MartinHafer Neil McGill (Robert Young) is a very spoiled son of a rich man. For the second time, he's missed his wedding with Abbie. Although he claims to love the woman, it's certainly not apparent. But his dippy mother (Billie Burke) wants to try to salvage the relationship and insists on taking Neil to Europe to get a note from a famous psychiatrist that says Neil was suffering from amnesia! However, some unexpected things happen...such as his falling in love with a poor lady (Annabella) as well as wanting to finally make something of himself.This is a modestly interesting story. However, it's also a bit of a hard sell because through so much of the story Neil is unlikable and a bit of a spoiled jerk. Had be been less dislikable the story would have worked a bit better.

dougdoepke MGM B-movie with a lively cast, but more entertaining than amusing. The 70- minutes has elements of screwball comedy, popular at the time. However, the Young- Annabella pairing proves more likable than funny. Contrast this with the Grant-Hepburn pairing in Bringing up Baby (1938). The differential may well be due to the directors: the legendary Hawks in the latter, a relative unknown Thiele in the former. In short, the actors sparkle here, but there's little overall synergy that would build chuckles instead of spreading them out.Young plays a rich man's wastrel son who likes binges better than his wedding day, which he has drunkenly forgotten. As a result, his fed-up dad (Lockhart) disowns him, while a desperate mom (Barnes) sends him to Switzerland for analysis and therapy. There, he meets charming hotel worker (Annabella) and tries to seduce her. She's tempted but senses his irresponsible nature. The question is whether he will ever change his worthless ways.I agree with others-- the phony mountain sets are nevertheless both impressive and scary. But then, MGM didn't skimp, even with programmers. Note too, that there's a class element underlying the plot. The script makes clear that Young's character is deformed by an easy life of family wealth, while Annabella's solid values are rooted in a strong work ethic. And catch that episode aboard ship, where a richly attired Young strays into steerage only to get roughed up by working class men. After all, it is 1939 and class issues are a lively concern.All in all, it's an unexceptional 70-minutes, most notable for a lively and colorful cast.

blanche-2 "Bridal Suite" from 1939 is a small movie from MGM starring Annabella, Robert Young, Walter Connelly, and Billie Burke. The nice supporting cast also includes Reginald Owen, Gene Lockhart, Sig Arno, and Felix Bressart.The film concerns a swinging bachelor, Neil McGill (Young) who is being married for his money by Abbie (Virginia Field) except that he keeps getting drunk and forgetting to show up at the wedding. His parents (Lockhart and Burke), longing to turn him into a solid citizen, are in a panic. They are hoping that somehow, he can convince Abbie to give him another chance, not realizing she's only marrying him because she needs money.At a Swiss resort, Neil meets Luise (Annabella) and falls madly in love with her.This film is cute and, at 1 hour and 15 minutes, seems to have been a "B" movie. This is a good indication of how, after giving her a tremendous star buildup, Darryl F. Zanuck just wanted Annabella off his lot and away from her boyfriend, Tyrone Power. I mean, he lends her to MGM for a B movie? None of Zanuck's ploys succeeded. Annabella refused to go to Europe to work, and less than a month after wrapping the film, Annabella and Tyrone Power married. So after all the star grooming, the French actress became known as Mrs. Tyrone Power. It's a shame because Annabella is delightful in this, and she really was a wonderful actress.The best scenes are the ones that take place on the mountain. Though fake, they're quite impressive and scary! The other thing is the name of the resort where Neil and his mother are staying: Bieverhausen. On Will & Grace, Karen used what was spelled Beaverhausen as an alias.

mmtoucan Before the paternalism and the pipe, Robert Young played charming, rich wastrels and heavy-drinking womanizers, all charming and sympathetic. MGM put him in quality B+ productions of which this is one, a light romantic comedy that borders on screwball with Young the screwy one. He is in top form, as is the entire excellent cast. MGM's typical blitheful avoidance of little old WWII, alluded to twice in jest, as the setting shifts from wartime England to Switzerland to transatlantic liner is a big downer. That and supposed-to-be-funny-but-never-is Arthur Treacher in a small role. Oh, and the whole lame and overworked premise that honest work will cure Young of his scalawag ways, though it provides Annabella material for her one and only laugh in the finale. It's big enough to keep you happily laughing as the end credits appear.Incidentally, how many movie feature musical numbers with zithers. The Third Man, of course, and Sunnyside Up with Janet Gaynor (an extremely great movie musical moment) and this movie (not so memorable).