Horst in Translation ([email protected]) "Berlin Calling" is a German 110-minute movie from 7 years ago. Writer and director is Hannes Stöhr and it is probably his most famous work until today. I also saw his more recent "Global Player" and definitely preferred that one. "Berlin Calling" takes us into the world of electronic music focusing on DJ Ickarus, played by the successful artist Paul Kalbrenner. However, I was not impressed. He certainly is not a trained actor and I cannot take this film seriously from that perspective. There were several really intense scene, but they all left me rather uninterested, especially those about the main character's drug abuse, basically from start to finish. The actress who plays his girlfriend was as bad as the one who played the lesbian relationship. No idea what they were thinking with this sub-plot. Probably grasping for straws in terms of including sex to lure people into theatres. It probably would have helped if they had at least been attractive.No idea why this film has such a good reception and why a decent actress like Corinna Harfouch would appear in here. This was not an amateurish-looking effort, but also not a particularly good one. In my case, it probably doesn't help either that I really do not care for electronic music, one of my least favorite genres. Very forgettable film, in which I never felt for the character. Not recommended.

Elain-ee I have to be honest, this film is realistic but for all the wrong reasons. Yes, the music is fantastic; yes, the venues are authentic (or appear that way). But I have met and befriended about half a dozen DJs whose behaviour fell within the spectrum of Icka's selfish, arrogant, immature world-view and I can tell you that their behaviour did not lead to the simplistically realised 'happy ending' (such as it is) which is portrayed in Berlin Calling.The ending scenes in particular left me feeling that the makers of this movie actually believe in the same gloriously-decadent vision that they condemn Ickarus for having. They really seem to be saying that minimal techno is an end unto itself;that all the drug addiction and relationship failures that play a part in its production are just a means to an end, a drop in the ocean of 'immortality' that comes from having one's name etched on a piece of wax. Ickarus' family, best friends, lovers and admirers are all portrayed as mere accessories to his dream; willing slaves to his quest for fortune and fame. Berlin Calling would have been a much better film if its makers had dared to question the greed (both emotional and material) which bound to it in the first place.Near the end of the film, Icka's Dad blames his son's behaviour on the fall of the Berlin wall. Personally, I found this to be a lame attempt to tack some sort of logic onto the pointlessly infantile behaviour displayed by Ickarus - who for all the world comes across as a spoilt brat. If only there was some proper character development in this film - either in Icka or his supporting (and tellingly, largely-female) cast, then his selfish behaviour may have made sense. But as it is, you come away thinking, this is a guy with too much money and too little brains to appreciate it. In other words, he's about as political as a silk Gucci scarf!

djpauze I was fortunate enough to view the screening of this movie in Toronto on September 7th. I too have to agree that this movie should have been selected for the Toronto International Film Festival.The movie portrays the life of techno dj as it really is including: gigs, relationships, record deals, touring and drug use. This is the closest you will get to real life. As one of the above users stated anyone who is from the Hardcore/Underground can tell you that this movie will bring quivers up your spine as to how real it portrays.From beginning to end this film is non stop action. An extremely talented cast mixed with a great direction and an incredible soundtrack made for probably of my favourite films related to e-music to date.

jagfx "Berlin Calling" is an ambitious film that looks into the dark side of the German electronic music but doesn't seem to know what to say about it. Director Hannes Stohr makes a wise move in casting real life electronic musician Paul Kalkbrenner in the lead role of (the overbearingly metaphorically named) DJ Ikarus.On the cusp of releasing his greatest record Ikarus succumbs to the effects of his longtime drug use and is admitted into a psych ward. From here, the film veers wildly in tone recalling the excesses of "Trainspotting" and the tension of "One Flew Over The Cuckoo's Nest" without ever find a middleground. Subplots involving a teenage fan who works at the hospital; his on again/off again bisexual girlfriend and his dealer never really develop into anything substantial. Worse, Stohr doesn't seem to know what he wants to say about drug use. Is it necessary for creative artists? Is it an evil? Is it OK in small doses? He offers middling cases for each scenario but doesn't make any unique observations.That said, the music in the film is fantastic. Written by Kalkbrenner himself, it casts a great light on the contemporary German electronic scene and if there is any reason to see the film, it's for the music. He manages to make the subtle shifts in tone and mood accessible for even the casual music fan which is a feat in itself.