Ed-Shullivan I will not use the genre "THRILLER" to portray this film as in my humble opinion just because writer/director Nico Mastorakis who is one of the most highly successful Greek film and television producers penned Blind Date, it left me feeling cheated. Why you may ask?Well... from the opening credits where there are a few dark and blurry scenes the audience witnesses a serial killer using a magic marker to outline on his first two female victims chests where he is about to use a sharp scalpel to cut them open, the less than scary musical score which Nico Mastorakis's uses is present throughout this very dull film.I will say the science fiction approach to solve who the serial killer was something I have not seen in any other film. The lead actor Joseph Bottoms who plays Jonathon Ratcliff, a successful promotional executive is caught peeping on what he thinks is his first love and her new beau until the new beau named Dave (played by good looking James Daughton) gives chase in the middle of the night and as hilarious as it may seem, our star actor Jonathon Ractcliff runs smack dab into a low hanging tree limb and wakes up totally blind. Here is where the science fiction theme comes into play, a successful surgeon named Dr. Steiger (Keir Dullea) suggests he can help the recently blinded Jonathon Ratcliff using a combination or radiation surgery and a magnetic implant on his brain so that when he uses a prototype Sony Walkman (remember this film was made in 1984 and Sony was on the leading edge of the film and music industries technology boom) on the outer edge of Jonathon's skull he will be able to see 3-D animated outline images of what the rest of the world sees.And so equipped with his new Sony Walkman seeing eye technology and a creative host of animators the film moves on to allow our star Jonathon Ratcliff to help save his first love once more from possibly falling as the next victim of this mad serial killer whose modus operando is to capture his female victims, then outline using a magic marker on their bare chests where he then intends to make his incision with his sharp scalpel while the directors irritating musical score sorely fails at keeping us the audience in suspense.I won't spoil the ending for anyone since from the opening scene the film left me wondering if this film would be worth continuing to watch. I give the film a 4 out of 10 rating mainly for the unique use of the cutting edge sight seeing technology that Dr. Steiger used on his patient Jonathon Ratcliff which was the only interesting part of the story.

Leofwine_draca Here's a Greek thriller with horror overtones which passes the time well without really breaking any new genre boundaries. I did think the computer device which enables the lead to see white outlines on a black background was a very impressive (if not very realistic) creation which allows for plenty of disconcerting (not to mention cool-looking) visuals. Things become a little muddled when this device gives the lead some kind of psychic link (yes, that again) with a killer for no apparent reason, so instead it skips over the technical aspects and just hopes the audience will accept the device at face value.The film definitely appears to have been influenced by the Italian giallo movies, with a series of innocent women being stalked and gruesomely killed by a mystery killer with an unknown motive. The killer even has his own distinct methods like always wearing rubber gloves at the crime and using a scalpel, believing himself to be a doctor. The one thing the film lacks is a true explanation of the murderer's motives, and instead we just have to take him and his reasons at face value. The stalk sequences make good use of shadows and lighting to build up some impressive atmosphere at moments.The film is pretty grisly without actually showing anything, instead cutting away at the last moment from the crime. It does have a hard edge and sleazy atmosphere which is to be expected, I guess, when your director is Nico Mastorakis, the director of the infamous video nasty ISLAND OF DEATH. A strong cast also do their jobs well and help to root the film in reality, as well as creating real sympathy for the characters. Joseph Bottoms (one of the lesser known of four brothers) takes the lead role and convincingly portrays a man coming to terms with his blindness - a scene in the subway where he fights back against a gang of thugs is great stuff. James Daughton only appears at the very end of the film as the killer but his performance is chilling nonetheless. Genre favourite Keir Dullea enjoys a cameo turn as a mad/genius scientist and seems to have fun with his part, although he is only on screen for about ten minutes. Also keep an eye out for the guy billed as "crazy old man" who enjoys hiding in women's bathrooms - one of the weirdest bit characters you're likely to see.The rest of the cast are mainly women, and most of the unknown actresses end up being undressed or in the shower for obvious gratuitous reasons (amusingly one of these actresses was a then-unknown Marina Sirtis, better known for her starring role in STAR TREK: THE NEXT GENERATION. I bet she leaves this one off her resume...). Kirstie Alley has the thankless role of the lead's girlfriend but her character is totally superfluous to the plot, and the least the writer could have done would have been to endanger her in some way for an extra frisson. Popular blonde Lana Clarkson also has a fairly prominent role as a model who becomes a victim, taking a break from her usual "barbarian" type roles at the time.There are a few minor moments in the film which resemble those in other popular movies (for example one scene is unmistakably reminiscent of REAR WINDOW) but BLIND DATE largely avoids the pitfall of becoming too clichéd. It does, howeve, offer plenty of realism and raw characters, some mild horror, a few shocks and plenty of suspense and atmosphere towards the end. The only thing missing is real excitement, thrills and chills.

smatysia Part psychological thriller, with just a bit of sci-fi, it really never does work. Joseph Bottoms was pretty boring as the lead. Kirstie Alley was pretty good, and this film DOES have her only known topless scene. (There is a long feature on the director on the DVD which contains some additional footage of this scene.) The late Lana Clarkson was good enough here, and Marina Sirtis looked fantastic as the hooker. Keir Dullea was simply wasted on this material. The biggest plot hole had to do with the special effects (which really weren't all that special). The grid outlines that Jonathan Ratcliffe (Bottoms) were able perceive simply weren't nearly good enough for him to get around as well as he did. And I mean walking about, we don't even have to go as far as the driving scene. Also, he really wasn't very convincing as a blind man. Poor screenplay plus poor acting equals poor movie. The only reason to check this one out is if you are interested in Alley. Grade: D-

rich-66 Foreign films generally do not impress me, and Blind Date is no exception. Foreign directors seem to emphasize one aspect of the film at the expense of the others. In this case it was (weird) lighting effects at the expense of good acting, plot, etc. If you are considering renting this video, I would suggest you reconsider.