Leofwine_draca BORSTAL BOY is a thoughtful prison drama based on the true-life experiences of Irish poet Brendan Bahen. The story is a political and reflective one in which Bahen, then part of the IRA, is captured by the authorities during WW2 and sent to live at a borstal in hated England. While there he discovers that the enemy are not all that they seem and that they might not be so bad after all...Certainly the DVD cover is a piece of blatant false advertising, adorned in barbed wire and featuring a recent photo of Danny Dyer covered in stubble, no doubt from one of his gangster flicks. In actual fact, an incredibly youthful Dyer appears only in support, although his performance as a friendly sailor is a good one. And this isn't your usual tough prison drama at all - although there are elements of the genre here (rape, escape) they're handled in a deliberately sensitive and non-sensationalist way.Throughout the story the human drama is paramount, and thus this proves a fitting reflection of the times in much the same way as a Catherine Cookson TV movie reflects life in the early 20th century north. The only problem I have with it is that Shawn Hatosy's acting is a little wooden.

Arcadio Bolanos Brendan Behan is a young Irish that understands the consequences of his actions when it's too late. Carrying explosives for the IRA, Brendan is apprehended during the first sequences of Peter Sheridan's film.Here there is clearly a disruption between the boy's wishes and his actions. For undisclosed reasons he has perpetrated a most dire action against the integrity of the United Kingdom. Or he has had such a purpose, anyway. How far can one go when insurgence seems to be the only way out? In a troubled time, in a troubled Ireland, Brendan Behan risks everything and he fails.He is arrested and sent to Borstal, to become yet another Borstal boy in a most peculiar penitentiary facility. Deprived of his liberty, he treats Charlie Milwall with hostility, although later he will develop an intense friendship with this young inmate.Behan is blinded by ideology. After all ideology is nothing more than a social construction which pertains many ambits of society. One could talk about the heterosexual normative as an ideology so strongly rooted that seems impossible to vanquish. In this case, the most obvious ideological weight comes from the ties Brendan has with the Irish Republic Army.Authors as diverse as Daniel Bell and Albert Camus have written about the end of ideologies. Ideology can blind people and will always be influential in the way they see the world, regardless of the positive or negative outcome of this process, ideology is a perception of the world that leaves as strong a mark as one's own body or personal history. It's then logical that Brendan struggles to be faithful to the IRA's ideology failing over and over again.Ideology also blinds Brendan when it comes to his true feelings. He tries to convince himself that he loves the warden's daughter. That is why at first he angrily repels Charlie's harmless advances. But then, very slowly, he starts to give in. They share one precious intimate moment before some prisoners attempt to abuse the warden's daughter. As a result Brendan has mere seconds to decide who he should protect. Must he embrace the norm, id est, heterosexuality or could he accept the forbidden, id est, homosexuality? Once again he denies his true self, and in doing so, he forever condemns Charlie to oblivion. Just as in the beginning of the film, Brendan will fully understand the consequence of his decision only when it's too late to change it. When he realizes there is nothing left to do, he truly opens his eyes. Ideology has fallen apart: his allegiance to the IRA is over, as well as his relationship with the warden's daughter. Brendan is at last, literally and metaphorically, free.

Mark0099 As others have mentioned, the dialog was a real obstacle at times -- I couldn't even tell if the dockside conversation at the end was English or Gaelic. In most any other film, this would have had me at the point of surrender before reaching even the halfway point. But the story shines through here. And while parts are admittedly improbable or inaccurate, this didn't distract one bit. In the shocking final newsreel scene, I was just as distraught as Hatosy's character -- I replayed the scene at least 10 times, each time quite undone its emotional wallop.High marks to Hatosy, Dyer, and Inglesby, whose other work I will now purposefully seek out.

felixoscar Sure, the script sports a contemporary sensibility, but how did this engrossing little gem get lost? Far from perfect, but consider all the trite and dumbed-down stuff that has been exploding on the screen in recent years. The story was more interesting than I had anticipated, I was a kid when Brendan Behan died, my father bemoaning the loss of a talented alcoholic so young.Hard to reconcile the character etched so well by Shawn Hatosy succumbing to a life of alcohol, since the portrait presented, and so well acted, is one of an admirable young man overcoming so much.Charlie, so well played by Danny Dyer, is very interesting, so it would have been more satisfying to have the writers expanding the characters (the story itself takes about 85 minutes).Nevertheless, this deserved far more attention and I rate it, Very good indeed (how about a sequel, set here in the USA)?SPOILERS!!I have no idea whether, as others have wondered, the script is accurate. But one small nit. As man with a double minority heritage (Jewish and Gay) (that's me), I am so damn tired of having sympathy given over to us in on the screen, only to have us bumped off before the curtain falls! Let the bad guys get killed for a change.