spaghetti Westerns – Sergio Leone – who was also involved with this one in an uncredited capacity (as a matter of fact, the striking and violent opening sequence is attributed to him!).Anyway, the film clearly owes a huge debt to Leone's THE GOOD, THE BAD AND THE UGLY (1966) – several genre outings, actually, tried to cash-in on that classic by devising (often amusing) variants on its title – though there are so many characters involved that it's hard to determine who the various epithets are referring to! The international cast, then, includes – besides Italian Hill – Irishman Patrick MacGoohan (though playing a U.S. Cavalry officer), French Miou-Miou and Robert Charlebois, and German Klaus Kinski (appearing in a bit early on as a gambler/gunslinger). Director Damiani had dabbled in the genre previously with one of the politically-oriented efforts, A BULLET FOR THE GENERAL (1967); the film under review, though, isn't nearly as stylish or engaging – also, as with a number of examples of its kind, it's overstretched for no real purpose! Another underwhelming element here is the score by "Euro-Cult" guru/genre stalwart Ennio Morricone – while pleasant in itself and occasionally inventive, it's decidedly forgettable in the long run: it seems he'd been doing it for so long that inspiration had pretty much withered by this time! There's not even that much action throughout the film: it's merely a collection of incidents which sees opportunistic Hill, gruff and dim-witted Charlebois (who's not only unhappy to be constantly reminded of his Indian heritage but he gets to negotiate terms with them over land rights while posing as a U.S. Colonel!), charming Miou-Miou, and shrewd villain MacGoohan (who's wasted here: what was he thinking?!) teaming up and/or double-crossing each other for possession of the proverbial booty (the plot, thin and all-too-typical – as can be surmised – is still separated by a good deal of padding). To be fair, the film is mildly enjoyable as such (a reasonable assessment for an outing emanating so late in the game) – but hardly unmissable as Spaghetti Westerns go

hannibalmcnee Bit of a disappointment this one, although it was always bound to be too good to be true.Just think of it! A spaghetti western directed by the great Damiano Damini (A Bullet for the General) and the greater Sergio Leoni, starring legendary actors Patrick McGoohan and Klaus Kinski, with music by Ennio Morriconne. How could it go wrong?Well let's start...The opening sequence at least (directed by Leone) is brilliant and promises a terrific film. A promise that is not kept. The sequence has little or no bearing on the rest of the film, an action comedy about the conning of a racist cavalry Major (McGoohan) out of three hundred thousand dollars and the love triangle between the three con-artists, led by Terence Hill.There seems to be something about most Italian comedy that simply doesn't work when playing to a British or American audience and here it is the same. Most of the film is buffoonery that falls flat, made increasingly worse by the decision to give most of the co-stars silly voices in the dubbing room. Klaus Kinski comes off the worst in his tiny cameo, looking great, out-acting everyone on the screen, but sounding like an ancient hillbilly. Miou-Miou's squeaky toddler voice is unbearable.McGoohan too sounds bizarre, somewhere between an English toff and WC Fields (all the stranger still, because the voice is actually his).The music tends towards the comical of course, and as such is not in Morricone's best work.However, there are some diamonds among the rough. McGoohan's performance is great, in spite of the voice.Terence Hill makes a fairly engaging lead, whose description of a duel is a classic moment for spaghetti westerns. The climax too, an energetic chase, accompanied to Morriconne's reworking of Beethoven's Fur Elise, ending with a tremendous explosion that leaves McGoohan covered in white dust atop his horse like an imposing alabaster statue (worth the admission price alone) is evidence that there is some real talent at work here.In a perfect world, A Genius would be the very best of the spaghetti westerns. As it stands, it is a failure that I'm very pleased to have seen.

EyeDunno I purchased this PAL DVD (my Macintosh computer plays the format) and a region- free, NTSC/PAL DVD player (connected to a regular NTSC tv) so I, NOT THE STUDIOS, can choose what I want. The PAL disc was the only version I found available, and I will submit DVD info when I find time. Look for the widescreen/ letterboxed format (which "Genius" is), instead of the horrid pan and scan, because letterboxed (or matted) is what the director intended viewers to see! Please keep an open mind about spaghetti westerns. Sometimes viewers comment with such harsh criticism that it can turn someone away when they should be prompted to look for a title in the genre they are interested in. I've suddenly grown a fascination in macaroni that I'm finding movies that I've never been interested in before. I swore on Clint/Eli/Cleef/ Leone/Ennio flicks yet didn't notice people like Nero and Milian. And now I'm discovering not to be so hard on my boy Terence Hill. Okay, so he doesn't take it so seriously. At first, that's what turned me away from his flicks. It wasn't Eastwood enough. But geez, what a kick you can get from "Genious." Initially I didn't care for Ennio's music, but it seeps into you. And there's something about the camera placement and movements that draw me into the film, which was just the right length -- not too long or short. The funny moments and comments throughout, plus the explosion (a very real and powerful one) somewhere in the flick made me decide on 8 stars. I judge these the same way as kung fu action. It can be so easy to pick apart and be literal, but these generally are simply pasta and lo mein noodle- type movies. Just enjoy sucking it into your system. You'll love getting full, and soon you'll want another helping.