arel_1 The main reason this seems so unfunny to many younger viewers is that a lot of the humor was topical, and topical humor becomes unfunny as soon as the topic is no longer "current events"--how funny will "Dubya" jokes seem by around 2084, when they'll be about as old as the jokes in "Boo!"? I'm twenty-some years younger than "Boo!", and the only reason I got most of the topical jokes is that I'm a big fan of 1930s movies thanks to having grown up when TV stations showed movies late at night instead of infomercials (yes, kids, they really used to do that!) You miss a lot of the humor in older movies if you can't time-travel between the ears.

José Luis Rivera Mendoza (jluis1984) Whenever someone talks about horror movies of the 30s, the words "Universal Horror" always have to appear sometime during the conversation, as the importance of the movies done by Universal Studios in that decade is simply unquestionable. While Universal Horror was technically born in the 20s, it was in 1931 when it truly became a synonym of high quality fantasy stories, as it was in that year when the two first films of the "Golden Age" were released: Tod Browning's "Dracula" and James Whale's "Frankenstein". Based on classics of Gothic literature, both films became instant hits and transformed their lead actors (Bela Lugosi and Boris Karloff respectively) into legends. Due to their great success, the two films quickly entered our pop culture as the ultimate monster films. "Boo", a 1932 short comedy film produced by Universal, is an early example of this.In "Boo", a Man (Morton Lowry) is decided to have nightmares, so following the advice of the Narrator (possibly director Albert DeMond himself), he has a heavy dinner made of lobster and milk, and reads a horror novel before going to sleep. Our hero has read Bram Stoker's "Dracula", so as soon as he falls asleep, he begins to dream the horror of his lifetime. In his dream, he sees Dracula (archive footage of Max Schreck from 1922's "Nosferatu") preying on helpless humans and sucking their blood. To our hero's horror, Frankenstein's Monster (archive footage of Boris Karloff in 1931's "Frankenstein") also appears on his dream, and the Monster is willing to prey on humans too just as the vampire Count does. However, something is not right with these monsters, as their motifs seem rather dubious, or at least that's what the Narrator tries to explain.Written by Albert DeMond, "Boo" is nothing more than a series of clips from F.W. Murnau's silent classic, "Nosferatu", James Whale's "Frankenstein" and Rupert Julian's "The Cat Creeps", everything mixed but joined together by DeMond's tale of a poor man's nightmare. DeMond's story is merely an excuse to put the clips in funny ways, putting footage on a loop or adding wacky sounds to them. In his narration, DeMond makes fun about the congress and the economical situation of their time, as well as of horror movies in general. It's all in good fun, although certainly the jokes haven't really aged well and now may sound boring and unfunny. While this can be blamed on the fact that humor has changed, in all honestly the jokes weren't that funny to begin with, although some can still bring at least a smile.Where the movie shines is in it's use of clips from Universal horror films, as DeMond puts them out of context and makes some funny segments by playing with them. Interestingly, DeMond used Murnau's "Nosferatu" instead of Universal's own "Dracula", mainly because Lugosi's vampire was probably too elegant and good looking for his wacky spoof, so he used Max Schreck's interpretation as it was more of a monster. Of great interest is the fact that "Boo" contains what's probably the last surviving footage of Rupert Julian's 1930 horror classic, "The Cat Creeps", a movie that has been missing for years and that it's considered lost by many historians. While out of context and done for laughs, we can see bits of that now legendary film in this little short movie.While I wouldn't say that "Boo" is a great movie, it's an interesting oddity to fans of Universal's Golden Age of horror movies, as not only it offers the only way to see a slice of "The Cat Creeps", it also shows a different view of those classic movies and how strong was their impact in those early years. Sure, as a comedy it's pretty mediocre (even for laugh tracks standards), but like most of the horror movies done by Universal, this one has a strange charm that makes it special. Not exactly a good film, but definitely a must-see for Universal horror fans. 5/10

Evil_Magus This is easily one of the better short films I have ever seen. Despite being made in 1932, it's on par with the best of today's equivalent shorts, and far superior to most of them. It's a hilarious spoof that uses clips from Frankenstein (1931) and Nosferatu (1922), along with dead-pan narration, that takes a number of clever shots at everything from their appearance, actions and even congress and The Great Depression. It's everything that Svengoolie tries, and horrendously fails, to be. It's a choice gem of the 1930's culture that should be experienced if at all possible; definitely a must-see for fans of comedy and horror (especially Dracula and Frankenstein).

violencegang I've just come across Boo as an extra on the DVD of Frankenstein (1931) and, due to the fact I was watching it at well past midnight, I found it as strange as it was funny. It starts off with a bearded man with a strange expression on his face emerging from a jack-in-the-box and holding up the film's title, which is a weirdly disconcerting effect, particularly as I have no idea who this man was. The narration is rather outdated, not so much because it was recorded in 1932, but because of what is said (the reference to woman automobile drivers is ever so slightly sexist), but what I don't get is, while Universal included footage from its movies 'Frankenstein' and 'The Cat Creeps', the Dracula segments actually come from F.W Murnau's 'Nosferatu'. This seems strange, because I would have thought the studio would want to publicise its own, then-recent, Dracula movie (the one with Bela Lugosi). To conclude, Boo is an oddity that you probably won't find yourself watching unless you get the Frankenstein DVD, which you ought to own anyway