bkoganbing The very first Crime Does Not Pay short subject featured as its protagonist one of MGM's mainstays for the next three decades. When he did his last film for Leo the Lion in 1963 Robert Taylor set a record for the longest running studio contract for any player.Buried Loot is about as humble a beginning as you could have. Taylor is a bank clerk who has embezzled $200,000.00 plus and then goes into his boss and confesses. Says he spent it all, slow horses, fast women, you name it. He gets a 5 to 12 year sentence for his crime.But while figuring on a minimal two year term, Taylor has the money buried in a secure place, hence the title Buried Loot. Do the time and then live it up. But prison not being the wholesome experience can play funny tricks and you have a lot of time to build things up in your mind and have mind games played on you.During those first years at MGM Taylor was the matinée idol and it was always a tossup between him and Tyrone Power over at 20th Century Fox as to who was the handsomest fellow in films. Taylor's own good looks are woven into the plot in a grisly way.How they get him I won't reveal. But think about White Heat and what was done to nail James Cagney.Buried Loot was highly melodramatic but it serve to give good exposure to a star that MGM was building up for a long term investment.

Michael_Elliott Buried Loot (1935) **** (out of 4) An embezzler steals $200,000 and says he gambled it away. This isn't exactly true because he's buried the money and plans to get it when he's released from prison in five years but a few twists changes things. Here's a terrific MGM short from their "Crime Does Not Pay" film line, which back then was what the TV show Cops is today. Cops would tell true life crimes and then re-enact them. This story is full of wonderful twists and turns and the ending is downright jaw dropping. One of the best of its kind.

Ron Oliver An MGM CRIME DOES NOT PAY Short Subject.An imprisoned embezzler begins to worry about the $200,000 in BURIED LOOT he's secreted in New Jersey.This two-reeler was the first in a series featuring true crime stories told in a compelling, hard-hitting fashion. It is well plotted & acted, with no dull moments or unnecessary subplots. No cast credits are given, but movie mavens will enjoy the ripe performance of Robert Taylor, only steps away from discovery & stardom, as the bad guy consumed not by conscience but by fears of ultimate failure to enjoy his ill-gotten gains.Many of the prison shots were lifted right out of MGM's classic feature THE BIG HOUSE (1930).Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something like writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.

SkippyDevereaux One of Robert Taylor's earliest "films"--if you call a short subject, a film.All about a guy who steals $200,000 from a bank and the aftermath that goes with it. I found it to be very entertaining and thought that it was too bad that they did not do a complete full length film on this one, as it was really well made!!Try and catch it on a certain cable channel that shows these "one reel wonders", as it is a good one.