weezeralfalfa This 70 min. rather low budget offering from Columbia has a bit of everything. There are typical elements of westerns: Indians chasing a stagecoach, a local gang of desperados led by one of the leading citizens in disguise as 'Killer Pete', whose main goal seems to be to expand his holdings from a large ranch to businesses in town. He already has a big lean on the town saloon the Crystal Palace, which he periodically robs. As expected, Pete has a secret moll in Lola(Ann Miller), who is the chief entertainer for the Crystal Palace. Lola is contrasted with the prim classy blond Belinda or Bill for short(Penny Singleton), newly arrived from the East. She may look harmless, but she packs a mean pistol, as demonstrated in the Indian attack on the stage she and the new sheriff Tex Miller(a young Glen Ford) were riding in. Strangely, the town elders didn't seem to know about Tex, and were planning to offer 'Bill' the hazardous vacant position of sheriff. The last 4 sheriffs had been killed by Killer Pete. Bill might be a better shot than Tex, but she had no desire to take Tex's job away from him. Instead, she was satisfied keeping house for her uncle Jim, who owned the Crystal Palace, until such time that she might get married. Tex and Bill soon became romantically involved, although their initial meeting in the stage was hardly cordial, until they were forced to cooperate in fighting off the Indians. Their courtship was set back a few times when Bill accidentally hit Tex in the face with a freshly baked pie. This running gag was modified the 3rd time by Bill accidentally hitting Bill in the face with the frying pan she was using to subdue the members of Pete's gang.......The simmering relationship between Lola and Bill finally erupted into a notable cat fight, which some reviewers say was the highlight for them. ......Charles Ruggles was charismatic as Jim: Bill's uncle, reminding me of Walter Brennan, in speech and style. Onslow Stevens was tall and handsome, when his kerchief was pulled down, as Killer Bill. Allen Jenkins was appropriately humorous as the flaky deputy, who usually ran from trouble.....In the music department, Ann Miller and Penny Singleton are both decent stage singers and dancers, although their dancing styles were quite different, with Ann being a specialist in tap dancing: a skill that would be filmed many times in the future. Ann, at 18, was so young, I barely recognized her. She usually was included in films as a musical specialist or as 'the other woman', as in this film. She sings and dances to the title song, including a segment where she tap danced up and down the bar counter. Worth a second look. Later, she joins Allen Jenkins in a humorous song and dance to "I Wish I Could be a Singing Cowboy". Allen much reminded me of the dancing style of Ray Bolger(the scarecrow in "The Wizard of Oz"). Penny stepped out of her usual role, in the "Blondie" series, to participate in this film. She would lead a sing along, while on horseback, to "Dogie, Take Your Time". Later, Penny led a classy stage song and dance to "Most Gentlemen Don't Prefer a Lady", with The Foursome as backups. Unlady-like, she dropped her skirt to dance in her bloomers half way through, giving her freedom to do some more athletic maneuvers. Unfortunately, her uncle Jim was not pleased, and wanted to ship her back East, until Tex expressed a marriage interest. The Foursome did a barber shop quartet-styled sing to "Somewhere along the Trial". All of the above songs were composed by the team of Sid Chaplin and Sammy Cahn. In addition, a revised "Ida Red" was sung and played by Bob Wills and his Texas Playboys.....See it at YouTube.

movingpicturegal Rip-roaring Western-Musical that is fast-paced fun all taking place in the small Wild West town of Headstone where a bad man known as "Killer Pete" has killed four previous sheriffs and regularly ransacks the town of it's loot. Enter the new sheriff, a handsome bloke named Tex Miller (Glenn Ford), and the new gal about town, Belinda "Bill" Pendergast (Penny Singleton), just arrived from the east where she attended a "young ladies seminary" and, oddly enough, can out-handle most men with a gun. Tex and Bill met on the wagon into town, shot some Indians on the way in, and soon are thinking about getting married - except she can't stop accidentally throwing pies in his face. Meanwhile Bill moves in with her Uncle who lives above the saloon/dance hall and gets into some tussles with saloon dancing girl, Lola (Ann Miller).With entertaining musical numbers featuring singing cowboys, a Barbershop quartet, Ann Miller performing a tap-dancing number on top of the bar, Allen Jenkins as a somewhat cowardly deputy who also sings and a dances (a little) - - not to mention a knock-down, drag-out, full-fledged "cat fight" between the two women, a big finale where the women of the town get the best of some bad men via the use of mops, brooms, and a big cast-iron frying pan, and Glenn Ford at the peak of his most young and gorgeous here, this proves to be a pleasantly fun and humorous watch.

Neil Doyle PENNY SINGLETON gets top billing in this diverting little programmer made at the height of her fame as "Blondie". This film, directed by the same man who did that series, has Singleton in her "Blondie" mode, as a prim and proper but ditsy blonde who acquits herself well when Indians are shooting at the carriage she's riding in during the opening scene.She's so prim and proper that she refuses to even engage in conversation with the man sitting opposite her in the coach--GLENN FORD--on his way to the town of Headstone to become its new sheriff.Ford has one of his rare comedy roles and plays it to the hilt. He's continually getting in the way of Singleton's pie-throwing finesse or taking a crack on the head with a pan, accidentally of course.ALLEN JENKINS, as a cowardly interim sheriff, ANN MILLER, as a dance hall gal, and CHARLIE RUGGLES, as Singleton's uncle, all give fresh and funny performances. Miller is especially good in a couple of her dance routines, including a sing-and-dance number with Jenkins that comes as a delightful surprise.Very enjoyable romp, it seems to borrow a lot of its material from other similar westerns. It features at least a half a dozen unpretentious musical numbers that make for easy listening.Summing up: One of Columbia's better programmers.

sdiner82 A pleasant, diverting, fast-paced, unpretentious musical Western. Shown frequently on commercial TV in the late '50s and '60s, it seems to have disappeared. Will someone at Columbia Pictures please stop promoting their 2001 mega-budget stinkers and instead preserve and re-release their past glorious unsung treasures (such as "Go West, Young Lady") and make them available on cable-TV and videotape.This "B"-unit film is an unalloyed delight. A precursor of such later films as "Calamity Jane" & "7 Brides for 7 Brothers". Penny Singleton is adorably ditzy as the heroine, Glenn Ford honed his comic skills as "the tenderfoot" and sparkling Ann Miller as the tart-tongued saloon-singer steals the show. The Sammy Cahn score is a treat, and Annie's tip-tapping with Allen Jenkins singing "I Wish That I could Be a Singing Cowboy" is one of the many highlights of this unique lark of a film.Good, rousing, old-fashioned fun--packed into a tight 70 minutes!