George Parker "Bossa Nova" is a fun and light hearted film about the romantic involvements of an ensemble of diverse but interconnected characters including one relationship hatched over the Internet. This charming little film features plenty of samabas, postcard panoramas of the Copacabana, and a 90 minute story which moves along quickly and will leave a smile on your face.

RobT-2 Three things save this movie from being, at bottom, an ordinary comedy of romance and misunderstanding. Two of them are the music and the scenery, which have already received extensive comment from others. The third is the intricate network of character relationships--romantic, professional, and familial--and for me the greatest pleasure in "Bossa Nova" lay in figuring out this network. It's not as seemingly naturalistic as the comparable web of relationships in "Magnolia", but no less satisfying a puzzle. Overall, a pleasant experience and an excellent date movie, with just enough potential heartache to accentuate the sweetness of the romance.

Bruce Burns "Bossa Nova" has lots of great shots of Rio de Janerio, and lots of pretty actors, and a soundtrack that combines old and new bossa nova tunes. Unfortunately that's about all it has going for it.The film is about the romance between an American woman who teaches English to the wealthy and her corporate lawyer student who bears a striking resemblance to Marcello Mastroianni. Both of them are supposed to be in their early to mid-forties.The age aspect is one problem I have with this film. I'm not against middle-age romance on film, but it's just so obvious that Antonio Fagundes is closer to fifty.Another problem I have is with Amy Irving's acting skills. At times, it's obvious she's reading straight off a cue card. Good actors never let us see them working.But the biggest complaint I have about this film is the plot, or rather the lack thereof. The film is filled with lots of confusing little subplots, some of which never resolve themselves. This, I guess, is to distract the audience from the fact that the main plot is so threadbare.Many American critics have praised this film. This is largely, I believe, because it is not an American film and was not bankrolled by a major Hollywood studio. However, I always use the same barometer to judge a film, regardless of its origin or pedigree. I give this film the same criticism I would give to a film such as "How Stella Got Her Groove Back" or "The Horse Whisperer": It's beautiful to look at, but once you get past the scenery and the actors' looks, there's not much left. I give this film a 6 out of 10.

Jim Shippey While other comments here have focused on the 'feminine' quotient of the picture, it should be noted that Bossa Nova goes beyond the formulaic approach ala Return to Me, and instead goes for a more Altman-like approach. The confluence of a myriad of characters of diverse backgrounds (including Alexandre Borges [the star of the epic Um Copo de Cólera] as a soccer star about to be traded to an English League team) comes together in a fashion not unlike Altman's Nashville, with some winners and some losers, including nice guys. No, as mentioned earlier, this does not show you a gritty, realistic Rio, but after the fantasy Broadway song and dance sequence, who the hell would have expected it? Ultimately, the film leaves you feeling good, albeit a bit empty, like most summer fare here in the States.